Showing posts with label Old Yeller. Show all posts
Showing posts with label Old Yeller. Show all posts

Friday, August 28, 2015

DON'T KILL THE DOG! by Meg Mims



What's with western movies where the dog ends up a victim? At an early age, I cried buckets when a Civil War family rescued Old Yeller (in the movie by the same name) but had to put him down after the dog fought a rabid wolf and contracted the disease. AUUUGH! At least Old Yeller is a hero, having saved the family. Yes, it's part of the "rite of passage" for the young kid - learning to face life and death. But... it still stinks like old dog breath.

By the way, Spike - the dog who played Old Yeller in the movie - was purchased as a pup from the Van Nuys Animal Shelter in California by trainers Frank and Ruddy Weatherwax of Lassie fame. And he starred in other movies as well. Good old Spike! Good dog.


I didn't even like when Jack the brindle in the Laura Ingalls Wilder Little House books died - but that was a natural death from old age. When it comes to violence toward animals, though - we've seen the "no horses were harmed in the making of the film" - but what about the dogs? Isn't it bad enough that westerns have so many gunfights? Native Americans and Chinese are mistreated, women are ordered around, expected to rustle up the grub, are slapped, spanked, beaten up, you name it.

Yes, I suppose that reflects what Hollywood believes "the way things were" back then - but why kill the DOG? I mean, LOOK AT THOSE PRECIOUS FACES!!


So in that vein, as a treat (pun intended), here are a few western films where the dogs are victims - some heroic, others tragic. I have never seen a good reason for the plot to include pooch target practice. I rescue dogs and cats in my books and they always have a Happily Ever After. No apologies, either. In the way the Duke might say, "You can call me a PETA lover, you can call me a big baby, you can call me a wimp - but you don't EVER call me a dog killer!"


BIG JAKE - Jacob McCandle's heroic friend (and secret weapon) Dog, who is a hero throughout the movie for keeping the bad guys at bay, is shot and then killed (with a machete!! AUUGH) in the final gunfight. I didn't cry, but I kept yelling, "Don't kill Dog! Don't you kill Dog!" Man, that villain didn't listen. I'm glad he got it in the end. He deserves to rot in hell. By the way, two collies named Silver and Laddie (Lassie, Jr.) played Dog (trained by Bob and Ruddy Weatherwax, in fact) and their coats were darkened by an aerosol product. And Laddie won a 1971 PATSY award for his performance. So there. Good dog!


DANCES WITH WOLVES - While "Two Socks" is actually a wolf, Dunbar played by Kevin Costner has a strong bond with him like man/dog. I loathed the way soldiers kill poor Two Socks. Tragic and senseless! Yes, I suppose it furthered the story, but it was like killing Harry Potter's owl. NO! I was so mad. Good thing it came at the end of the movie, or I would have hated Kevin Costner and his movie - Oscar winner or not.


OPEN RANGE - I have this DVD. I have not watched it, mostly because Boss and Charlie's dog Tig is shot and killed by the villain (okay, yes, so is Mose the cook, and the poor boy is nearly dead) when their campsite is raided. Do I want to subject myself to seeing this senseless act? NO! Look at that ADORABLE dog! Waaaah! One day I'll have to watch it. But I'll be gritting my teeth.


HONDO - Hondo's dog Sam dies after being speared. Another one I've never watched, because WHY? Why does the DOG have to die?? I just don't get it.

Pal, the dog that played Sam, was the son of Lassie. In the movie, he is supposed to be vicious and ill-tempered, but the temperatures during filming were so hot, Pal simply panted instead of snarling when on camera. In order to overcome this, the dog was kept in a special air-conditioned crate while on set and was only brought out for his shots. Good dog! Fight against being a bad dog, and what a shame you had to be sacrificed. Boo hisss!



PALE RIDER - I have seen this one. I was so mad when Megan's dog got shot. That poor thing was used as a device to get her to pray for a miracle - and then Preacher (Clint Eastwood) shows up. Nothing else can be found about this poor dog. Perhaps Clint didn't want to share the limelight? Double boo hiss.


THE ARTIST - Since the story about the transition from silent films to "talkies" takes place in Hollywood, I'm considering it a "western." And the sweet Jack Russell terrier is also a hero, saving the life of George Valentin from a disastrous fire. Also, the dog LIVES!! Hooray! So there, Hollywood. It can be done.

Uggie had been rescued from being sent to a shelter by Omar Von Muller, an animal trainer, and found fame in Water For Elephants before The Artist. Uggie did not qualify for an Oscar, however, since a precedent was set in 1929 when Rin Tin Tin actually received more votes for Best Actor - but the Oscar went to Emil Jannings that year. Hmph. Uggie recently crossed the Rainbow Bridge (this month) at 13 years old. Such a great dog!


Kudos to all the dogs in these films! They all deserve a "Pawscar" for their efforts. Good dogs! Give 'em a box of treats each.



Mystery author Meg Mims earned a Spur Award from WWA and also a Laramie award for her western historical mystery series, Double Crossing (still 99c!) and Double or Nothing. Meg -- also one-half of the writing team of D.E. Ireland for Agatha-Award nominated mystery series featuring Eliza Doolittle & Henry Higgins for Minotaur books -- lives in Southeastern Michigan with her husband and a sweet Malti-poo. She loves reading and writing novels, novellas and short stories, both contemporary and historical.

Sunday, July 28, 2013

FAVORITE SHORT STORIES--WHAT WAS YOURS?



(YEP, THIS IS ME AS A TEENAGER!)
Do you like short stories? I love them, both as a writer and as a reader. I’m so thrilled that they’re making a comeback in today’s world! I remember as a teenager in high school English class, some of the short stories that were taught at the time. You can probably recall these classes, too—we read many short stories and novels that couldn’t reach into our world and touch us, not at that age.

It’s odd to me that had some of the selections been different, or more age-appropriate, this might have fostered a love of reading the short story rather than dread for so many. The essay questions at the end of the story seemed hard for many of the students to understand, much less formulate answers to in order to show what they learned from the story. As high school freshmen in the 14-15 year-old age range, and with our limited knowledge of the world, it was difficult for some to be able to grasp symbolism or foreshadowing among other story elements. I realized later on that some people never grasp it, no matter how old they are. Reading with that kind of intuitive understanding is not something everyone is able to do.

Being forced to read something for a grade rather than enjoyment is something I didn’t understand. For one thing, I enjoyed reading. As with any kid, some things held my interest more than others. But I never could fathom some of my classmates who actually said, “I hate to read.”

I had some favorite short stories, even out of the ones we were forced to read. Who could forget Whitney and Rainsford in Richard Connell’s THE MOST DANGEROUS GAME? Frank Stockton’s THE LADY OR THE TIGER? Or, TO BUILD A FIRE, by Jack London?

Those stories were what inspired me to want to write “like that” and I often wondered in later years, seeing my kids’ English books and the stories they contained, where our next generation of writers would come from? There was certainly nothing “inspiring” in those stories. I was wishing there were some of the stories from “the good ol’ days” in their books, even though at the time I had been their age, many of my classmates had detested those same stories that I loved so much.

But one day, my daughter came home from school and said, “Mom, we read a story today that was so good! It’s about a guy who is trying to survive in the cold and he tries to build a fire…” And a few years later, my son couldn’t wait to tell me about a story they’d read about an island, where men were hunted…



Not everyone who loves to read wants to become a writer. So I’m wondering…was there a particular short story that you read when you were younger that made you want to write? Or even just made you become an avid reader? Since so many of us write westerns, was there a western short story that influenced you when you were younger? The one that I loved was not really a short story, but a short novel, Fred Gipson’s OLD YELLER. In later years, another one that stood out was Shirley Jackson’s THE LOTTERY.

Today is my birthday, so I’m giving away a free copy of one of my short stories, THE GUNFIGHTER’S GIRL. All you have to do is comment, and check back later this evening after 9:00 to see if you won!