THE WORST WRITING ADVICE EVER RECEIVED--WHAT WAS YOURS? by Cheryl Pierson

I published this blog many years ago, but I'm wondering if anything has changed during that time. Advice just keeps on coming, but my worst writing advice I ever received still remains the same as it was when I first wrote this in 2014. And I'm so glad I didn't follow it! There are "clues" throughout--pretty heavy ones at that!
What was the worst writing advice you ever received? Is there any such animal as “bad writing advice”? Not according to novelist and screenwriter Chuck Wendig. "There's only advice that works for you and advice that doesn't."

Is that true? Sometimes it seems, as writers, we can get so caught up in “the rules” that we forget the story and how to tell it. We become frustrated, and it can be downright maddening to try to remember every piece of advice from every writing source we’ve ever come across and tried to use properly.

No. It's not an Amish Romance...

Translating our ideas into language is one way of looking at our writing process, but how do we start? I have to admit, I am truly a ‘pantser’, not a ‘plotter’—which is really out of character for me in every other aspect of my life. But somehow, orchestrating everything to an outline and strictly adhering to that brings out the rebel in me. I just can’t do it—and I’ve tried. Here’s an example of the differences from Richard Nordquist’s “About.com” publication on writing:

In his essay "Getting Started," John Irving writes, "Here is a useful rule for beginning: Know the story--as much of the story as you can possibly know, if not the whole story--before you commit yourself to the first paragraph." Irving has written far more novels than I. Clearly he knows what works for himself in a way that I don't always for myself, but this seems to me terrible advice. I'm more inclined to E.L. Doctorow's wisdom. He once wrote that writing . . . is like driving at night: You don't need to see the whole road, just the bit of illuminated blacktop before you.
(Debra Spark, "The Trigger: What Gives Rise to the Story?" Creating Fiction, edited by Julie Checkoway. Writer's Digest Books, 1999)

Yes. That’s what I do. I don’t always see the entire big picture, and I don’t need to from the very beginning. But I do see more than “just the bit of illuminated blacktop”—in other words, the immediate “coming up next” section of the story. So I guess I’m in category #3—Swiss cheese author—I know the basics of what’s going to happen, but even so, there are a LOT of little (and big!) surprise along the way.

Nope. Neither is this one...

Or this one...
Aside from being on one side of the “plotter/pantser” fence and being told you’re wrong by the other side, what is the worst writing advice you’ve ever had? You don’t have to say who gave it to you—but I’m curious…what was it? And do you agree with the idea that there is no bad writing advice, just “advice that works for you and advice that doesn’t”? Bring on the comments and opinions! The worst writing advice I ever received? “Try to write an Amish romance. That’s what’s “hot” now…” (from an agent). What’s yours?

www.prairierosepublications.com

WORST WRITING ADVICE EVER--WHAT WAS YOURS? by Cheryl Pierson

What was the worst writing advice you ever received? Is there any such animal as “bad writing advice”? Not according to novelist and screenwriter Chuck Wendig. "There's only advice that works for you and advice that doesn't."

Is that true? Sometimes it seems, as writers, we can get so caught up in “the rules” that we forget the story and how to tell it. We become frustrated, and it can be downright maddening to try to remember every piece of advice from every writing source we’ve ever come across and tried to use properly.

No. It's not an Amish Romance...

Translating our ideas into language is one way of looking at our writing process, but how do we start? I have to admit, I am truly a ‘pantser’, not a ‘plotter’—which is really out of character for me in every other aspect of my life. But somehow, orchestrating everything to an outline and strictly adhering to that brings out the rebel in me. I just can’t do it—and I’ve tried. Here’s an example of the differences from Richard Nordquist’s “About.com” publication on writing:

In his essay "Getting Started," John Irving writes, "Here is a useful rule for beginning: Know the story--as much of the story as you can possibly know, if not the whole story--before you commit yourself to the first paragraph." Irving has written far more novels than I. Clearly he knows what works for himself in a way that I don't always for myself, but this seems to me terrible advice. I'm more inclined to E.L. Doctorow's wisdom. He once wrote that writing . . . is like driving at night: You don't need to see the whole road, just the bit of illuminated blacktop before you.
(Debra Spark, "The Trigger: What Gives Rise to the Story?" Creating Fiction, edited by Julie Checkoway. Writer's Digest Books, 1999)

Yes. That’s what I do. I don’t always see the entire big picture, and I don’t need to from the very beginning. But I do see more than “just the bit of illuminated blacktop”—in other words, the immediate “coming up next” section of the story. So I guess I’m in category #3—Swiss cheese author—I know the basics of what’s going to happen, but even so, there are a LOT of little (and big!) surprise along the way.

Nope. Neither is this one...

Aside from being on one side of the “plotter/pantser” fence and being told you’re wrong by the other side, what is the worst writing advice you’ve ever had? You don’t have to say who gave it to you—but I’m curious…what was it? And do you agree with the idea that there is no bad writing advice, just “advice that works for you and advice that doesn’t”? Bring on the comments and opinions! The worst writing advice I ever received? “Try to write an Amish romance. That’s what’s 'hot' now…” (from an agent). What’s yours?

www.prairierosepublications.com

HOW TO CURE CABIN FEVER by CHERYL PIERSON

When the cold weather starts up (and seems to continue forever!), I’m all too ready to just hunker down and get out of the Oklahoma wind—the older I get, the more I feel that way. But one thing I’ve discovered: If you have plenty of food (for both humans and the dog), running water, and firewood, it’s not terrible. Well, until you have to go out for MORE food!

In Oklahoma, we don’t normally get a lot of snow, but we do get some. The worst problem is the ice. It seems, here in Oklahoma City, we sit on the very cusp of the jet stream—and I can’t say how many times we’re told, “It COULD be just rain, but if the temps drop even one degree, it’ll be FREEZING rain and ice.”

I can’t even imagine how the men and women we write about in our novels survived those long, cold winters. They must have been chopping firewood every day, year-round, except when the freezing rains hit in the winter. With books so scarce, I’m sure the ones that were available must have been memorized by those who read.

Thank goodness we live in a day and age when we are able to read as much as we want—online (if the electricity stays on!) or the old-fashioned way—a paperback book in hand. I do a lot of reading for my work at Prairie Rose Publications, but I have books I read “for pleasure” when I get a chance—and in the winter months it seems I get a lot more time for that than in the summer. This is how I keep cabin fever at bay when the weather is too awful to venture out.

ONE OF THE FEW STORIES I'VE WRITTEN THAT TAKES PLACE DURING WINTER!

Here are some of my picks I read while I was waiting for spring to roll around. How about you? What do you do to stave off cabin fever in those winter months? Read any wonderful books lately? Please share! I’m always looking for more reading material!

I just recently started reading the COLLECTED COMPLETE WORKS OF CHARLES ALEXANDER EASTMAN and THE ESSENTIAL CHARLES EASTMAN (OHIYESA): LIGHT ON THE INDIAN WORLD (SACRED WORLDS). Here’s the blurb from Amazon about the latter:

This revised and updated edition contains the most important writings of Charles Eastman (Ohiyesa), the first Native American author to live simultaneously in both the traditional world of the Santee Sioux and the modern civilization of the white man. Dr. Eastman also attended the injured at the Battle of Wounded Knee. Ohiyesa's works represent a complete explanation of the philosophy and moral code of the Plains Indian. Ohiyesa's message speaks to every person who seeks a spiritual way in the midst of a society increasingly dominated by materialism and industrial technology. Sun Dance chief, James Trosper writes, It is a small miracle that these important spiritual teachings have been preserved for us. This new edition contains 10 sepia photographs from Eastman's life and a thought-provoking foreword by Raymond Wilson.

There are a LOT of books of writings by Charles Eastman—very thought provoking and just downright wonderful, in my opinion.

Another excellent book—not really a romance, but a true western, is by my friend Robert Randisi—THE GHOST WITH BLUE EYES. It’s a story of how one mistake can make a person sink to the depths of a whiskey bottle, and what it takes to make him climb back out of it.

HERE’S THE AMAZON BLURB: Lancaster hangs up his six-shooter and grabs a bottle after accidentally killing a young girl in a gunfight, but when another girl needs his help, he will fight to regain his soul and his honor in order to save her.

Okay, not a western, but a ROMANCE-- THE MADNESS OF LORD IAN MACKENZIE is book 1 in the "Highland Pleasures" series, or what is known as The Mackenzies. This is an excellent tale by Jennifer Ashley, a shorter piece, and it has a hero you will not likely forget. Ian Mackenzie is afflicted by something—because of the time period this story takes place in, we don’t really know what it is, but it could be autism, could Asperger’s Syndrome—and he is very different. This is the first in a series and I would like to read the others!

I must confess, I did some re-reading of some old favorites, as well. GOLDEN NIGHTS by Christine Monson…speaking of “different” heroes—and heroines—Christine Monson’s characters are always intriguing and no matter how many times you read her stories, the next time you read it again you will find something you didn’t see before.

Here’s the Amazon blurb: Abandoned by her weakling husband on their wedding night, beautiful socialite Suzanne Maintree sets out to track him down in the wilds of Colorado, but is quite distracted by her guide, a handsome English adventurer.

By the way, this blurb doesn’t do this book justice at all. It’s like saying your grandma’s homemade chicken and dumplin’s and cornbread was “good”—there’s so much more to this story!

I could go on and on, but how about a MOVIE to break the cabin fever monotony? Have you ever seen this one? PURGATORY is one you will want to watch. Refuge is a small town in the west where no one carries weapons. There’s no jail, and neither the sheriff nor his deputy even carry a gun. It’s an odd assortment of citizens, who know the rules, and to kill someone else for whatever reason means their mortal soul. It’s not gory, but does have some supernatural elements that are very well done. Stars Sam Shepard, Eric Roberts, Donnie Wahlberg, Randy Quaid, and JD Souther, among others.

I will leave you with an excerpt from FIRE EYES that takes place (appropriately!) in my heroine’s cabin. FIRE EYES is part of a 6-book boxed set, UNDER A WESTERN SKY! I’m so proud to have my story in this set with 6 different authors (Agnes Alexander, Celia Yeary, Kaye Spencer, Patti Sherry-Crews, Tracy Garrett and Cheryl Pierson). The best part is, it’s only .99 right now!

EXCERPT FROM FIRE EYES:
THE SET UP: Jessica Monroe is living alone with her adopted daughter in the eastern part of Indian Territory. Her husband has been murdered by Andrew Fallon’s border raiders. Now, the Choctaws have brought her a U.S. Deputy Marshal who has been badly wounded by the same band of outlaws, in the hope that she will be able to save his life. Here’s what happens:

“You waitin’ on a…invitation?” A faint smile touched his battered mouth. “I’m fresh out.”

Jessica reached for the tin star. Her fingers closed around the uneven edges of it. No. She couldn’t wait any longer. “What’s your name?” Her voice came out jagged, like the metal she touched.

His bruised eyes slitted as he studied her a moment. “Turner. Kaedon Turner.”

Jessica sighed. “Well, Kaedon Turner, you’ve probably been a lot better places in your life than this. Take a deep breath, and try not to move.”

He gave a wry chuckle, letting his eyes drift completely closed. “Do it fast. I’ll be okay.”

She nodded, even though she knew he couldn’t see her. “Ready?”

“Go ahead.”

Even knowing what was coming, his voice sounded smoother than hers, she thought. She wrapped her hand tightly around the metal and pulled up fast, as he’d asked.

As the metal slid through his flesh, Kaed’s left hand moved convulsively, his fingers gripping the quilt. He was unable to hold back the soft hint of an agonized groan as he turned away from her. He swore as the thick steel pin cleared his skin, freeing the chambray shirt and cotton undershirt beneath it, blood spraying as his teeth closed solidly over his bottom lip.

Jessica lifted the material away, biting back her own curse as she surveyed the damage they’d done to him. His chest was a mass of purple bruises, uneven gashes, and burns. Her stomach turned over. She was not squeamish. But this—

It was just like what they’d done to Billy, before they’d killed him. Billy, the last man the Choctaws had dumped on her porch. Billy Monroe, the man she’d come to loathe during their one brief year of marriage.

She took a washrag from the nightstand and wet it in the nearby basin. Wordlessly, she placed her cool palm against Kaedon Turner’s stubbled, bruised cheek, turning his head toward her so she could clean his face and neck.

She knew instinctively he was the kind of man who would never stand for this if it wasn’t necessary. The kind of man who was unaccustomed to a woman’s comforting caress. The kind of man who would never complain, no matter how badly wounded he was.

“Fallon.” His voice was rough.

Jessica stopped her movements and watched him. “What about him?”

His brows drew together, as if he were trying to formulate what he wanted to say. “Is he…dead?”

What should she tell him?

The truth.

“I—don’t know.”

“Damn it.”

“You were losing a lot of blood out there,” Jessica said, determined to turn his thoughts from Fallon to the present. She ran the wet cloth lightly across the long split in his right cheek.

His breathing was controlled, even. “I took a bullet.” He said it quietly, almost conversationally.

Jessica stopped moving. “Where?”

Here’s the BUY LINK for AMAZON:

https://www.amazon.com/Under-Western-Sky-Historical-Romance-ebook/dp/B078SGY1HW/ref=sr_1_1?ie=UTF8&qid=1520642631&sr=8-1&keywords=Under+a+Western+Sky

USING HISTORIC CHARACTERS IN A WORK OF FICTION--BY CHERYL PIERSON

I am fascinated by Cherokee leader Stand Watie. I've used him as a character in many of my stories. I think the reason I can't seem to get enough of him is because of his remarkable life and accomplishments. Here's a little bit about Stand Watie and what he did--and then I'll tell you about my stories he appears in.




Only two Native Americans on either side of the States’ War rose to the rank of brigadier general. Standhope Watie (Uwatie), fighting for the Confederacy, was one of those two. Yet, what makes this accomplishment so incredible is the fact that while he was fighting for the Confederate States of America, he was also fighting other Cherokee tribal leaders who held opposing political views and very different visions for the Cherokee nation.

Stand Watie commanded the Confederate Indian Cavalry of the Army of the Trans-Mississippi. While the cavalry unit was comprised mainly of Cherokee, some Muscogee (Creek) and Seminole tribal members also served.


Born in Oothcaloga in the Cherokee Nation, State of Georgia, Uwatie (or Oowatie) was also known as Isaac. He was educated in a Moravian mission school. In his early adulthood, he occasionally wrote articles for the Cherokee Phoenix newspaper. The State of Georgia confiscated Cherokee lands in 1832 when gold was discovered, including the thriving plantation owned by Stand’s father and mother. Stand and his brothers, part of the powerful Ridge-Watie-Boudinot faction of the Cherokee council, stood in favor of the Cherokee Removal. Their signing of the Treaty of New Echota facilitated the removal of the Cherokee people to Indian Territory—what is now Oklahoma.

Another faction of Cherokees following John Ross refused to ratify the treaty signing. This segment was known as The Anti-Removal National Party. Members of this group targeted Stand Watie and his brother, Elias Boudinot, along with their uncle, Major Ridge, and cousin, John Ridge for assassination. Stand was the only one who survived the assassination attempt. Although Watie’s family had left Georgia before the forcible removal of all Cherokees in 1838, another brother, Thomas, was murdered by Ross’s men in 1845.

In October, 1861, Watie was commissioned as colonel in the First Mounted Cherokee Rifles. Besides fighting Federal troops in the States’ War, his men also fought opposing factions of Cherokee, as well as Seminole and Creek (Muscogee) warriors who supported the Union.

In 1862, Stand Watie was elected principal chief of the Cherokee Nation, through dissension continued among John Ross’s supporters.

On June 15, 1864, Watie’s troops captured the Federal steamboat J. R. Williams on the Arkansas River off the banks of Pleasant Bluff near Tamaha, Indian Territory. The next morning, Colonel John Ritchie’s men, who were stationed at the mouth of the Illinois River near where the two rivers met, engaged Watie’s men as they attempted to confiscate the cargo. The river was rising, and they fought to a standoff. When Watie learned of the advance of Union troops from Fort Smith, Arkansas, (within about 40 miles), he burned the ship and much of the remaining cargo, then sank it.

Watie surrendered a year later in June of 1865, the last Confederate general to lay down his arms.

In my debut novel, Fire Eyes, I weave this bit of history into my plot. The villain, Andrew Fallon, and his gang have come upon the site where the J.R. Williams was sunk four years earlier. Fallon speculates there could have been gold aboard, and sets his men to dive for it. As mercurial as his temper is, none of them dare question his order. Here’s what happens:



FROM FIRE EYES:

“Damn! I know where we are.” Dobie Perrin said.

Andrew Fallon turned in the saddle, glaring at Perrin, the afternoon sun dappling them through the leaves of the thick canopy of trees. “So do I, you idiot! So do we all, now.”

The secluded cemetery sat on a bluff, overlooking the Arkansas River. They had been wandering for two days, ever since retracing their steps to the first small creek they’d come to. The one Fallon felt sure would give them their bearings. Now, at last, he recognized where they were. He’d figured it out ten miles back.

“Tamaha,” Denver Rutledge muttered. “I was raised up over yonder.” He inclined his head toward the riverbank. “Over in Vian.”

“Then why didn’t you know where we were?” Fallon’s anger surged. “I am surrounded by idiots!”

“I shore ’nuff shoulda known, General,” Rutledge said apologetically. “Right yonder’s where we sunk the J.R. Williams. Rebs, I mean. Stand Watie’s bunch.”

Fallon jerked his head toward the other man. “Right where, soldier?”

Rutledge kneed his horse, coming abreast of Fallon. “Why, right yonder, General. It was in June of ’64. She was a Union ship, the Williams was.”

“What was she carrying?”

Rutledge shrugged. “Don’t rightly know. Supplies, maybe.”

“Payroll? Gold?” Fallon fingered his curling moustache. “Could be anything, eh, Rutledge? But the Yankees were known to cache their gold profits in casks. Maybe that’s what the J.R. Williams was carrying. Casks that weren’t really supplies, but were filled with gold.”

“Could be, I ‘spect.” Rutledge’s voice was hesitant.

Fallon nodded toward the river. “I think maybe we’ll try to find out.”

BUY IT HERE: https://www.amazon.com/Fire-Eyes-Cheryl-Pierson-ebook/dp/B00JTAFTPS/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1476583998&sr=1-1&keywords=Fire+Eyes&tag=pettpist-20

****



The next story Chief Watie was included in was my time-travel western novella, MEANT TO BE. Here's a little bit about this Civil War story:

Robin Mallory is facing another Christmas all alone when she decides to surprise her aunt and uncle several hours away. A flat tire leaves her stranded near a desolate section of interstate. With a snowstorm on the way, Robin has no choice but to walk, hoping to find shelter before the storm hits full force. But the road she chooses leads her back in time, to a battleground she's only read about in history books.

Confederate Jake Devlin, an officer in Stand Watie's Cherokee forces, is shocked when the spy he captures turns out to be a girl. She's dressed oddly, but her speech and the ideas she has are even stranger than her clothing. Where did she come from, and what is he going to do with her? Will he be able to hold on to his heart? Is it possible for a love this strong to span centuries? It is, if it was MEANT TO BE…

BUY IT HERE: https://www.amazon.com/Meant-Be-Cheryl-Pierson-ebook/dp/B00M28NKI2/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1476584160&sr=1-1&keywords=MEANT+TO+BE+by+Cheryl+Pierson&tag=pettpist-20

****


My most recent story that Stand Watie appears in is my first venture into "alternate history" in the alternate history anthology, TALES FROM THE OTHERVERSE released through Rough Edges Press. If you aren't familiar with alternate history, it's fascinating to read and to write--because you can change history to suit the story you want to tell. My novella is called MRS. LINCOLN'S DINNER PARTY--a very different story about how the Civil War ended, thanks to Varina Davis, Mary Lincoln, and of all people, Stand Watie. Hmmm...let's just see what's going on at this odd dinner party of Mrs. Lincoln's, shall we?

****

“If you’ll excuse me, sir,” Mary said, “I must return to the receiving line. You’ve had a long journey—if you’d like a moment to freshen up, Mr. Pennington can show you to your quarters—” She nodded at the guard standing behind the general.

“Yes, please. I’d like to know where I need to place my bag,” the general said.

Mary glared at Mr. Pennington, who squirmed uncomfortably.

“Thought maybe there was a mistake, Mrs. Lincoln—”

“Mr. Pennington. There is no mistake. And I will not tolerate rudeness. Please, show General Watie to his quarters—and you carry his bag.”

“Yes, ma’am,” Pennington answered. “This way, sir.”

General Watie gave Mary a rare smile. “Thank you. I will see you at dinner, Mrs. Lincoln.”

Mary felt Abe’s eyes boring into her as she moved across the floor, back into her place in line.

“I’m…surprised at you, Mary.”

Mary felt the hot flush creep up her neck, into her cheeks.

“I’m wondering, what other—guests—you may have invited without my knowledge.”

Oh, how she did wish he’d keep his voice down! She didn’t want the children to see the discord between them—especially here in public, where it was so easy for others to read between the lines, pick up on any issues that were best kept private. As Robert had said earlier, they could all find themselves on the front page of the papers along with unflattering descriptions and comments if they weren’t careful.

She didn’t answer Abe’s prodding, becoming suddenly resentful of being placed in such a predicament. She wouldn’t have had to resort to this if Abe and the others who had started this war had been more reasonable.

And though, in her heart, she believed fathers loved their children dearly…she couldn’t yet reconcile how fathers could call for sons to go to war. War! Where the children mothers had fought so hard to keep safe and whole all their childhood years could—in one moment—be maimed, or left to die a horrific death at the hands of their enemy…The enemy—people who had, just two scant years earlier, been their neighbors, their friends—even their own families!

She couldn’t sit by any longer and do nothing. Robert would be heading off to West Point in the fall…then Eddie and Willie would follow.

She was not going to lose her precious boys to this confounded idiocy.

“My God,” Abe swore, his tone calling her back to the present. “Is that—”

“Varina Davis. Yes. It is.” Mary turned to look up at her husband. “It looks as if Jefferson declined the invitation. Would you care to accompany me to greet her, or—”

“Yes, I’ll come,” he all but growled. “Mary, we have some talking to do.”

But Mary was already on her way across the floor to greet Varina Davis, Confederate President Jefferson Davis’s wife.

BUY IT HERE: https://www.amazon.com/Tales-Otherverse-James-Reasoner-ebook/dp/B018CQF05I/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1476584467&sr=1-1&keywords=Tales+From+the+Otherverse+by+Cheryl+Pierson&tag=pettpist-20

****

I want to thank everyone for joining me today! Do you like to read fictional stories that incorporate real historical characters in them? I love it--if it's done right! Please leave a comment and you will be entered in my drawing for a copy (DIGITAL OR PRINT--YOUR CHOICE!) of FIRE EYES and I'm also giving away a copy of MEANT TO BE!

THE WORST WRITING ADVICE EVER--WHAT WAS YOURS? by Cheryl Pierson

What was the worst writing advice you ever received? Is there any such animal as “bad writing advice”? Not according to novelist and screenwriter Chuck Wendig. "There's only advice that works for you and advice that doesn't."

Is that true? Sometimes it seems, as writers, we can get so caught up in “the rules” that we forget the story and how to tell it. We become frustrated, and it can be downright maddening to try to remember every piece of advice from every writing source we’ve ever come across and tried to use properly.

No. It's not an Amish Romance...

Translating our ideas into language is one way of looking at our writing process, but how do we start? I have to admit, I am truly a ‘pantser’, not a ‘plotter’—which is really out of character for me in every other aspect of my life. But somehow, orchestrating everything to an outline and strictly adhering to that brings out the rebel in me. I just can’t do it—and I’ve tried. Here’s an example of the differences from Richard Nordquist’s “About.com” publication on writing:

In his essay "Getting Started," John Irving writes, "Here is a useful rule for beginning: Know the story--as much of the story as you can possibly know, if not the whole story--before you commit yourself to the first paragraph." Irving has written far more novels than I. Clearly he knows what works for himself in a way that I don't always for myself, but this seems to me terrible advice. I'm more inclined to E.L. Doctorow's wisdom. He once wrote that writing . . . is like driving at night: You don't need to see the whole road, just the bit of illuminated blacktop before you.
(Debra Spark, "The Trigger: What Gives Rise to the Story?" Creating Fiction, edited by Julie Checkoway. Writer's Digest Books, 1999)

Yes. That’s what I do. I don’t always see the entire big picture, and I don’t need to from the very beginning. But I do see more than “just the bit of illuminated blacktop”—in other words, the immediate “coming up next” section of the story. So I guess I’m in category #3—Swiss cheese author—I know the basics of what’s going to happen, but even so, there are a LOT of little (and big!) surprise along the way.

Nope. Neither is this one...

Aside from being on one side of the “plotter/pantser” fence and being told you’re wrong by the other side, what is the worst writing advice you’ve ever had? You don’t have to say who gave it to you—but I’m curious…what was it? And do you agree with the idea that there is no bad writing advice, just “advice that works for you and advice that doesn’t”? Bring on the comments and opinions! The worst writing advice I ever received? “Try to write an Amish romance. That’s what’s “hot” now…” (from an agent). What’s yours?

www.prairierosepublications.com

RESEARCH ODDITIES: TAMAHA TALES BY CHERYL PIERSON

Hi everyone!

First, let me start off by saying that I'm giving away an e-copy of my book, FIRE EYES, today to one commenter! All you have to do is leave a comment and please include your contact info in case you win!

I have kind of an odd research topic today. Because everything I write takes place in Oklahoma or Texas, and because I was born and raised in Oklahoma, most of my research tools are right at my fingertips. Talking to older people in the area, going to the actual places where my stories are set, and visiting museums and landmarks are all part of my research practices for just about all my novels. Louis L’Amour said that if he wrote about a creek or a particular landmark, it was authentic; that is was actually where he said it was and looked the way he described it. I don’t quite go that far, but I try to keep the setting and every other component of my writing as true to life as possible. In order to do that, sometimes you just have to “be there.”

Tamaha, Oklahoma, was an unlikely candidate to be included in my story, FIRE EYES, until I visited there. But how its inclusion came about is a story in itself—and proves that sometimes our research, as that other saying goes, “happens.”


Though there’s very little to say about the actual town of Tamaha as it exists today, I couldn’t help but use it in my story, Fire Eyes, which was first released in May 2009 then re-released through WESTERN TRAIL BLAZER. In those long ago days of more than a century past, Tamaha was a thriving community.

There’s an odd thing that happened that made me include Tamaha in my book. I’d been working on it, and had come to the part where the villain and his gang needed to reference a landmark. But which one? And what was the significance? As I said, I try to stay as historically accurate in my writing as possible, and this story takes place in the eastern part of the state, toward the Arkansas/Oklahoma border. I must admit, I’m not as familiar with that part of the state as I am with the central part, since that’s where I was born and raised. A lot of these smaller towns don’t even dot the map, and I had never heard of Tamaha, until one day in May, 2005.

I’d just spoken with a lifelong friend, DaNel Jennings, who now lives in a town in that eastern area of the state. In the course of the conversation, she mentioned that she and her husband, Jeff, were doing some genealogical research and she had learned she had some relatives buried in a small cemetery in Tamaha. Now, the intriguing part of this was that her relatives bore the same last name as my maiden name, “Moss.”

“Wouldn’t it be funny if we really WERE related?” she asked. We’d always secretly hoped we were, and pretended that we were, when we were kids, growing up across the street from one another.

“Yes,” I said with a laugh, “but where in the HECK is Tamaha?” She began trying to tell me where it was, and I said, “Never mind. It’s a good thing Jeff knows where he’s going. Let me know what you find.”

I hung up, wistfully wishing that I could go with her—but that was a three-hour drive and they were leaving the next day.

A couple of hours later, my sister Karen called. “Cheryl, I need you to come down this weekend,” she said. I was really intrigued, because she is my “much older” sister—10 years older—and usually, it was me "needing" her for one thing or another, not the other way around.

“What’s going on?”

“I promised Mr. Borin I would take him to visit his family's graves in Tamaha—”

I never heard the rest of her sentence. I was sure I had misunderstood. “Where?”

“Tamaha," she repeated.

“Wait," I said. "I have to tell you something.” I couldn’t believe it. I’d never heard of this place before, and now, within the space of 2 hours, two people who were very close to me had told me they were going to be going to the cemetery there!

Chills ran through me. This was no mere “coincidence.” I promised her I would be there—no matter what—Friday afternoon. We would be going on Saturday morning.

I would never have found the place on my own. I doubt that Mapquest even has it on their site. But Mr. Borin, an older gentleman my sister had befriended in years past at church, knew exactly where to go. Once we got there, I stepped out and found the headstones for the “Moss” family. It was amazing to think that my best friend, DaNel, whom I had not seen in over a year, had been standing where I was just a few days earlier—a place neither of us had been before. Again, I wondered what our research through family ancestry would yield. Were we related, as we’d always hoped? There was an incredible sense of connection, for me, not only for what we were doing that day for Mr. Borin and his long dead relatives, but for what DaNel and I might discover about our own.

As the three of us, Karen, Mr. Borin, and I stood in the quiet peacefulness of the old cemetery, a man made his way toward us. “Can I help you?” he asked. We explained why we were there. “Let me show you the historical side of Tamaha while you’re here,” he said cheerfully. He had lived there all his life, and there was no detail about the once-thriving community and surrounding area that he didn’t know. He was glad to share his knowledge, and believe me, I was writing in my little notebook as fast as I could while he talked.

The cemetery is on a bluff overlooking the Arkansas River. “Right down there is where the J.R. Williams was sunk. She was a Confederate ship, but when the Union seized her, they changed the name to the J.R. Williams. Then, Stand Watie and his men seized her back.”(June 15, 1864) Our guide chuckled at the thought.

NOTE: (Stand Watie was one of only two Native American brigadier generals in the War Between the States. He was the last Confederate officer to lay down his arms, and was also Chief of the Cherokee Nation at the time.)

“Come on, I’ll show you the largest black oak tree in Oklahoma—and the oldest.” Sure enough, it stood towering over one of the first buildings of the settlement of Tamaha, dating back to the 1800’s.

Next, we visited the town jail, the oldest jail in Oklahoma, built in 1886. We were able to walk right into it and take pictures. “We’re trying to get money up to preserve it,” he said. It stood in the middle of an overgrown field. “Watch out for snakes, hon,” he told me. Yep, he didn’t have to tell me twice. My eyes were peeled. This oldest jail in Oklahoma still stands near Kerr Lake at Tamaha. Tamaha was one of the earliest port towns and trading centers in the Choctaw Nation, I.T. Choctaws were brought from Mississippi up the Arkansas River to Tamaha on steamboats as early as 1831.

Tamaha developed as a port and ferry crossing around 1836. The post office was built in 1884, and the jail in 1886. The last steamboat landed in 1912, three miles east of Stigler, another nearby landmark.

When we left, I knew I had my landmarks that I needed for my book. I had seen it, and my imagination took over. It was the “jog” I needed to get on with the writing, but I will never believe for one minute that it was coincidence.

I use many research resources, but because of the nature of what I love to write, and because I have been so blessed to actually grow up in the area that I’m writing about, I feel like the most invaluable resource available to me are the people and places I meet and visit. It’s all around me.


But my day of research at Tamaha is one that I will never forget, and that I’m so glad to have been able to take part in. Have any of you ever experienced anything like this? Some kind of remarkable occurrence that has affected your writing in some way? Do you classify that as “research”? Share it, if you have—I know I can’t be the only one!

Below is an excerpt from FIRE EYES. I hope you enjoy it!
Remember to leave a comment for a chance to win an e-copy of FIRE EYES! I'll draw a name this evening, so be sure to check back tomorrow morning to see if YOU are the lucky winner!


EXCERPT FROM FIRE EYES:


THE SET UP: A stranger has shown up at Jessica’s door in the evening. She is reluctant to let him inside, even though good manners would dictate that she find him a meal and a place to bed down. There is something about him she doesn’t like—and with good reason, as we find out.


“Evenin’, ma’am.”

The stranger looked down the business end of Jessica’s Henry repeater. It was cocked and ready for action.

She drew a deep breath, trying to calm her nerves. She stood just inside the cabin door, the muzzle of the rifle gleaming in the lamplight that spilled around her from the interior.

He raised his hands and gave her a sheepish grin. “Don’t mean to startle you. Just hopin’ for a meal. Settlers are few and far between in these here parts.”

“Where’s your horse?” She didn’t lower the gun.

“Well, funny thing. I kinda hate to admit it.” He rubbed the back of his neck and looked away. “I, uh, lost him. Playin’ poker.”

“Where?”

“Over to Tamaha.”

“You’re quite a ways from Tamaha,” she said. “Even farther from where I expect you call home.”

He gave a slow, white grin. “More recently, I hail from the Republic of Texas.”

Jessica raised her chin a notch. It was almost as if this man invited dissension. She disliked the cool, unperturbed way he said it. The Republic of Texas. “Texas is a state, Mister. Has been for over twenty years.”

“Well, now,” he said, placing his booted foot on the bottom porch step. “I guess that all depends on who you’re talkin’ to.”

Her eyes narrowed, and she stepped back to shut the door. “I think you better—”

“Ma’am, I’m awful hungry. I’d be glad for any crumb you could spare.”

“What did you say your name was?” Her voice shook, and she cleared her throat to cover her nervousness. Most people had better manners than to show up right at dark.

“I didn’t. But, it’s Freeman. Andy Freeman.”

“Are you related to Dave Freeman?”

“He’s my brother.” He gave her a sincere look. “Look, ma’am, I’d sure feel a heap better talkin’ to you if I wasn’t lookin’ at you through that repeater. I been lookin’ for Dave.” There was an excited hopefulness in his tone. “You seen him? Ma, she sent me up here after him. She’s just a-hankerin’ for news of him. He ain’t real good about letter-writin’.”

Jessica sighed and lowered the rifle. “Come on in, Mr. Freeman. I’ll see what I can find for you to eat, and give you what news I have of your brother.”

“Thank you, Ma’am. I sure do appreciate your hospitality.”

TO ORDER FIRE EYES OR ANY OF MY OTHER BOOKS OR SHORT STORIES, VISIT MY AMAZON PAGE HERE:

https://www.amazon.com/author/cherylpierson

PLOTTING WITH WOUNDED HEROES by Cheryl Pierson

My heroes are all wounded. Not just emotionally, but physically, as well. Being a hero in a Cheryl Pierson story is like being an expendable member of the landing party on Star Trek. If you had on a red shirt when you beamed down to the planet’s surface, you could pretty well figure you weren’t going to be returning to the Enterprise in one piece, or alive.

In my Western Trail Blazer historical western release, Fire Eyes, U.S. Marshal Kaed Turner is tortured and shot at the hands of the villain, Andrew Fallon, and his gang of cutthroats. A band of Choctaw Indians deposit Kaed on Jessica Monroe’s doorstep with instructions to take care of him. “Do not allow him to die,” the chief tells her.

Can she save him? Or will he meet the same fate that befell her husband, Billy? Although Kaed’s injuries are severe, he recovers under a combination of Jessica’s expert care and his own resolve and inner strength.

The injuries he sustained give him the time he needs to get to know Jessica quickly. Their relationship becomes more intimate in a shorter time span due to the circumstances. Under normal conditions of courtship, the level their relationship skyrockets to in just a few days would take weeks, or months.

Wounding the hero is a way to also show the evil deeds of the villain. We can develop a kinship with the hero as he faces what seem to be insurmountable odds against the villain. How will he overcome those odds? Even if he weren’t injured, it would be hard enough—but now, we feel each setback more keenly than ever. He’s vulnerable in a way he has no control over. How will he deal with it, in the face of this imminent danger?

Enter the heroine. She’ll do what she can to help, but will it be enough to make a difference? This is her chance to show what she’s made of, and further the relationship between them. (If he dies, of course, that can’t happen.)

From this point on, as the hero begins to recover, he also regains his confidence as well as his strength.

It’s almost like “The Six Million Dollar Man”: We can build him stronger…faster…better…

He will recover, but now he has something to lose—the newfound love between him and the heroine. Now, he’s deadlier than ever, and it’s all about protecting the woman he loves.

Or, his injuries may give him a view of life that he hadn’t hoped for before. Maybe the heroine’s care and the ensuing love between them make the hero realize qualities in himself he hadn’t known were there.

In my holiday short story, A Night For Miracles, wounded gunman Nick Dalton arrives on widow Angela Bentley’s doorstep in a snowstorm. Angela is tempted at first to turn him away, until she realizes he’s traveling with three half-frozen youngsters, and he’s bleeding.

As she settles the children into the warmth of her home and begins to treat Nick’s injury, she realizes it’s Christmas Eve—“A Night For Miracles,” Nick says wryly. “I’m ready for mine.”

In this excerpt, the undercurrents between them are strong, but Nick realizes Angela’s fears. She’s almost as afraid of taking in a gunman with a reputation as she is of being alone again.

FROM “A NIGHT FOR MIRACLES”

Angela placed the whiskey-damp cloth against the jagged wound. The man flinched, but held himself hard against the pain. Finally, he opened his eyes. She looked into his sun-bronzed face, his deep blue gaze burning with a startling, compelling intensity as he watched her. He moistened his lips, reminding Angela that she should give him a drink. She laid the cloth in a bowl and turned to pour the water into the cup she’d brought.

A killer. A gunfighter. A ruthless mercenary. What was he doing with these children? She’d heard of him, all right, bits and pieces, whispers at the back fence. Gossip, mainly. And the stories consisted of such variation there was no telling what was true and what wasn’t.

She’d heard. She just hadn’t expected him to be so handsome. Hadn’t expected to see kindness in his eyes. Hadn’t expected to have him show up on her doorstep carrying a piece of lead in him, and with three children in tow. She forced herself to respond through stiff lips. “Heard of you? Who hasn’t?”

He met her challenging stare. “I mean you no harm.”

She remained silent, and he closed his eyes once more. His hands rested on the edge of the sheet, and Angela noticed the traces of blood on his left thumb and index finger. He’d tried to stem the blood flow from his right side as he rode. “I’m only human, it seems, after all,” he muttered huskily. “Not a legend tonight. Just a man.”

He was too badly injured to be a threat, and somehow, looking into his face, she found herself trusting him despite his fearsome reputation. She kept her expression blank and approached the bed with the dishpan and the bandaging tucked beneath her arm. She fought off the wave of compassion that threatened to engulf her. It was too dangerous. When she spoke, her tone was curt. “A soldier of fortune, from what I hear.”

He gave a faint smile. “Things aren’t always what they seem, Miss Bentley.”

I hope you’ve enjoyed this peek into what makes my heroes ‘tick.’For these stories and others, see my Amazon page here: https://www.amazon.com/author/cherylpierson

I will be giving away a copy of A NIGHT FOR MIRACLES to one commenter today! Be sure to leave contact info, and thanks for stopping by.

STAND WATIE--A MOST UNCOMMON SOLDIER

Only two Native Americans on either side of the States’ War rose to the rank of brigadier general. Standhope Watie (Uwatie), fighting for the Confederacy, was one of those two. Yet, what makes this accomplishment so incredible is the fact that while he was fighting for the Confederate States of America, he was also fighting other Cherokee tribal leaders who held opposing political views and very different visions for the Cherokee nation.

Stand Watie commanded the Confederate Indian Cavalry of the Army of the Trans-Mississippi. While the cavalry unit was comprised mainly of Cherokee, some Muscogee (Creek) and Seminole tribal members also served.

Born in Oothcaloga in the Cherokee Nation, State of Georgia, Uwatie (or Oowatie) was also known as Isaac. He was educated in a Moravian mission school. In his early adulthood, he occasionally wrote articles for the Cherokee Phoenix newspaper. The State of Georgia confiscated Cherokee lands in 1832 when gold was discovered, including the thriving plantation owned by Stand’s father and mother. Stand and his brothers, part of the powerful Ridge-Watie-Boudinot faction of the Cherokee council, stood in favor of the Cherokee Removal. Their signing of the Treaty of New Echota facilitated the removal of the Cherokee people to Indian Territory—what is now Oklahoma.

Another faction of Cherokees following John Ross refused to ratify the treaty signing. This segment was known as The Anti-Removal National Party. Members of this group targeted Stand Watie and his brother, Elias Boudinot, along with their uncle, Major Ridge, and cousin, John Ridge for assassination. Stand was the only one who survived the assassination attempt. Although Watie’s family had left Georgia before the forcible removal of all Cherokees in 1838, another brother, Thomas, was murdered by Ross’s men in 1845.

In October, 1861, Watie was commissioned as colonel in the First Mounted Cherokee Rifles. Besides fighting Federal troops in the States’ War, his men also fought opposing factions of Cherokee, as well as Seminole and Creek (Muscogee) warriors who supported the Union.

In 1862, Stand Watie was elected principal chief of the Cherokee Nation, through dissension continued among John Ross’s supporters.
< On June 15, 1864, Watie’s troops captured the Federal steamboat J. R. Williams on the Arkansas River off the banks of Pleasant Bluff near Tamaha, Indian Territory. The next morning, Colonel John Ritchie’s men, who were stationed at the mouth of the Illinois River near where the two rivers met, engaged Watie’s men as they attempted to confiscate the cargo. The river was rising, and they fought to a standoff. When Watie learned of the advance of Union troops from Fort Smith, Arkansas, (within about 40 miles), he burned the ship and much of the remaining cargo, then sank it. Watie surrendered a year later in June of 1865, the last Confederate general to lay down his arms.
In my debut novel, Fire Eyes, I weave this bit of history into my plot. The villain, Andrew Fallon, and his gang have come upon the site where the J.R. Williams was sunk four years earlier. Fallon speculates there could have been gold aboard, and sets his men to dive for it. As mercurial as his temper is, none of them dare question his order. Here’s what happens:

FROM FIRE EYES:

“Damn! I know where we are.” Dobie Perrin said.

Andrew Fallon turned in the saddle, glaring at Perrin, the afternoon sun dappling them through the leaves of the thick canopy of trees. “So do I, you idiot! So do we all, now.”

The secluded cemetery sat on a bluff, overlooking the Arkansas River. They had been wandering for two days, ever since retracing their steps to the first small creek they’d come to. The one Fallon felt sure would give them their bearings. Now, at last, he recognized where they were. He’d figured it out ten miles back.

“Tamaha,” Denver Rutledge muttered. “I was raised up over yonder.” He inclined his head toward the riverbank. “Over in Vian.”

“Then why didn’t you know where we were?” Fallon’s anger surged. “I am surrounded by idiots!”

“I shore ’nuff shoulda known, General,” Rutledge said apologetically. “Right yonder’s where we sunk the J.R. Williams. Rebs, I mean. Stand Watie’s bunch.”

Fallon jerked his head toward the other man. “Right where, soldier?”

Rutledge kneed his horse, coming abreast of Fallon. “Why, right yonder, General. It was in June of ’64. She was a Union ship, the Williams was.”

“What was she carrying?”

Rutledge shrugged. “Don’t rightly know. Supplies, maybe.”

“Payroll? Gold?” Fallon fingered his curling moustache. “Could be anything, eh, Rutledge? But the Yankees were known to cache their gold profits in casks. Maybe that’s what the J.R. Williams was carrying. Casks that weren’t really supplies, but were filled with gold.”

“Could be, I 'spect.” Rutledge’s voice was hesitant.

Fallon nodded toward the river. “I think maybe we’ll try to find out.”

****
AND LATER, WILL THE HOSTAGES BE ABLE TO ESCAPE WHILE FALLON’S MEN ARE OCCUPIED WITH THE SHIP?

“What’s he doing, Tori?” Lily whispered. She moved closer to her sister. The night had turned colder, and the girls’ clothing was becoming threadbare and ragged.

Tori shook her head. “Fallon’s plumb crazy, Lily. Making his men dive for that ship! What’s he think he’s going to do if he finds it? Pull it up with his bare hands?”

“Or a rope, maybe,” Lily said innocently.

Tori didn’t say anything. She reminded herself that Lily was, after all, only eight years old. And she, at eighteen, knew how the world worked much better than little Lily did. At least Lily had stopped crying all the time. Now, Tori wasn’t sure if that was an improvement.

Lily sometimes scared her, the way her eyes looked hollow. Like there was no feeling left in her. Tori had no mirror, but her little sister looked like she herself felt. Older than she should be. And sad. But Lily didn’t seem to be afraid any longer, and Tori supposed that was a good thing.
Tori knew what Fallon intended to do with her and Lily. But the initial shock and fear of Fallon’s intent was overshadowed by other things that had actually happened. The violent deaths of their parents and younger brother, the endless days of riding with scant food and water, the bone-deep weariness that never let up, not even when she slept on the hard ground at night next to Lily.
She was responsible for Lily, now that her parents were gone. She squared her thin shoulders, her gentle eyes turning hard for a moment. She would protect her sister, no matter what.

Tori watched as Fallon ordered three of his men back into the water yet another time. Even if they could see what they were diving for, it would be too deep to reach. But the scene helped Tori realize just how unstable Andrew Fallon was. Once or twice, she’d caught herself thinking he was almost a nice man. He’d brought her and Lily a blanket one cold night. And he’d given them extra rations another time. But she knew he was not nice, not even sane.

Evil, was what Andrew Fallon was. Evil, and most insane.

She watched him, posturing and screaming at his men, who were so terrified of him that they were making fools of themselves trying to dive for an unreachable goal, a ship that may contain treasure, but just as well may not. A vessel that was impossible to get to, all the same. Especially in the pitch-black night. Lily leaned against her, her weight heavy with sleep. They sat beside a tree, their backs propped against the rough bark. The night was cool, and Tori had drawn the blanket close around them. She sagged against the tree trunk, her arm around her little sister, as Lily’s eyelids drooped.

I will be giving away a pdf copy of FIRE EYES to one commenter today! Just leave a comment with your contact info to be entered in the drawing.

To see all my work, go here:

https://www.amazon.com/author/cherylpierson

JANUARY WINNERS!!!

Hi everyone,

I'm slipping this in because I forgot to do it yesterday. As you know, we are choosing a winner from our FOLLOWERS list each month to win a prize--just for being a follower!

The winner for January is.....

BONNIE (B.A.) KELLY!!!

Bonnie, you are the winner of a copy of WOLF CREEK: BOOK 1 BLOODY TRAIL!!!

Also, I drew the winner for a copy of FIRE EYES for commenting on my blog THE HELP YOU GET ALONG THE WAY.

My winner is..........

LINDA LAROQUE!!!

Winners, please e-mail me at fabkat_edit@yahoo.com for your choice of print or Kindle versions of your prize! Congratulations to both of you!

Cheryl

THE HELP YOU GET ALONG THE WAY--by Cheryl Pierson

Do you have a “collection” of special people in your life? People that helped you in ways maybe you hadn’t really given much thought to, but that turned out to be extremely important? One of the first milestones in my writing career—becoming a finalist in the EPIC Awards with my first novel, FIRE EYES—brought this realization home to me. I got curious. I know there are incidents in people’s lives that are pivotal to their entire careers, dreams, and goals, that, perhaps at the time, don’t seem that important. Later, looking back on it, it becomes an “aha” moment—you understand that THIS was the moment when you made the decision to do something you might not have done otherwise, or because of a word of encouragement you continued on when you’d been ready to stop.

Most people that I’ve met in the last half of my adulthood would never describe me as “shy,” but as a youngster, I was—horribly. That’s one reason I turned to writing. It was a great way for me to get my feelings out without actually having to say them. I could have someone else say it all for me.

I imagine that’s how many of my fellow writers started, too. I sometimes wonder what might have happened had we all known each other when we were younger. Would we have developed into the writers we are today, or would we have found our “niche” with one another and NOT turned so much to writing?

If you can relate to the “shy” part, then maybe you felt this way, too: I was never competitive. Not like so many sports contenders might be. The things I enjoyed, writing and music, were open to everyone, I felt. I am not a “joiner” and I am not one to enter a lot of contests. I entered FIRE EYES in the 2010 EPIC Awards competition, and something odd happened when I did.

From the moment I entered, my attitude about myself changed. BEFORE I entered, I thought, “I probably don’t have a chance.” But my mom always used to say, “If you don’t enter, you certainly are NOT going to win!” I remembered those words, and sent in my entry that very day. Once it was sent, I began to feel some confidence growing. As I analyzed WHY, here’s what I came up with.

FIRE EYES was a joint project. I wrote it, but I couldn’t have if I hadn’t had the cooperation and support of my family—my kids and my husband. While I was writing it, my oldest sister, Annette, was constantly asking about “how it’s coming” and she was the one I could bounce ideas off of. Once written, my business partner read it for glaring mistakes, and my best friend of 45 years read it for moral support. The Wild Rose Press accepted it, and my editor, Helen Andrew, was so phenomenal in helping me mold it and shape it into the story that was released last May. My cover artist, Nicola Martinez, did a superb job on the beautiful cover. My family and friends were all pulling for me, and constantly offering encouragement. With all these people behind me and my story, my confidence rose. Whatever would be, would be—and entering the competition was a win/win situation. Even if I didn’t make it to the finals, I would still have taken the chance and had the experience.

When I received the news that my book was, indeed, a finalist, I thought immediately of all the people who had helped me get to this point; people in my life who had faith in me, and in my ability, and in the story itself. I thought of that saying, “It takes a village to raise a child.” It’s true, even in the broader sense of our lives as writers. The experiences we had growing up, people who encouraged us even then, our spouses, our children, mentors and teachers we’ve had along the way, and peers that have helped and encouraged us. Editors, artists, publishers and organizations such as EPIC that give us a chance to compete and strive to be better and better, along with our readers, are all part of the completed circle of a successful writer’s endeavors.

Though FIRE EYES didn’t win that year, the experience of entering the competition and finaling in it was more important that I could have realized when I sent my entry in. It was the thing that made me understand just how many people had been involved in the entire process of writing that book. And it gave me the impetus and encouragement to move forward with the rest of my writing projects since that time. That realization was far more important than winning the contest, and has been with me every day, like a component of myself that I didn’t have before; another part of my make-up.

Since then, FIRE EYES has gone to a different publisher, WESTERN TRAIL BLAZER. With yet another great cover, this time by Karen Nutt, and a fantastic publisher, Rebecca Vickery, it’s once again seeing renewed success. But moreover, that’s yet another example of the help I’ve gotten on my writing journey.

Does anyone have a “special person” that helped them along the way? Not just in writing, but in your life’s goals and dreams? What about a “collection” of special people? My “collection” of special people in my life is the thing that I am most thankful for above all else. Without them, my dreams could have never happened. I could never have done it alone.

Cheryl's Amazon Author Page:
https://www.amazon.com/author/cherylpierson

SIX SENTENCE SATURDAY--FIRE EYES BY CHERYL PIERSON

I’ll start off the “SIX SENTENCE SATURDAY” feature here at our new and improved Western Fictioneers blog. I had to go ahead and include the rest of the paragraph for it to make sense, so I guess we can call it “SIX SENTENCE OR FIRST PARAGRAPH SATURDAY” to make it fit.

This is from my debut novel, FIRE EYES. Here’s the story of what happened: Three years ago in May, 2009, my debut western historical romance, FIRE EYES, was published by The Wild Rose Press. I was thrilled! Finally, my dream had come true, with the help of a wonderful editor and publishing company.

When I got my first box of books, I sat and gazed at the covers—just like any first time author would. My husband teased me about “rubbing off the paint”—but I was so proud of them, and justifiably so. A lot of very hard work had gone into that story, not just from my perspective, but also from many other people. My editor at The Wild Rose Press, Helen Andrew, was wonderful. She really explained in detail why certain things couldn’t stand and had to go or be changed.

But part of what ‘had to go’ was important to the story, in my mind. Still, there were company guidelines to be followed, and neither of us could do anything about that. So we worked together to find a way to take out the parts that made it more “western” than “romance” and still came out with a fine story.

However, in the spring of 2012, I asked for my rights back for FIRE EYES and got them. I submitted the story to WESTERN TRAIL BLAZER. I was able to re-edit the book and add in much of what I’d had to take out or rewrite in the first version, and it was released with a brand new Jimmy Thomas cowboy cover and lots of renewed interest.

The book is available now at Amazon, Lulu, Monkeybars, Barnes and Noble, Sony and Apple and many other retailers.

I’m very happy about breathing new life into this wonderful story. Once again, when my print copies arrived, I sat on the floor and ‘rubbed the paint off’ all over. I’m so grateful that I’ve had two chances to get my story out there—another thrill, a second time around!

The set up: Kaed Turner, U.S. Deputy Marshal, has followed a younger, more inexperienced deputy, Mitch Beckley, who had set out to pursue a ruthless gang of border raiders in Indian Territory. He’s caught up with him, all right. The gang has captured Beckley and is killing him slowly and mercilessly. From where Turner sits, he can also see something else—the green deputy isn’t the only captive. Andrew Fallon’s gang has stolen two young Choctaw girls Turner knows well—the granddaughters of the chieftain who raised him. Alone with no backup, there’s not much he can do for Beckley. His focus has to be on the two young children.


"Don't kill me! Please!"
God, Beckley, don't beg.
The other marshal's tortured screams ripped through Kaed Turner like a war lance. And he couldn't do one damn thing to save Mitch Beckley. Right now, he had no choice but to sit where he was and listen to the young marshal's pleas, knowing that Beckley was going to die, no matter how he begged. Even though Kaed was tempted to do something, walking into Andrew Fallon's camp would be suicide for him. He had to wait. Hunker down here in this damn undergrowth, hide, and wait.


Blurb:
Marshal Kaed Turner is given a rare second chance at love with the mysterious woman the Choctaw call “Fire Eyes.” But can he quiet the ghosts from his past and protect the love that was stolen from him once before? There’s only one way: Kill outlaw Andrew Fallon, along with the murdering band of men he leads.




FIRE EYES


Cheryl’s Amazon Author Page