OUT IN THE WEST TEXAS TOWN OF EL PASO--BY MARTY ROBBINS--by Cheryl Pierson

How many songs do you know that had sequels to them? Remember “back in the day” when recording artists would sometimes “answer” a song with one of their own? Well, if you love Marty Robbins like I do, you’ll know that his song El Paso had not only one sequel, but two, and he was working on a third sequel when he died in 1982! I think that’s a “record” for musical sequels, don’t you? I love ballads, or story-songs, and to find out that there were sequels to my all-time favorite one was pure pleasure!

El Paso was written and originally recorded by Marty Robbins, and was released in September 1959 (I was two years old at the time, but Marty was my man from the minute I heard this song!) Though it was originally released on the album Gunfighter Ballads and Trail Songs, within a month it was released as a single and immediately became a hit on both the country and pop music charts, reaching NUMBER 1 IN BOTH at the start of 1960! But that wasn’t the end of it at all—it also won the Grammy Award for Best Country & Western Recording in 1961, and with good reason. It still remains Robbins’ best-known song, all these years later.

Wikipedia states: It is widely considered a genre classic for its gripping narrative which ends in the death of its protagonist, its shift from past to present tense, haunting harmonies by vocalists Bobby Sykes and Jim Glaser (of the Glaser Brothers) and the eloquent and varied Spanish guitar accompaniment by Grady Martin that lends the recording a distinctive Tex-Mex feel. The name of the character Feleena was based upon a schoolmate of Robbins in the fifth grade; Fidelina Martinez.

The storyline is this: The song is a first-person narrative told by a cowboy in El Paso, Texas, in the days of the Wild West. The singer recalls how he frequented "Rosa's Cantina", where he became smitten with a young Mexican dancer named Feleena. When the singer notices another cowboy sharing a drink with "wicked Feleena", out of jealousy he challenges the newcomer to a gunfight. The singer kills the newcomer, then flees El Paso for fear of being hanged for murder or killed in revenge by his victim's friends. In the act of escaping, the singer commits the additional and potentially hanging offense of horse theft ("I caught a good one, it looked like it could run"), further sealing his fate in El Paso. Departing the town, the singer hides out in the "badlands of New Mexico."

The song then fast-forwards to an undisclosed time later - the lyrics at this point change from past to present tense - when the singer describes the yearning for Feleena that drives him to return, without regard for his own life, to El Paso. He states that his "love is stronger than [his] fear of death." Upon arriving, the singer races for the cantina, but is chased and fatally wounded by a posse. At the end of the song, the singer recounts how Feleena has come to his side and he dies in her arms after "one little kiss".




Robbins wrote two songs that are explicit sequels to "El Paso", one in 1966, one in 1976. Robbins intended to do one more sequel, “The Mystery of Old El Paso", but he died in late 1982 before he could finish the final song.

Feleena (From El Paso) (FIRST SEQUEL TO EL PASO)
In 1966, Robbins recorded "Feleena (From El Paso)", telling the life story of Feleena, the "Mexican girl" from "El Paso", in a third-person narrative. This track was over eight minutes long, but what a story it tells!

Born in a desert shack in New Mexico during a thunderstorm, Feleena runs away from home at 17, living off her charms for a year in Santa Fe, New Mexico, before moving to the brighter lights of El Paso to become a paid dancer. After another year, the narrator of "El Paso" arrives, the first man she did not have contempt for. He spends six weeks romancing her and then, in a retelling of the key moment in the original song, beset by "insane jealousy", he shoots another man with whom she was flirting.

Her lover's return to El Paso comes only a day after his flight (the original song suggests a longer time frame before his return) and as she goes to run to him, the cowboy motions to her to stay out of the line of fire and is shot; immediately after his dying kiss, Feleena shoots herself with his gun. Their ghosts are heard to this day in the wind blowing around El Paso: "It's only the young cowboy showing Feleena the town".



El Paso City (SECOND SEQUEL TO EL PASO)
In 1976 Robbins released another reworking, "El Paso City", in which the present-day singer is a passenger on a flight over El Paso, which reminds him of a song he had heard "long ago", proceeding to summarize the original "El Paso" story. "I don't recall who sang the song," he sings, but he feels a supernatural connection to the story: "Could it be that I could be the cowboy in this mystery...," he asks, suggesting a past life. This song reached No. 1 on the country charts. The arrangement includes riffs and themes from the previous two El Paso songs. Robbins wrote it while flying over El Paso in, he reported, the same amount of time it takes to sing--four minutes and 14 seconds. It was only the second time that ever happened to him; the first time was when he composed the original "El Paso" as fast as he could write it down.



Though there have been many cover versions of the original “EL PASO” song, Marty Robbins put out more than one version of it, himself. There have actually been three versions of Robbins' original recording of "El Paso": the original full-length version, the edited version, and the abbreviated version, which is an alternate take in stereo that can be found on the Gunfighter Ballads album. The original version, released on a 45 single record, is in mono and is around 4 minutes and 38 seconds in duration, far longer than most contemporary singles at the time, especially in the country genre. Robbins' longtime record company, Columbia Records, was unsure whether radio stations would play such a long song, so it released two versions of the song on a promo 45—the full-length version on one side, and an edited version on the other which was nearer to the three-minute mark. This version omitted a verse describing the cowboy's remorse over the "foul evil deed [he] had done" before his flight from El Paso. The record-buying public, as well as most disc jockeys, overwhelmingly preferred the full-length version.

I can’t tell you how many times I played my 45 record of El Paso on my little portable record player as a little girl. As a country and western song, this has to qualify as my all-time favorite, and my husband even managed to record and adapt the ringtone for me on my iPhone, so when my phone rings it plays the opening words to EL PASO. This has been a huge embarrassment for my kids when they were teens and had to be with me in public, but also was a source of amazement for them when other people actually smiled and said, “Hey! Marty Robbins!”
Now THAT recognition is the mark of endurance—a song that is still beloved by so many after over sixty years!

What’s your favorite classic country & western song? Is there a sequel to it?

Credit to Wikipedia for article about Marty Robbins’ El Paso

Remembering Marty Robbins by Kaye Spencer #westerns #countrymusic #classiccountry #WesternFictioneers

Marty Robbins has a birthday anniversary this month—his 93rd, in fact. But, sadly, Marty died on December 8, 1982. He’d suffered his third serious heart attack a few days prior, but he didn’t survive the surgery to repair the damage.

I was living in Cleveland, Ohio and running thoroughbred race horses at Thistledown Racetrack when I heard it on the radio. The DJ broke down and cried. I cried along with him.

A little about Marty

Martin David Robbins was born in Glendale, Arizona on September 26, 1925. When WWII broke out, Marty joined the Navy. While serving, he taught himself to play the guitar. When the war was over, Marty returned home and embarked upon a singing and performing career around Phoenix in nightclubs, on the radio, and on television.

During his early club-playing and performing days, “…he heard a country singer featured on the local radio station KPHO. [Marty] was convinced that he could do better. He drove right down to the station and earned a place on the show.”

By the end of the 1940s, Marty had his own radio program, “Chuck Wagon Time”, and a television show, “Western Caravan”. By the mid-1950s, he was invited to the Grand Ole Opry radio show and was a regular performer for many years. He signed with Columbia Records in 1951 with his first Number 1 song coming in 1956, which was Singing the Blues.

El Paso released in 1959, and it garnered him his first Grammy Award. With the 1960s came, he pursued racing with such a passion that he progressed to NASCAR racing. It was in 1969 that he suffered his first heart attack. He recovered quickly and wrote, My Woman, My Woman, My Wife, which earned him his second Grammy. Then his second heart attack occurred in 1981.

Marty was inducted into the Country Music Hall of Fame in 1982. His last song was a single that same year—Some Memories Just Won’t Die—a bittersweet irony. Over the span of his career, he recorded over 500 songs and 60 albums.

Discography information is HERE and HERE.

Individual songs information is HERE.

When he was growing up, Marty wanted to be a cowboy singer like Gene Autry, and he credits his grandfather, “Texas Bob Heckle”, a traveling medicine show salesman and story-teller, as the main inspiration for many of the songs he wrote later.

In an interview, Marty said, “…I’ve done what I wanted to do… I’m not a real good musician, but I can write [a song] pretty well. I experiment once in a while to see what I can do. I find out the best I can do is stay with ballads.”

Marty Robbins:

By NBC Television (eBay item photo front photo back)

[Public domain], via Wikimedia Commons

When I was growing up and listening to Marty’s music, I wore out at least two 45 rpms of “El Paso” on Side A and “Strawberry Roan/160 Acres” on Side B. Marty’s gunfighter ballads influenced my love of the Old West. If I had to choose one artist’s music as the only music I could listen to, Marty Robbins would be that person. Yes, I love his music that much, and my musical tastes range from Vivaldi to Lin-Manuel Miranda’s ‘Hamilton’ and everything in between.

Marty was (still is) so influential to my writing that my historical western romance novel with Prairie Rose Publications, The Comanchero’s Bride, was inspired by his song, Meet Me Tonight in Laredo. This book is my little way of paying tribute to Marty and how much his gunfighter ballads mean to me. I sprinkled hints to many of his gunfighter songs throughout the story.

Below is an excerpt from The Comanchero’s Bride. For those of you familiar with Marty’s gunfighter ballads Running Gun and Big Iron, you’ll likely notice the small references.

Excerpt

At the livery, Mingo remained in the shadows where he could see both ways along the street. Opening the wagon doors just wide enough to allow him to pass through, he eased his way inside. Speaking in a low soothing tone to his horses, he packed and saddled them under the moonlight coming in from two windows. Opening half the double doors, he led the two riding horses out the back, tied them to a corral rail, and returned for the packhorse.

He no more than reached the packhorse when a cold voice in the shadows stopped him in his tracks.

“Don’t turn around, Valderas.”

Mingo froze. A few more steps and he would have been on the off side of the packhorse, but where he was, he had no protection.

“I’ve got a good bead right between your shoulders. I know about your fast draw and the price on your head. I’ve also heard stories about your throwing knives, so keep your hands where I can see them.”

“You know me. But who are you? What do you want?” Mingo didn’t care. He knew the challenge from the shadows was a bounty hunter. He needed the man to talk so he could pinpoint his location.

“I came out of El Paso. A man named Jack added to the price on your head—dead or alive—and some politician is offering a pretty penny on top of that to bring in the woman you have with you. He wants her alive.”

From the sound of the man’s voice, he hadn’t moved and was off to his right. Mingo fought the urge to whirl and fire, but shooting blindly was not his way. He wouldn’t risk wild shot that could injure a horse, and gunfire would bring others into the fray. Shadows were both his enemy and ally, depending upon how he used it.

“The way’s clear behind you, so back towards the open wagon door, and keep your hands away from your body. When I heard the talk of a Mexican man traveling with a white woman, and they were staying at the hotel, I figured I’d hit pay dirt. I was just supposed to worry you into making a wrong move. Never thought I’d be the one to catch you.

“I’m taking the woman to El Paso. You, I’m locking up in the back room of the saloon for safe keeping…unless you give me an excuse to kill you right now, which I’ve a yearning to do. I can’t miss at this range. It wouldn’t do my reputation any damage to be the man who took down Mingo Valderas.”

Now, he knew who he was up against. Earl Johns was vicious and a killer, a back-shooting coward. Mingo inched backward, buying thinking time.

“Where’s the woman, Valderas?”

“There is no wom—”

“She’s too close for your comfort.” Elizabeth’s voice cut through the night. The sound of a shotgun hammer pulling back was an angry, lethal sound that made the hairs on Mingo’s arms prickle.

The Comanchero's Bride is available on Amazon.com.

Kindle | KindleUnlimited | Print

The Comanchero's Bride is also included in this boxed set of

six full-length historical western novels.

Under a Western Sky

Kindle | KindleUnlimited

For your listening pleasure, here is Marty singing Meet Me Tonight in Laredo.

Do you have a favorite Marty Robbins song or story? Please share. I'd love to read about it.

Until next time,

Kaye Spencer

Writing through history one romance upon a time

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References:

• Marty Robbins Biography. Biography.com Editors. The Biography.com website. A&E Television Networks. http://www.biography.com/people/marty-robbins-20651271. April, 2, 2014. Accessed September 9, 2018.
• Marty Robbins website. http://www.martyrobbins.com. Accessed September 9, 2018.
• Country Music Television, Inc. http://www.cmt.com/artists/marty-robbins/biography/. Accessed September 9, 2018.

Kaye Spencer, western romance author – New to Western Fictioneers

Hello everyone.

I'm romance author Kaye Spencer, and I'm a new member with Western Fictioneers. Since today is the first of my regular blogging contributions for Western Fictioneers, which will occur on the fourth Saturday of each month, I thought it appropriate to share a little about myself and where my fascination with the American Old West came from.

I'm a native Coloradoan, and I also write under the pen name, A.L. Debran. I grew up on a cattle ranch in northeastern Colorado and, during those childhood and teenage years from the mid-1950s through the early 1970s, I spent hour upon hour reading Louis L'Amour's westerns and listening to Marty Robbins' gunfighter ballads. I watched all the *classic* television westerns when they were the primetime shows, and I didn’t miss a western movie when it came to the downtown theater or to the double-feature drive-in.

I loved the 'Sons of Katie Elder' so much (well... maybe I had a teeny-weeny crush on Dean Martin), that my grandfather carved a wooden pistol for me and carved in the name 'Tom Elder'. I had a bucking-barrel in my backyard so I could pretend to be a rodeo cowboy. I used my allowance to buy candy and gum cigarettes and roll caps for my pistols and rifle so I could run around the yard pretending to be whichever Hollywood cowboy I was currently obsessed with.

I was nine years old when I got my first horse—a black and white Welsh pony named Corky. It was Katie bar the door after that. I couldn’t get a saddle on Corky, but bareback was okay with me. Since he rode with a hackamore, I didn’t have to struggle with getting a bit in his mouth. All I had to do was sidle him up to the rail fence and hop on.

When I needed a new storyline to act out in my sibling-less imagination, I wrote my own, even though they were clearly retellings of episodes of the Virginian, High Chaparral, or even Yancy Derringer. This is where my writing began. I believed early on in my life that I was born in the wrong century. I’ll even confess that I named my oldest son Heath (after Heath Barkley) and my youngest son’s name is Cameron (after Cameron Mitchell – Uncle Buck on High Chaparral). My daughter, the middle child, is named Robyne—oops! A story there, just not a 'western' one. :-) 
 
I can, and often do, get lost in historical research of just about any time period, but it’s the Old West that I love the most—myths and truths alike.

My first novel, Lonely Places, published in June 2006,is a western romance that I started some 27 years before I finally decided to polish it up and submit it for publication. My western novella, Gunslingers & Ghostriders, followed in October. While my choice of story-writing genre is historical, particularly westerns, I’ve penned a vampire and a couple of contemporary stories—cowboys included.

My latest western is in an anthology from Prairie Rose Publications, which will release in a couple of months. The anthology is called Lassoing a Mail-Order Bride, and my story is A Permanent Woman.

I retired June 1, 2013 from a long career in public education that included administration and teaching English and history. I am loving every writing minute of retirement. ;-) I'm a review editor for the romance review site, Joyfully Reviewed, and I take on occasional manuscript editing projects.

I’m excited to be a member of Western Fictioneers, and I’m looking forward to sharing my love of the American Old West here on the fourth Saturday of each month. I’ve been reading the WF blog for a year or so, and I’ve learned so much from the wealth of Old West history that many of you have shared in your blog posts.

To read reviews of my books, watch my book videos, or download my old family recipes, visit my website and blog – http://www.kayespencer.com

You’ll find me on Twitter – @kayespencer – sharing daily history trivia, and I’ve recently started a recurring blogging topic on my blog called “Spotlight on History”.

Until next time,

Kaye

Fall in love…faster, harder, deeper with Kaye Spencer romances