Showing posts with label research. Show all posts
Showing posts with label research. Show all posts

Tuesday, February 25, 2025

And Next?

Post (C) Doris McCraw

aka Angela Raines

Image (C) Doris McCraw

As I ponder what I am going to write in this monthly post, my mind runs through all the research and reading I have been doing. I just finished the Patrick K. O'Donnell book: "The Unvanquished" and have Mosby's Rangers and Jessie Scouts' exploits during the Civil War and beyond swirling around in my mind. 

Add that to the research on the Philippine-American War of 1899-1902, an offshoot of the Spanish-American War, for another story I'm working on, and my mind is swirling with reading about the violent history of our country. 

To balance this history, I'm continuing to work on early Women Doctors before 1900 and have added women artists and mountaineers in the West during that same period. It does provide a good balance. I confess that when studying and sharing history, I aim for balance. It is not easy to share history in a way that is engaging while keeping moral and modern sentiment out of the equation. No matter how hard I try, the information is still filtered through my life experiences. 

Photo (C) Doris McCraw

There is also a paper on the statuary, mausoleums, and headstones in Evergreen Cemetery, all of which seem to tie together in my mind.

When we read a book, fiction or non-fiction, we get out of it what we see through our own personal filters. To me, that is why the stories we share as writers are important. We never know when a sentence we've written will make a difference in someone's life. For that reason alone, we need to keep sharing our stories. The reader who needs to read what we've written will find it one way or another. This I do believe, for I've seen it happen, even if the author has passed on.

For those who may wonder, I'm getting ready to read "Man on Fire" about Thomas Wentworth Higginson, a mentor to Helen (Hunt) Jackson, Emily Dickinson, and commander of an all-Black unit in the American Civil War, among other activities. 

Until Next Time - Keep Telling Your Stories

Doris



Friday, September 4, 2020

Why Blog?

 Post by Doris McCraw

writing as Angela Raines

Why Blog?
For most of us, we are more than half-way through the year. I like to take the time and take stock of where I am in my plans and goals. This Holiday weekend, with all the events, family, and COVID make it even more important. Things change, and yet remain the same.
Perhaps you’ve asked yourselves these same questions. Am I on target in our writing? How about that ‘blessed’ thing called marketing? How does blogging, and the time it takes, fit into all that? Why blog if no one reads or comments on what I’ve taken the time to think, research and write about? I rethink this every year, asking myself the same thing, why blog? After all I have so many other things that are important. Well, perhaps that is true, but as I explain below, I find it important.
For me the answer is a bit complex. I’ll break it down into three sections. 1. Marketing 2. Research and 3. Name recognition, (the one that’s a bit tricky for me.)
1. Marketing:
If we write stories, be they short, flash or full length, we want people to read them. Even with non-fiction we want the information to get to those who might enjoy what we’ve researched and written.
For someone like me, who writes slow, there can be a long time between the various stories. Added to that, I write in two historical genres: Western and Medieval. I love both equally. You add to that the poetry I occasionally write, along with non-fiction work, and it gets busy. Facebook can only do so much, as well as emails. Plus, how do you expand your readership. To me, blogging is one of those ways.
I realize not everyone will like what I write, despite my desire that they do. At the same time, finding those readers who will like my work, is a challenge. It helps to use all the options at my disposal, and blogging is one of those for me.
Photo property of the author
2. Research:
This is probably the primary reason I blog. I want to share the research I have done with others. History and the people who made it are a compulsion with me. To tell the stories of the people and places from history is something I want to do. I don’t want those pieces from the past to be lost. The nice thing about blogs, especially with the tags, your posts are available via searches almost forever.
For over ten years I’ve researched the story of a Colorado criminal. I told his story at the Pikes Peak Library History Symposium presentation on June 9 of 2018. It is my hope to complete the story of the whole family. A very telling piece of history and the time in which they lived.
The other research that’s important for me to share is the story of the early women doctors in Colorado. While ‘Doc Susie’ is a part of that story, it has been slanted her way for far to long. There were so many others who did as much if not more than she. Between blog posts and articles I've begun to balance that scale. For those who may be interested, the article in Saddlebag Dispatches can be read here: Dr. Quinn, Doc Susie and the Reality of Colorado Women Doctors
The stories of the doctors and so many others need to be preserved for future generations. When you feel like you can’t do something, just take a look at what those who preceded you did. It sometimes helps when put into that perspective.
 3. Name Recognition:
Since I write fiction under a pen name: Angela Raines, it is important I share that information on my posts. When you add my online name, Renawomyn, it gets a bit tricky.
At the same time, my non-fiction work is important. I simply do not want readers of romance to pick up a book with my real name expecting a sweet story and they are reading about juvenile delinquents, early criminals or lynchings. By using pen names I hope to avoid that problem. Of course the reverse could also be true. Can you imagine buying one of my books about the trials and tribulations of early women doctors, and find your reading a story about a medieval woman and the man she loves?
In the end, whether anyone reads or comments on my blog posts, I have things I want to say. Yes, it hurts when no one seems to care, but in the long run, it’s the future I write for. So, here’s to the future and to the readers who want to know what I have to share.

Doris Gardner-McCraw -
Author, Speaker, Historian-specializing in
Colorado and Women's History
Western Writers of America,
Colorado Author League,
Women Writing the West

Angela Raines - author: Telling Stories Where Love & History Meet

Friday, February 26, 2016

HOLLYWOOD WRONG'Os -- Meg Mims


I had no idea that three days ago, Darryle would post about western films. But hey, it's a great subject. And I've always wondered if a lot of beginning writers believe that watching old movies will give them plenty of research material. Oh ye of little knowledge! Read my lips -- Hollywood almost always shows a skewed view. A VERY WRONG view. And no. This post is not all about (ahem) boobs. It's about costumes. And exposed flesh. AHEM.


Need I say more? I mean, this movie poster is just totally wrong in all ways. Yes, Jane, you had a brain, but Howard Hughes exploited -- you in your first film. The censors had a field day over her assets, which "hung over the picture like a thunderstorm over a landscape. They were everywhere." The soldiers had a field day, too, with Jane as a pin-up. Here's more to read about Jane and her jugs: Jane Russell in The Outlaw

One of my favorite things to do when watching western films is noting all the wrong-nesses in these movies. I have no idea who is to blame, since there were plenty of wonderful costume experts in other movies, but it's probably due to the male directors who figured a little bit of sexy, or a LOT (see poster above), would go a long way.

Okay, let's get some other examples on the table.


First, Ann Margret in The Train Robbers. Lovely actress. And paired with the Duke as a poor widow who wants to retrieve the gold her late husband stole to clear the family name. Who can resist, given that cleavage? The Duke's sure enjoying that view. But why is Mrs. Lowe in a room with a man who is not her husband and with her hair down? Uh huh. Maybe they're debating the ribbon and buttons of her corset cover. Hmm.


And here she is wearing "duds" like a man. Hello? Women NEVER wore pants, and if they did, they were treated like Calamity Jane -- eccentric, odd, clearly someone no lady or true gentleman would associate with -- and before you get your knickers in a twist about women working in the fields, yes. They did. In skirts. Look at how Ann Margret's hair is down (see later on for another rant). I bet she's wearing false eyelashes, too. And - and - look at that modern belt buckle, which only came into use due to Hollywood movies. Ha.


What can I say about Ann is clearly showing even MORE of her "charms" like a 1700s century woman -- when fashion had gone to the extreme -- ladies of the French court often exposed one breast. Hey, Ann might as well pop one out! Again, her lovely curls are flowing loose down her back. As for that dress, she looks ready to take out the sheep as Little Bo Peep. Whatever. Someone get her a crook. (cough bad pun cough)

Let's check out to another film, where Judy Garland stars in Meet Me in St. Louis, set in the summer of 1904 before the World's Fair. Take a listen to the "corset scene".


I bet this clip started the whole "Why do I need to wear a corset, for heaven's sake" trend for historical heroines in fiction. Writers figured, "Yeah, why? She'd be far more comfy without one!" Uh, no. First of all, going without a corset back in the 1800s would be like going bra-less in the 1970s. A sign of rebellion, all right, and what in the world are you gonna use to support those puppies? A pair of chin straps? Good grief. Everyone wore corsets in that day -- men, women, even young children. It definitely taught good posture and form. And they really aren't all that uncomfortable -- ask any historical re-enactors -- unless you're trying to achieve a sixteen inch waist like Scarlett O'Hara, which is nearly impossible without taking out a rib. Where's Doc Keith? Scalpel, STAT!


Second big thing, all the nearly grown daughters wear their hair down like young girls. A young woman of fifteen (for sure by sixteen) would be excited to begin wearing skirts down to her shoe-tops (if not the floor) and put her hair up with the fashionable styles. And these young girls in the film prance about the house in front of their father and grandfather, in their corsets, petticoats, and unbuttoned beribboned "dressing gowns". Tsk, tsk. Not that I don't enjoy watching Meet Me in St. Louis, of course, especially the Halloween scene. But you'd think they would have taken the extra few steps.


Okay, let's visit another film: True Grit, with John Wayne (sorry, Duke) and Kim Darby -- who was too old at twenty to play a 14-year-old. She also looked like a boy. What's up with that? Couldn't she have worn a wig? Or pigtails, like Hailee Steinfeld in the latest and far more accurate version. Oh well. At least Kim spouted authentic dialogue.


But how about Grace Kelly in High Noon? She portrays a Quaker bride (no idea what year it's set in), but she also had quite a different reputation in Hollywood than Jane Russell. Which means the costume she was given to wear proved quite tame, if not completely accurate. Sleeves would have been to the wrist, but the dress does have a high neckline. Except for the hat, which looks a bit pre-Civil War, and the lack of a real bustle. And the hot red lipstick and obvious makeup. Yes, Grace has good skin, but nobody looks that polished without powder and blush.


However, if you want to see perfect costuming, see Lincoln. They've got Mary Todd Lincoln's absolutely stunning gowns, based on historical museum references (and Mrs. Lincoln had a 30-inch waist, whoa!), plus President Lincoln's shabby clothing that hung on his 6'4" frame -- he really didn't care about his dress, and stored important papers in his stovepipe hat -- in direct contrast is his shop-aholic wife. She may have been homely in looks, and overweight, but Mrs. Lincoln was definitely fashionable for a First Lady.


Anyone else love to laugh at the costuming gaffes for English Tudor films? Check this out and see the problems from gowns to hair to neck ruffs:

http://www.frockflicks.com/snark-week-9-things-movies-get-wrong-16th-century-costume/



Award-winning author Meg Mims writes historical and contemporary novels and novellas, plus short stories for anthologies. She is also one-half of the writing team of D.E. Ireland for the Eliza Doolittle & Henry Higgins Mystery series. Book 1, Wouldn't It Be Deadly, was nominated for a 2015 Agatha Award and Book 2, Move Your Blooming Corpse, is set at Ascot Racecourse. Meg is working on a cozy mystery series for Kensington that will debut in 2017 under the pseudonym Meg Macy. She lives in Southeastern Michigan, loves tea, books, Mackinac Island, cookies, and currently has a sweet Malti-Poo rescue.


Saturday, July 26, 2014

Historical Railroad Resources by Kaye Spencer

Whether I’m writing a story set in 1880 Texas or turn-of-the-century Chicago, more often than not, mode of transportation pops up and gives me fits, since it's important to me to depict any method of travel with historical accuracy.

For instance, when it comes to stagecoach travel, I can describe it in general terms of the characters stopping, roughly, every 15-25 miles for meals and swapping out the tired team for a fresh team, and I don’t necessarily have research the actual routes, since a stage could go, theoretically, wherever there was a passable road. That makes my writing life a lot easier.

However, incorporating railroad travel into a story presents challenges of knowing where the tracks were and at what time in history they were used. Since I strive for historical accuracy in my writing or, at the very least, historical accuracy with a hint of poetic license, I look deeper into the details when my characters travel by rail.

While it's convenient to put my heroine on a train in Laredo, Texas in September of 1880, have her stay on the train as it follows the Rio Grande all the way to El Paso, and then have her continue by rail north to her destination in Denver, Colorado, it isn’t historically correct for the year, and I won't write that into my story. In the American west of 1880, railroad lines were expanding, but it was a slow process, and there were gaps between towns or the railroads bypassed towns completely.


When I move forward in history, and my characters in Chicago need to ride the night train to New York, it’s important to get as many facts as correct as I can. For me to feel right about the story, I have to know departure and arrival times, duration  of travel time between towns, train names, and station names, etc.


It can be a daunting research challenge for the writer to locate reliable transportation information so, over the years, I’ve collected many resources. I have of list of bookmarked Internet sites that I refer to for all modes of historical transportation.

For a web-based railroad source, I recommend the railroad map collection at the Library of Congress: http://www.loc.gov/collection/railroad-maps-1828-to-1900/about-this-collection/

For book resources, here is a collage of books in my personal library, with the pertinent information listed below the picture.


Illustrated Book of Steam and Rail
The history and development of the train and an evocative guide to the world’s great railway journeys.
©2003 ISBN: 0-7607-4952-3
504 pages plus Index

The Cars of Pullman
©2010 ISBN: 978-0-7603-3587-1
171 pages plus Index

Night Trains
The Pullman System in the Golden Years of American Rail Travel
©1989 ISBN: 0-8018-4503-3
405 pages plus Index

Santa Fe Railway
©1997 ISBN: 978-0-7603-0380-1
126 pages plus Index

Santa Fe’s Raton Pass
©2010 ISBN: 978-1-933587-23-3
158 pages

Denver’s Railroads
The Story of Union Station and the Railroads of Denver
©1981 ISBN: 0-918654-31-9
240 pages plus Index and additional maps

Great American Rail Journeys
The Companion to the Public Television Programs
©2000 ISBN: 0-7627-0614-7
190 pages plus Index

Railways Then and Now
A World History
©1975 ISBN: 0-517-520-36-2

Photo credits: Fotolia (train on bridge)and Wikipedia (vintage advertisement)

Until next month,

Kaye

Fall in love…faster, harder, deeper with Kaye Spencer romances
www.kayespencer.com
Twitter - @kayespencer

Saturday, June 28, 2014

Archaeology journals as research by Kaye Spencer


Research.

It leads us down paths of new knowledge. It lures us to relinquish precious hours of writing time to pursue the tiniest piece of historical accuracy. But as writers of stories set in historical locations, particularly the American Old West, research is as much a part of our writing process as plotting and characterization. Our stories are incomplete without them.

In a previous blog post, I wrote about the TimeLife books and Old West maps I use in my writing to make sure I get my historical details as correct as possible. Today, I’m sharing another avenue of research—archaeology journals—specifically these two:


  • Archaeology, a publication of the Archaeological Institute of America
  • American Archaeology, a publication of The Archaeological Conservancy

Both journals offer a wealth of information in a quick-read format. While there are feature-length articles, there are also tantalizing snippets of archaeological findings that get me interested and searching for additional information.

An example of a feature-length article is from the May/June 2014 edition of Archaeology titled, “Searching for the Comanche Empire” by Eric A. Powell. You can read the full article and view several images on-line here — www.archaeology.org/comanche — so I won’t go in to a lot of detail, but suffice it to say, the article is a ‘must read’ for anyone interested in the history of the Comanche nation.

This is the opening of the article:

“In a deep gorge in New Mexico, archaeologists have discovered a unique site that helps tell the story of a nomadic confederacy’s rise to power in the heart of North America.”

As a brief summary, archaeologists who have been studying a Comanche encampment in New Mexico’s Rio Grande Gorge near Taos, came across “previously unknown panels of rock art”, which are now challenging the “idea that they [Comanche] left no physical traces behind.

For me, this is as fascinating as it is exciting.

As an aside, a year’s subscription to each magazine (quarterly) is roughly $25. While I’ve embraced digital print with open and welcome arms, for research purposes and looking at images and maps, there is something to be said about having the physical copy, so I’m like a giddy little school girl when my journals arrive in my snail-mail mailbox. ;-)

Until next time,

Kaye

www.kayespencer.com
Fall in love…faster, harder, deeper with Kaye Spencer romances
Twitter: @kayespencer

Saturday, May 24, 2014

Books and maps are like dear old friends - by Kaye Spencer

In 1976 or thereabouts, I came across two advertisements in the back of a Louis L'Amour novel. You’ve seen them. They all look something like this:

One of the ads was for a set of a Time-Life books about the Old West, and the other ad was for old west maps drawn by Perry C. Van Arsdale. I wanted the entire set of books so badly that I scrimped and saved pennies so I’d have enough saved up to get a money order to buy the next one. Each month, when a new volume arrived, I read it cover-to-cover and back again. They probably cost around $13 each, and I bought them one at a time in a book-of-the-month type situation.

Over the years, I've carted this set of books around throughout my many moves. They’ve made it through a basement flood; a partial house fire; an aquarium slowly leaking on the shelf above them; toddlers with crayons and scissors; and puppies with sharp teeth. ;-) I still rely on them in my writing.

This is an etsy.com image of the complete set, since mine are in storage due to the still-on-hold basement remodel after our flood last fall.

I purchased four Van Arsdale maps in 1978-ish. I don't recall how much they cost at the time, but maybe $10 or so. They, too, have their battle scars, but they're all still in good shape. My four maps are: Pioneer Texas, Pioneer Colorado, Pioneer New Mexico, and Pioneer Arizona. I kept the four maps rolled together and in a mailing tube until 2012. So about 35 years after purchasing, my dad mounted them in frames with protective glass. I cherish these maps even more now, because the framing was the last woodworking my dad did before he died in 2013. 

The pictures below give you somewhat of an idea of the hand-drawn, detailed, historical information they contain: dates of railroads, telegraph and stage lines, stage stops, freight roads, water holes, forts, etc. This map measures 35 inches tall by 28 inches wide (inside the frame). My four maps aren't the same dimensions, but they are similar in size.

Full view Pioneer Texas map
 
Close-up details San Angelo area

 Legend example

I visited the Perry C. Van Arsdale website, and I was so pleased to see the maps are still available for purchase, that I bought three. ;-) Talk about a trip down memory lane. This is the website: http://www.vanarsdalemaps.com/

Back when I bought the set of books and the four maps, I really couldn't afford them. But something urged me to buy them, but not in an impulse purchase sort of way. My commitment for the books was about two years, and I bought the maps one at a time as I could afford them. It was more of a "you need to buy these because you'll use them in your writing someday".

I'd written short stories ever since I was in elementary school, and I wrote my first novel in high school (it has mercifully disappeared it was so terrible). So being a writer/author was something I'd yearned for ever since I can remember. I started writing my first western novel in 1979, originally titled "Epitaph for a Bounty Man", and I finally published it in 2006 as a western romance called "Lonely Places", under my other pen name, A.L. Debran.


In the early years of writing this story, I plotted the character’s travels on my Pioneer Colorado and New Mexico maps, while relying heavily upon the information in the Time-Life books to make sure my details were as accurate as I could make them. Back then, these were my only sources for historical research.

I treasure my Time-Life Old West books and my Van Arsdale maps as I treasure and appreciate my oldest and dearest friends. They've been with me through the clichéd 'thick and thin', and they've never let me down.

Until next time,

Kaye

Fall in love...faster, harder, deeper with Kaye Spencer romances
www.kayespencer.com
Twitter - @kayespencer


Thursday, June 13, 2013

Ranger Jim’s Ramblings

Just finished reading fellow Western Fictioneer Larry Sweazy’s The Gila Wars, the (regrettably) last volume in his Josiah Wolfe Texas Ranger series. If anyone wants to see a fine example of how to write a fine Texas Ranger novel, read any of Larry’s Josiah Wolfe stories.

Which brings us to the subject of today’s blog: How to write a Texas Ranger novel. I’m hardly an expert on the subject; however, I’ve penned a few in my time, and have come up with some pointers on what to and not to do. Quite a bit of what you’ll see here is already known by most of us, but some will undoubtedly be new, and some will bear repeating.

I’d like to say, to begin, that a novel is fiction. Sounds stupid to say that, but with so many people willing to nit-pick the smallest thing in a novel, it’s worth saying. Of course you want to avoid major errors, but it’s perfectly all right to come up with places, towns, and businesses that didn’t exist, and shift things around. That’s why it’s fiction.

First, and most important: Never, EVER have your Texas Ranger wearing a uniform. The Rangers never have and never will wear uniforms. Putting your Ranger in a uniform is a dead giveaway you have no idea about your subject.

Which brings us to Second: Badges. Despite popular legend, the Rangers never officially adopted badges until well into the 20th century. Yes, some Rangers did start wearing badges in the late 1800s, but not all. As far as Rangers hand-carving their badges from Mexican five or ten peso coins, that’s most likely untrue. The more likely story is some men commissioned badges to be made.

Get past those first two items which have tripped up many a writer of Ranger tales and you’re well on your way.

Now for some other thoughts and advice.

I personally would say don’t write a novel with the main character being any of the more famous frontier era Rangers, such as Big Foot Wallace, “Rip” Ford, Leander McNelly, Jim Gillett, and such later Rangers as Bill McDonald or Frank Hamer. There’s already been plenty written about them, plus there are plenty of people willing to point out any error you make. If you want to use an actual historic Texas Ranger figure as the main character in your novel, I would suggest using any of the thousands of lesser-known Rangers. There are plenty to choose from. And in most cases it’s hard for anyone to dispute anything you might write about any of those lesser-known Rangers. You see, the Texas State Capitol burned down in 1881, and the flames destroyed most of the records of the early Rangers. So quite often you can take your actual Ranger and put him (yes, him, no female Rangers until the 1970s) in any setting you wish, and describe him however you’d like.

Which brings us to research. Obviously, the loss of those records dealt a severe blow to researching the Rangers prior to 1881. However, it may be difficult, but it’s not impossible. One of the best sources is the Texas Ranger Hall of Fame and Museum in Waco. They have the most complete records in existence of the Texas Rangers and their members from the organization’s founding to the present day, and are more than happy to help writers, researchers, and historians. Depending on how much information you want, there can be a fee, but as a source the Museum can be invaluable.

And of course there are plenty of books which can give you a ton of information. Walter Prescott Webb’s classic history of the Rangers is probably the most well-known. Others who have written excellent histories of the Rangers include Charles Robinson III, Robert Utley, and Michael Cox. Cox’s series of Texas Ranger Tales books includes both verified and possibly apocryphal tales, all of which are highly entertaining. A true story from his Texas Rangers Tales II is the basis for my forthcoming entry in the WF West of the Big River Series, The Ranger. Mr. Cox was gracious enough to grant me permission to use his work.

Also, don’t forget some of the overlooked resources available to the modern writer, resources which didn’t exist fifty, even twenty or thirty years ago.

One of my most valuable go-to sources is the simplest of all: The excellent annual Texas State Travel Guide put out by the Texas Department of Transportation, along with its accompanying road map. If you need basic information about nearly any community in Texas, it’s in there. One especially important piece of information included in the city entries is the founding date. That’s one thing anyone writing a novel set in frontier Texas needs to be especially careful about. Many towns in Texas that folks assume have been there since the days of the Texas Republic simply weren’t. For example, say you want to set your Texas Ranger story in the Texas Panhandle, in the year 1881. You start off your book by having your Ranger ride into Lubbock. Uh-uh. Lubbock wasn’t founded until 1909. Okay, we’ll move the story down to Amarillo. Again, wrong. Amarillo was founded in 1887. I’ve been tripped up once or twice in this area, or nearly so. So have some other writers I could mention, including some native Texans. A quick glance at the Texas State Travel Guide for the town you want to use will let you know if it existed at the time frame of your story. Saves a lot of grief later. And the road map can give you a basic idea of distances between points, which fools a lot of folks. Texas is a lot bigger than most people realize.

While I’ve been to Texas a number of times, and have been through most of the state, I can’t claim, like Louis L’Amour liked to brag about his settings (his claims were exaggerated, by the way) that if there’s a place in my story I’ve been there. However, if I haven’t, and need to get a good look at the landscape and geography of the area, I just go to Google street view. Bounce the little yellow guy around the roads in the territory where your story is set and you’ll get a good idea of what it looks like, good enough so your geographical descriptions will be accurate. After all, you don’t want to have high, pine covered mountains if your story is set in far south Texas. Another advantage of Google maps is if you need an idea of how far your character has to ride from one point to another, get the directions from Google maps. The mileage won’t be the same as a hundred and fifty years ago, when the roads which existed were dirt and much less direct, but with what Google provides you can work out a good idea of how far your character would have to travel.

It’s also helpful to have friends who know the Rangers, plus others who know things you may not. I count on my buddy retired Texas Ranger Jim Huggins for a lot of background on the Rangers. Then, I count on my friends Karl Rehn and Penny Riggs for information about weapons of the period I’m writing about. My knowledge of firearms is limited, so their help is invaluable. So if you have anyone who can help your research, cultivate that resource. Give them credit in your book, and you’ll find most folks are eager to help.

So there you have it. Get your basic knowledge of Texas, write a story with plenty of action, ridin’, and shootin’, and you’ve got your Texas Ranger novel. With the Rangers being one of the most legendary law enforcement agencies ever, and with lots of people still being fascinated by the Rangers and their history, you’ve already got a ready-made base audience. However, when it comes to marketing that book, you’re on your own. If I could solve that problem I’d be rich and retired. 

         

Wednesday, May 15, 2013

RESEARCH ODDITIES: TAMAHA TALES BY CHERYL PIERSON


Hi everyone!

First, let me start off by saying that I'm giving away an e-copy of my book, FIRE EYES, today to one commenter! All you have to do is leave a comment and please include your contact info in case you win!

I have kind of an odd research topic today. Because everything I write takes place in Oklahoma or Texas, and because I was born and raised in Oklahoma, most of my research tools are right at my fingertips. Talking to older people in the area, going to the actual places where my stories are set, and visiting museums and landmarks are all part of my research practices for just about all my novels. Louis L’Amour said that if he wrote about a creek or a particular landmark, it was authentic; that is was actually where he said it was and looked the way he described it. I don’t quite go that far, but I try to keep the setting and every other component of my writing as true to life as possible. In order to do that, sometimes you just have to “be there.”

Tamaha, Oklahoma, was an unlikely candidate to be included in my story, FIRE EYES, until I visited there. But how its inclusion came about is a story in itself—and proves that sometimes our research, as that other saying goes, “happens.”


Though there’s very little to say about the actual town of Tamaha as it exists today, I couldn’t help but use it in my story, Fire Eyes, which was first released in May 2009 then re-released through WESTERN TRAIL BLAZER. In those long ago days of more than a century past, Tamaha was a thriving community.

There’s an odd thing that happened that made me include Tamaha in my book. I’d been working on it, and had come to the part where the villain and his gang needed to reference a landmark. But which one? And what was the significance? As I said, I try to stay as historically accurate in my writing as possible, and this story takes place in the eastern part of the state, toward the Arkansas/Oklahoma border. I must admit, I’m not as familiar with that part of the state as I am with the central part, since that’s where I was born and raised. A lot of these smaller towns don’t even dot the map, and I had never heard of Tamaha, until one day in May, 2005.

I’d just spoken with a lifelong friend, DaNel Jennings, who now lives in a town in that eastern area of the state. In the course of the conversation, she mentioned that she and her husband, Jeff, were doing some genealogical research and she had learned she had some relatives buried in a small cemetery in Tamaha. Now, the intriguing part of this was that her relatives bore the same last name as my maiden name, “Moss.”

“Wouldn’t it be funny if we really WERE related?” she asked. We’d always secretly hoped we were, and pretended that we were, when we were kids, growing up across the street from one another.

“Yes,” I said with a laugh, “but where in the HECK is Tamaha?” She began trying to tell me where it was, and I said, “Never mind. It’s a good thing Jeff knows where he’s going. Let me know what you find.”

I hung up, wistfully wishing that I could go with her—but that was a three-hour drive and they were leaving the next day.

A couple of hours later, my sister Karen called. “Cheryl, I need you to come down this weekend,” she said. I was really intrigued, because she is my “much older” sister—10 years older—and usually, it was me "needing" her for one thing or another, not the other way around.

“What’s going on?”

“I promised Mr. Borin I would take him to visit his family's graves in Tamaha—”

I never heard the rest of her sentence. I was sure I had misunderstood. “Where?”

“Tamaha," she repeated.

“Wait," I said. "I have to tell you something.” I couldn’t believe it. I’d never heard of this place before, and now, within the space of 2 hours, two people who were very close to me had told me they were going to be going to the cemetery there!

Chills ran through me. This was no mere “coincidence.” I promised her I would be there—no matter what—Friday afternoon. We would be going on Saturday morning.

I would never have found the place on my own. I doubt that Mapquest even has it on their site. But Mr. Borin, an older gentleman my sister had befriended in years past at church, knew exactly where to go. Once we got there, I stepped out and found the headstones for the “Moss” family. It was amazing to think that my best friend, DaNel, whom I had not seen in over a year, had been standing where I was just a few days earlier—a place neither of us had been before. Again, I wondered what our research through family ancestry would yield. Were we related, as we’d always hoped? There was an incredible sense of connection, for me, not only for what we were doing that day for Mr. Borin and his long dead relatives, but for what DaNel and I might discover about our own.

As the three of us, Karen, Mr. Borin, and I stood in the quiet peacefulness of the old cemetery, a man made his way toward us. “Can I help you?” he asked. We explained why we were there. “Let me show you the historical side of Tamaha while you’re here,” he said cheerfully. He had lived there all his life, and there was no detail about the once-thriving community and surrounding area that he didn’t know. He was glad to share his knowledge, and believe me, I was writing in my little notebook as fast as I could while he talked.

The cemetery is on a bluff overlooking the Arkansas River. “Right down there is where the J.R. Williams was sunk. She was a Confederate ship, but when the Union seized her, they changed the name to the J.R. Williams. Then, Stand Watie and his men seized her back.”(June 15, 1864) Our guide chuckled at the thought.

NOTE: (Stand Watie was one of only two Native American brigadier generals in the War Between the States. He was the last Confederate officer to lay down his arms, and was also Chief of the Cherokee Nation at the time.)

“Come on, I’ll show you the largest black oak tree in Oklahoma—and the oldest.” Sure enough, it stood towering over one of the first buildings of the settlement of Tamaha, dating back to the 1800’s.

Next, we visited the town jail, the oldest jail in Oklahoma, built in 1886. We were able to walk right into it and take pictures. “We’re trying to get money up to preserve it,” he said. It stood in the middle of an overgrown field. “Watch out for snakes, hon,” he told me. Yep, he didn’t have to tell me twice. My eyes were peeled. This oldest jail in Oklahoma still stands near Kerr Lake at Tamaha. Tamaha was one of the earliest port towns and trading centers in the Choctaw Nation, I.T. Choctaws were brought from Mississippi up the Arkansas River to Tamaha on steamboats as early as 1831.

Tamaha developed as a port and ferry crossing around 1836. The post office was built in 1884, and the jail in 1886. The last steamboat landed in 1912, three miles east of Stigler, another nearby landmark.

When we left, I knew I had my landmarks that I needed for my book. I had seen it, and my imagination took over. It was the “jog” I needed to get on with the writing, but I will never believe for one minute that it was coincidence.

I use many research resources, but because of the nature of what I love to write, and because I have been so blessed to actually grow up in the area that I’m writing about, I feel like the most invaluable resource available to me are the people and places I meet and visit. It’s all around me.


But my day of research at Tamaha is one that I will never forget, and that I’m so glad to have been able to take part in. Have any of you ever experienced anything like this? Some kind of remarkable occurrence that has affected your writing in some way? Do you classify that as “research”? Share it, if you have—I know I can’t be the only one!

Below is an excerpt from FIRE EYES. I hope you enjoy it!
Remember to leave a comment for a chance to win an e-copy of FIRE EYES! I'll draw a name this evening, so be sure to check back tomorrow morning to see if YOU are the lucky winner!


EXCERPT FROM FIRE EYES:


THE SET UP: A stranger has shown up at Jessica’s door in the evening. She is reluctant to let him inside, even though good manners would dictate that she find him a meal and a place to bed down. There is something about him she doesn’t like—and with good reason, as we find out.


“Evenin’, ma’am.”

The stranger looked down the business end of Jessica’s Henry repeater. It was cocked and ready for action.

She drew a deep breath, trying to calm her nerves. She stood just inside the cabin door, the muzzle of the rifle gleaming in the lamplight that spilled around her from the interior.

He raised his hands and gave her a sheepish grin. “Don’t mean to startle you. Just hopin’ for a meal. Settlers are few and far between in these here parts.”

“Where’s your horse?” She didn’t lower the gun.

“Well, funny thing. I kinda hate to admit it.” He rubbed the back of his neck and looked away. “I, uh, lost him. Playin’ poker.”

“Where?”

“Over to Tamaha.”

“You’re quite a ways from Tamaha,” she said. “Even farther from where I expect you call home.”

He gave a slow, white grin. “More recently, I hail from the Republic of Texas.”

Jessica raised her chin a notch. It was almost as if this man invited dissension. She disliked the cool, unperturbed way he said it. The Republic of Texas. “Texas is a state, Mister. Has been for over twenty years.”

“Well, now,” he said, placing his booted foot on the bottom porch step. “I guess that all depends on who you’re talkin’ to.”

Her eyes narrowed, and she stepped back to shut the door. “I think you better—”

“Ma’am, I’m awful hungry. I’d be glad for any crumb you could spare.”

“What did you say your name was?” Her voice shook, and she cleared her throat to cover her nervousness. Most people had better manners than to show up right at dark.

“I didn’t. But, it’s Freeman. Andy Freeman.”

“Are you related to Dave Freeman?”

“He’s my brother.” He gave her a sincere look. “Look, ma’am, I’d sure feel a heap better talkin’ to you if I wasn’t lookin’ at you through that repeater. I been lookin’ for Dave.” There was an excited hopefulness in his tone. “You seen him? Ma, she sent me up here after him. She’s just a-hankerin’ for news of him. He ain’t real good about letter-writin’.”

Jessica sighed and lowered the rifle. “Come on in, Mr. Freeman. I’ll see what I can find for you to eat, and give you what news I have of your brother.”

“Thank you, Ma’am. I sure do appreciate your hospitality.”

TO ORDER FIRE EYES OR ANY OF MY OTHER BOOKS OR SHORT STORIES, VISIT MY AMAZON PAGE HERE:

https://www.amazon.com/author/cherylpierson

Friday, January 25, 2013

RESEARCHING THE WEST by MEG MIMS



I love research. Always have, always will... and I soak up lush, wonderful details in the westerns I've read. Most of them since DOUBLE CROSSING, my western mystery set in 1869, was published -- but I cut my teeth on television and movie westerns since early childhood.
Did I rely on all that when I started writing my book? Heck, no! I knew costumes, sets and such generated in Hollywood were far from accurate. I spent months delving into fashion changes from hoops to bustles, what a Bowie knife looked like, Colt revolvers, train schedules and routes, what a UP Pullman Palace car looked like versus the CP Silver Palace car, Texan cowboys, etc. etc.
I knew better than to rely on western TV and movies, where the soiled doves wore glittering gowns worthy of a Ziegfeld Follies girl. Other big problems are the cliches stemming from dime novels of the 1800s, still popping up in current western novels. Lawmen tracking murderers who kill without reason. Helpless women who sat around waiting for their man to rescue them.
Pioneer women that I've researched knew how to handle weapons and protect themselves, how to survive snakebites and nurse sicknesses or wounds, and many adapted after being kidnapped by Indians. I rather doubt they lounged around in the stable (after pitching some clean hay) with their bosom exposed like Jane Russell.
Okay, maybe that is an extreme example. But take for example the Stetson hat.
Some writers have their heroes wearing these famous hats as far back as the 1850's. Check out this link for a fascinating history on how John B. Stetson got started making the trademark hats in 1865. Yep. AFTER the Civil War. Or weapons -- here's a link to a great website on military sabres, rifles, revolvers, etc. manufactured during the 1800s. And here's another link, similar to it. With dates of when those weapons were in use.
Trains are another big pitfall for writers. I've read some books where characters found their way west on the railroad before the Civil War or immediately after it ended. The first railroad crossed the vast expanse of the American west in May of 1869, when the Union and Central Pacific lines joined together at Promontory, Utah. For the first time, travelers could ride from New York to Chicago to Omaha and then to Sacramento -- not San Francisco. That took another few years. Other rail lines to Kansas and Arizona and Montana were completed by the mid 1870s or late 1880s.
I've read and seen a wide range of stories with either the total absence of native Americans or a bloodthirsty savageness of tribes (and not always the right ones in the right spots!) set on revenge. Savagery happened on both sides. The main point is to avoid "stereotypes" --  characters need reasons for the choices they make in our stories. Readers might forgive a modern word or phrase in dialogue, but when such things add up, they're "thrown out" of the story and may give up reading the rest of the book.
I love a good, juicy western where I can walk the dusty streets or ride the prairie on horseback, smell the goods on display in a general store, taste the grit in the air or touch the sweat-soaked shirt of the hero. Go beyond the visual. Make sure your characters have a goal and a motive in mind. And for your reader's sake, do the research.
They'll thank you with great reviews and word-of-mouth sales in your future career.
Meg Mims is an award-winning author and artist. She writes blended genres – historical, western, adventure, romance, suspense and mystery. Her first book, Double Crossing, won the 2012 Spur Award for Best First Novel from Western Writers of America and was named a Finalist in the Best Books of 2012 from USA Book News for Fiction: Western.

She is currently working on the sequel, Double or Nothing, which will be released this year. Interested in a sneak peek? Check out Meg's blog for The Next  Big Thing!