New Release — Over Western Trails Edited by Richard Prosch

 

The crack of the whip! The pounding of hooves! The Thunder of stagecoach wheels! It’s all here in 15 tales of old west adventure edited by Richard Prosch and written by the following authors:

Terry Alexander — J.D. Arnold — Dennis Doty — J.L. Guin — J.E.S. Hays — Gail Heath — Jackson Lowry — Jeffrey J. Mariotte — Edward Massey — Terrence McCauley — Von McKee — Cheryl Pierson — James Reasoner — Charlie Steel — Benjamin Thomas — Big Jim Williams, with an introduction by Doris Gardner-McCraw President, Western Fictioneers.

Amazon Link

     

LOVE AND THE WESTERN HERO - Meg Mims

It may be January, but in two weeks everyone's thoughts will be drenched with loooooove.

Valentine's Day brings hearts, flowers and chocolate (of course!) to mind, but to any lovers of the western genre, it may also bring a fluttering for their favorite cowboy or soldier hero. Today I'll explore some of the movies set in the west that the ladies consider real heart-throbbers.

Look at that baby face to the left. What I found interesting was seeing images of the actors when they were young, versus being portrayed as western heroes. Oh, the manliness! Oh, the chiseled jaws! Oh, the *muscles*... er, sorry.

I'd like to start with THE LAST OF THE MOHICANS, which for its time was set in "the western frontier" of the United States as depicted in James Fenimore Cooper's day of 1757 during the French and Indian War.

Notice the change wrought in Daniel Day-Lewis' face after he takes on the role of Hawkeye, or Natty Bumpo, or Long Rifle... whatever you want to call him. He looks worried. He's got major diplomatic troubles dealing with the French and British, plus the Huron scout Magua. He's supported by Chingachgook and his son (as the last of the Mohicans) and then the Delaware tribe -- since the measly British won't send reinforcements for poor Colonel Munro and his soldiers. All that worry! He looks exhausted too.

Thankfully the movie plot simplifies the book (for the better, imo) by boiling down the war between the French and British, setting up a four-way romance with the Munro daughters, Hawkeye and Chingachgook's son. When Wes Studi (Magua) is determined to kill Munro and take his daughters captive -- well, let's just say I'd jump off a cliff too. That Magua scared me to death!

Hawkeye gets the girl, that's the important point of a romance. It's all about the HEA -- happily ever after. Come on! Who wouldn't want to end up with DDL in that costume? But being a western hero sure changes a guy. Really.

As a bonus, I found this image of Daniel Day-Lewis and Russell Means.
Both of them are pretty hot here.

Every single time I watch Mohicans, I weep when Russell Means is killed and Alice chooses to fall off the cliff after him rather than remain Magua's captive. When I met Wes Studi last summer in Albequerque at the WWA convention, I changed my mind about choosing that same fate. Wes is a great actor -- funny, warm and sweet, very generous about taking photos and giving autographs. He sure fooled me when I first saw the movie! That's fabulous acting.

Let's move on to Elmore Leonard's HOMBRE with Paul Newman. Ooooh, those baby blues! Who can resist those, or that manly chiseled jaw, or those muscles... er. Ahem.

The book and movie are pretty strong (I saw the movie, but must confess I have not read the book) for the "revisionist" western genre -- meaning the underlying issues of race are brought to the surface, in this case, the hero was raised as an Apache and faced big-time prejudice after he returns to the white man's world. I guess the blue eyes didn't matter much. I had trouble believing Newman as a Native American, but his acting is decent in the film.

Still, I much prefer him as Butch Cassidy. Sorry.

How about the book DANCES WITH WOLVES by Michael Blake? Oddly enough, the Comanche tribe is switched to Sioux, and Kevin Costner acted and directed this epic western into a real classic.

Once again, portraying a hero takes a toll on youthful men. That's a very young and hot Kevin Costner on the right, versus portraying Lieutenant John Dunbar (see the photo to the left below.) He looks tired. And worried, especially given the problems he's facing...

Oh, all right -- enough of that. Kevin portrays a disillusioned Civil War soldier who wants to die and ends up an unlikely hero during a battle. He then requests a transfer to a remote western fort -- apparently to redeem his burden of guilt and serve his country after an attitude adjustment. Alas, he "goes native" after seeing how unfair the government treats "the people."

I'd say the gorgeous cinematography of the prairie along with the portrayal of the natives by wonderful actors, and even the wolves and teeming herds of buffalo (which bring to life what the early post-Civil War era of the west) are as much Western heroes as Costner's character.

Kevin also gets the girl, a white woman who was taken in by the tribe he befriends. Like I said before, HEA is what makes a real romance. They go off together into the sunset.

Next up, let's see how portraying a hero took a heavy toll on another famous western actor... the Duke. Talk about manly! Talk about a chiseled jaw!! Talk about muscles - oh, fine. On to the gallery of photos. First up, the young Marion Morrison himself.

 Such a baby-face here. He was born in Iowa but his family soon moved to California. Marion intended to play football on a USC scholarship - but a bodysurfing accident put an end to that dream. All the better for us romantics, I say! Who knows what would have happened to Duke if he hadn't turned to small bit parts at the Fox studio.

Marion's first leading role was in the western The Big Trail which came out in 1930. He kept working in other roles, a few leading, until he became a superstar in 1939 in John Ford's Stagecoach.

Based on a 1937 short story titled "The Stage to Lordsburg" by Ernest Haycox, it features several strangers who travel by stagecoach through Apache territory. I saw the film long ago and it was okay. Sorry, just my opinion! But it boosted John Wayne's career, that's for certain.

See the photo on the right - the Duke looks worried, if not tired. He portrays Johnny Ringo, a fugitive, and is attracted to the prostitute who was run out of the Arizona town and is heading east on the stagecoach to New Mexico, along with a seedy doctor, the pregnant wife of a soldier and a whiskey salesman. The stage driver and a lawman make up the "company" that meet hardships along the way, including an Apache raid, before the cavalry rides in to the rescue.

Filmed in the Monument Valley, the movie became a classic and was selected for preservation by the Library of Congress for their National Film Registry.

Let's take a look at another significant western featuring the Duke - The Searchers. Also directed by John Ford, the film is based on a novel published in 1954 by Alan LeMay, set during the Texas-Indian Wars, featuring a Civil War veteran on a quest to find his nieces kidnapped by Comanches.

The Searchers is one of the favorites of many Western Fictioneers and WWA colleagues of mine. I liked this one better than Stagecoach, although the setting is fairly similar, so perhaps it's the worry, the tiredness of hero John Wayne along with his adopted nephew (Jeffrey Hunter, who caught my eye as a hot hero - see photo).

That was one looooong search, and Natalie Wood didn't seem all that appreciative of their efforts. Yeesh.

The Searchers earned some great top honors. In 2008, the film was  named the GREATEST AMERICAN WESTERN OF ALL TIME (yep, you heard that right!)  by the American Film Institute. This after it climbed to 12th place on the AFI's 2007 list of the 100 Greatest American movies ever! Besides a few other awards, the film was named the Best Western of all time by the magazine Entertainment Weekly. Not bad! 
And BOTH heroes look like they went through HELL, all for love and loyalty. Sigh.

Here's several other young studs who looked fabulous -- until becoming heroes in famous western films. I tell you, being a hero out west is bad for your health. Look at these manly guys, the chiseled features, those muscles! Clint Eastwood looks great until he turns into a scruffy, worried, tired Man With No Name. Robert Redford looks spiffy in that uniform until he grows a thatch of beard and long hair, dons buckskin and then scalps people and eats their livers. See how Tom Selleck looks so happy, healthy and hot in Hawaii as Magnum, the ultimate private eye, until he goes FURTHER west to Australia and gets all worried, tired and grungy.

Of course, this is all tongue-in-cheek. We LOVE these hot western heroes. They're worried for good reason -- the situation needs changing! The heroine needs loving! And they can prove just how much of an American manly man they are by saving the day.

God bless American heroes!

Meg Mims is an award-winning author with two western mysteries under her Eastern belt. DOUBLE CROSSING earned the 2012 WWA Spur Award for Best First Novel, and the sequel DOUBLE OR NOTHING was recently named the First Place Winner in the 2013 Laramie Awards for Western Mystery. Her story, "A Savior Is Born," is included in the Western Fictioneers' anthology A WOLF CREEK CHRISTMAS. Meg lives in Michigan, where the hills are like driveway slopes and trees block any type of prairie winds. LIKE her on Facebook, follow her on Twitter or check out her books on her website.

Western Comics Focus: Steve Englehart

This month our focus is on Steve Englehart, a name very familiar to comics fans. In the 1970s he had a four-year run as scripter of The Avengers, creating some of their most memorable storylines, and several other Marvel titles as well, including a very well-regarded run on Doctor Strange and co-creating (with Jim Starlin) the character of Shang-Chi, Master of Kung Fu. Later in that decade, teamed with artist Marshall Rogers, he had an acclaimed run on DC's Batman in Detective Comics, returning the title to some of the sensibilities of the 1930s/early 1940s: a darker, more brooding hero, and a Joker who was once more the homicidal maniac he was introduced to be before descending into camp. In the 1980s Englehart introduced Coyote, a Native American-themed hero. In more recent years he has worked as a novelist, writing the Max August Magikal Thrillers (The Long Man, The Point Man, The Plain Man, and The Arena Man.)

Along the way he has penned his share of western heroes.

Steve Englehart has graciously agreed to answer some questions for us:

Were you a fan of westerns when you were growing up? What about western comics?

When I was growing up, Westerns were a staple on TV and in movies, so they were part of everyday life. I liked them fine, watched a lot of them, but I was not fixated on them, so I didn't search out Western comics.

One of your first scripts at Marvel was uncredited, in an issue of Two-Gun Kid. Can you tell us about that?

Not much. I haven't thought about in a very long time. As I recall, Ogden Whitney both drew and wrote the issue, but editor-in-chief Roy Thomas wasn't satisfied with the writing and asked me to massage it.

You’ve said that the Ringo Kid was your favorite of Marvel’s “true cowboy” heroes –why is that?

He had one of the most interesting back stories, along with the Black Rider. The others were all pretty generic. And Ringo's story was told in the 50s, at a high point for Western comics, with art by Joe Maneely. He hadn't been revived in the 60s, when Marvel's emphasis was on superheroes. So getting to revive him sent me straight to the 50s stuff.

In the Avengers story “Go West, Young Gods,” you merged superheroes and cowboys into one tale, doing it again years later in a West Coast Avengers arc that included some controversial elements. How do you think that genre-blending worked? [side note: as a young reader, Avengers 142 blew my mind.]

I think it worked great. I brought the Two-Gun Kid back from the original meet-up because he was the most superhero of the cowboys, and really wanted to explore a man from a simpler time in the modern realm with supervillains - i.e., I would have continued to blend the genres. But I was just too busy right then and couldn’t get to it before I left Marvel the first time. (In 1999, I reworked the idea into a proposal called "Guns of the Y2K" for DC, but they didn't want it.)  

The Avenger Hawkeye was central in both those story arcs- was that a coincidence, or was there something inherent in the character that made him suited to a western setting as well as a modern one?

It was some of both. He just happened to be there, but his arrow thing was the closest to a Western hero so his presence helped shape what I did. 

You collaborated frequently with the late Marshall Rogers. What can you tell us about him?

Marshall was a combination of laid back and obsessive. He was never in any hurry to finish a job, but he wanted everything he did to be the best he could make it. Our last published job together, after doing the unpublished dark detective iii, was BLACK RIDER, an update of the old character. Putting the hero in New York when horses were still on the streets was something we were looking to play with a lot. I do love taking the Westerns out of their established environment. 

Your Native American-themed Coyote has been very influential. Why do you think that is? How did you get the idea for the character? [interesting side note: though their personalities are very different, Coyote and your version of the early Shang-Chi are similar in a lot of ways- I had never noticed that before. The naïve youth, sheltered throughout his life, entering a world he does not understand, etc.]

Well, the Coyote legend obviously predates my take on it, so a lot of credit goes to Paiute spirituality. But the character that came out of that was (a) an actual Native American, and (b) fun. I see where you're going with Shang-Chi, but he was never "fun." He was very composed and committed, while Coyote was always loose, and sometimes too loose. Also, since Coyote is owned by me, he gets to wander through other things I write, but Shang-Chi, most unfortunately, is trapped by the fact that Marvel no longer has the rights to Fu Manchu and so can't be reprinted. 

Is there a western character you haven’t written for that you could see yourself doing, if the opportunity arose?

Not necessarily. But I'll take the opportunity to toss in my Western stories story: one night at a party, I had a long talk with Gil Kane about his many years on Western comics, and he allowed as how his favorite Western writer was Ernest Haycox. I was unfamiliar with Haycox, but I started searching for the old paperbacks. One day, on one of those collector's dream days, I went into a bookstore in Glendale, California, and found that Haycox's agent had just sold them his entire office reference collection of Haycox of paperbacks, which I then bought for myself. Haycox's most famous story became the move Stagecoach, and the interesting thing is, the character (Ringo) that John Wayne played in the film sounded exactly like John Wayne, only the story obviously predated the movie. In my opinion, Wayne based a lot of his persona on Haycox's writing - which went on to inspire Gil Kane - which went on to entertain me. (This was after I had done my Westerns.) So if I did a Western, it'd probably be strongly influenced by Haycox, because that's a pedigree I can believe in.

Finally, are there any new or upcoming projects you’d like to direct our readers’ attention to?

Just my series of novels - Long Man, Plain Man, Arena Man - which have no pictures but still have what I hope are decent stories - and guest appearances by Coyote and Scorpio Rose.

 Many thanks to Steve for his time... go check out his Max August novels!

Also, the Black Rider story he did with Marshall Rogers is reprinted in the very nice hardcover book MARVEL WESTERNS.