Showing posts with label Andy Adams. Show all posts
Showing posts with label Andy Adams. Show all posts

Tuesday, July 27, 2021

Is It True, Mr. Adams? (Andy Adams)



Post by Doris McCraw
writing as Angela Raines

Many people talk about Andy Adams and his writings. Many speak in fond terms about his book, "The Log of a Cowboy". Manly Dayton Ormes (yes, that's his real name) in his book, "The Book of Colorado Springs" wrote the following about Adams:

            Andy Adams, another of our own, came to Colorado during the Cripple Creek gold excitement, after his Texas cowboy life. He took up mining and story writing; he lost a fortune in the first venture but retrieved at least part of it in the second; after he wrote "The Log of a Cowboy", his work was sought far and wide. His insight into cattle life "was not obtained from a Pullman car window, but close to the soil, and from the hurricane deck of a Texas horse." These are his words. He tells of seeing one night after his money was gone, Charles H. Hoyt's "A Texas Steer." The opera house was crowded with a delighted audience. With his 20 years in the West, 12 of them in the saddle, he told Henry Russell Wray, who was a great friend of his, that he felt he could contribute something of the real romance of the cattle trail which should please the public even more than the sensationalism of "A Texas Steer." So being encouraged by his friend, he tried his hand and one. He has since lived here, an interesting figure connecting present and past.

Andy Adams
photo from Wikipedia

Yes, the iconic book, "Log of a Cowboy", if not written, was probably finished in Colorado Springs, Colorado, and published in 1903. The play of Hoyt's he spoke of played in both Pueblo and Leadville around 1900. In 1903 he was rooming in the St. James Hotel. He later moved to The Albany Hotel, which was built in 1902, where he remained until his death in 1935.

Photo Property of the Author

The local papers would note when Mr. Adams was writing another book. He was a celebrity in what was then a modest-sized town. Yet, almost all speak of Adams with great affection. Of Scotch/Irish heritage, Adams was six foot tall and was said to have a kindly smile and modest manner. The biographical/obituary articles after his death had this to say:

             He did not give the impression that he was one of the world's greatest literary figures either. With his rather wide-brimmed Stetson, his black string tie, and slightly oversized caller, he seemed more the big ranch owner or foreman than one who had written the finest novel of the cowboy and the trail that has ever been written. Like his friend Rhodes, he did not regard the writing of a good book as constituting any greater distinction than the writing of a good horse or the capable driving of a trail herd.
            And he rarely "talked literature." He alluded once in a while to the novels by Rhodes and Hough, as he mentioned now and then the paintings by Russell and Charles Craig, because he admired them and saw in them true portrayals of the West and the cattle range as he knew them. But literature as a thing separate from reality met little if anything to him.
            "I don't know anything about fancy writing," he said once, "any more than I know about this fancy writing you see in the pictures. When I sit down and write I go about it the best I can, tell what I have to say and quit. That's the way I did when I wrote a horse. I leave the fancy stuff to the fancy fellows."
            Which is one of the reasons why Andy Adams was a great — a great writer and a great cowman.



Photo of Adams from The Colorado Springs Gazette
around 1926

In 1923 Adams received a letter from a Mr. B. Youngblood from the Texas Agricultural  Experiment Station in College Station, TX. requesting some biographical information as they were using his books to teach about Texas ranch life. Adams reply read:


Adams had joined the Masons after moving to Colorado. He is buried in Evergreen Cemetery in Colorado Springs.  He died on September 26, 1925, of a heart attack, the following was posted in the biography/obituary that appeared in the paper:

            Andy Adams, the last of the great cowmen who abandoned the cattle drives and roundups to travel the trails of Western literature and art, has gone to join the other members of that noble brand — Emerson Hough, Charlie Russell, an old Gene Rhodes. Andy headed down the last trail early yesterday morning.
            "Just get an early start, well before sunup, as any good cowboy out to do," he himself would probably have said that had he known that the bars were down for the last, lone trek.
            Though his death was unexpected by his friends, he himself seemed to of had a premonition that the end was near. Only a few days ago, when informed in the course of one of those short walks he was in the habit of taking daily, that his health appeared to be improving, he smiled and asked, "Do you really think so?" Then he shook his head. "The old pump's worn out," he said. "I'll have to junk it one of these days."
            But he didn't look as if the "old pump" was worn out. Large of body, full of determination to keep going, he did not give the impression of a man who stood at the brink of the grave.

Thus ended the days of Andy Adams, a writer many know, and an unknown to so many others. Yet, like all writers, his words live on in the stories he told. 

Photo property of the Author

For those who might be looking for an ebook copy of "Log of a Cowboy". There are also newer versions and paperbacks.

Doris Gardner-McCraw -
Author, Speaker, Historian-specializing in
Colorado and Women's History
Angela Raines - author: Telling Stories Where Love & History Meet

(c) Doris McCraw  All Rights Reserved.

Tuesday, March 15, 2016

STORYTELLERS-7: SCOTT GESE, Author/Editor


When Scott Gese began writing western short stories, he recognized the need for a venue where he and other western authors could promote their work.


ROPE AND WIRE WEBSITE

Scott—who collects old western novels including a first-edition "The Virginian" by Owen Wister—came up with the idea of ROPE AND WIRE a website for "Promoting the West & Those Who Write About It." 

The site, says Scott, has enjoyed steady growth since it came online in 2007. He adds that ROPE AND WIRE  had "consistently been the number one western short story website on most major search engines and is currently seen in over fifty countries around the world." 

Scott writes shorts stories under the pen name of Christopher Scott. He also writes articles for newspapers and magazines and is involved in various copywriting projects. His first full-length novel—"Bitter is the Dust"—will be published by Black Horse Westerns in October. 

Scott, an accomplished woodworker and carpenter, makes his home in the "quaint pioneer town of Brownsville" in the heart of Oregon's Willamette Valley.

StoryTeller-s Logo


1. Your website, Rope and Wire, is an excellent promotional site for Western writers. Why did you create it and what are you trying to accomplish with the site.


The site was originally created as a way to supplement my eventual retirement income. A western themed website was at the top of my list. It's what I like to read and it's what I loved to watch on television and at the theater as I grew up. 
Over the past nine years, my objectives have changed immensely. My objective now is simply to promote the west and the authors who write about it and also to make enough money through Google ad revenue and affiliate links to pay the cost of running the site.What I'm trying to accomplish with this site has also changed—right alongside my outlook on life. 
Over the years, I've come to realize that the way to achieve success in life is to not be me focused, but to help others achieve their own success. So I guess you could say I've crossed over from a me mentality to a you mentality. What I really want this site to be about is helping others succeed. 
Those who are serious about successfully selling their books understand the concept of ROPE AND WIRE and they take full advantage of it, which is what I really enjoying seeing. The inexpensive “price of admission”—one short story—is well within reach of any published western author. 
The amount of author publicity generated from one short story is well worth every word. It's these stories that bring thousands of readers to the site each month. These are targeted readers who buy western books. 
Rope and WIre

2. You have three main sections: (1) Western Short Stories, (2) Postcards, and (3) the Bullpen. How about a brief overview of each?


The "Western Short Stories" section is just that. In order for published authors to become a  member of ROPE AND WIRE and receive all the free publicity it offers is to submit one western short story. The new addition of "Ranch Romances" should bring many more western romance novel readers to the site. Right now there is only one author in this section and he's reaping big rewards. 
The "Postcards" section is what I call one of the Bright and Shiny items that also attracts people to the website. This section is evolving. I started out with nine western states, but most were sitting empty and I didn't like the negative image of a half-empty site. I removed most and linked the section to another site I have, called Day Tripping in Oregon, which is linked back to ROPE AND WIRE.
The "Bullpen" section is an avenue that gives new writers who are developing their writing skills an opportunity to show their work. Hopefully, we'll be getting some up and coming talent posted in this section shortly.

3. What’s the primary appeal of Rope and Wire for readers? How do they benefit?


The main appeal and benefit to ROPE ANDE WIRE readers: they get to sample the work of some really great authors whom they may have never heard of. 
If they like what they read, they have the opportunity to find out more about the author through their bio and links to their social pages as well as a link to where they can buy one of their books.  
Rope and WIre

4. You write a lot of short stories that appear in Rope and Wire e-pulps. What draws you to the short story format?


I cut my teeth on the short story format. I didn't write more than a grocery list before I started this site. I was 51 years old at the time. When I started the site I needed to add content. Most authors were hesitant to submit their work to an unproven new site. 
Out of desperation, I researched how to write a short story. Once I had this figured out, I started writing my own stories to add to the site. It didn't take me long to figure out I not only liked to write, but that, for a beginner, I wasn't that bad at it. 
I would say it was desperation that drew me to the short story format. That's changing. I'm working on longer material these days.

5. From reading various authors and from your writing experience, pinpoint the key elements of a good Western.


I think the key elements to a good western are the same as for any genre. Among other things, you need to have strong characters, a protagonist, an antagonist, and conflict. There's a lot more that goes into a story, but these are key. Being able to carry at least three story lines simultaneously is also important. 
Also, you need to write well, and by that I mean, you need to be able to take your readers by the hand and show them the things you want them to see by involving as many of their senses as possible.  
They need to become one with the story, so to speak, you can't stand at a virtual podium and just tell your story. It will bore your readers to death. As the saying goes, “Show Them, Don't Tell Them.” 
Rope and WIre

6. What about younger readers. Is there any way of jump-starting interest in the Western—or have wizards, zombies, and vampires cornered the market?


Unfortunately, zombies have cornered the market right now. Even more unfortunate are the western writers who are playing along and creating Zombie Westerns. I'm a traditionalist, what can I say. 
The statistics I'm getting from ROPE AND WIRE show middle aged females as the most popular readers of the site. Which is why I think authors are missing an opportunity by not submitting stories to the "Ranch Romance" section of the site.

7. If there was one Western writer—alive or deceased—that you could meet, who would it be and what would you like to ask him or her?


How about alive and deceased. 
Deceased, I would have to say Andy Adams. I have some of his work posted on the site. I would love to pick his brain about the everyday life of a cowboy. The stuff we don't normally read about, but would definitely add value and dimension to any western character. 
Alive, there are several others producing excellent work. Dave P. Fisher, Kit Prate and Malcolm Davey (Cody Wells). I've asked these three so many questions it's almost embarrassing. All three have helped me out immensely with my writing. I owe them more than I'll ever be able to repay.

Connect with Scott:
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