What Western writer or writers of the past were the biggest influence on your work? Harry Whittington, Donald Hamilton, Brian Garfield, and Elmore Leonard. I don’t write like any of them and I don’t write half as well, but I loved their books. Still do.
What's the first Western you remember reading from cover to cover? Will James’ Smoky the Cowhorse. I got it from the library when I was seven or eight and read it several times. We didn’t have many books in the house, but one slim one my parents bought me, maybe before I read Smoky, was called Little Bear’s Pinto Pony. I must have read that one dozens of times. I still have it.
Who is your favorite historical Western figure, and why? Buffalo Bill, the legendary one, not the historical one. My parents had something to do with that, mainly because of my name. They talked about Buffalo Bill a lot, and they gave me a little book with a story about him in it. I lost that one somewhere along the way, but I still remember a couple of the pictures in it.
How much historical research do you do, and how do you go about it? It depends on the book. I did a lot of research for Galveston Gunman, and it’s probably my most historically accurate western. Sometimes I rely more on what I remember from books I’ve read or movies I’ve seen. I probably shouldn’t admit that.
Do you do all your research ahead of time, or as you go along? Usually I do the research beforehand. That’s how I did it with Galveston Gunman. I had stacks of books all over the place as I was writing, however, so I could refer to them. Maybe I do some research as I go along, after all.
Do you outline and plot your story or do you write as the inspiration or MUSE leads? I’m a seat-of-the pants kind of a guy. I start with a vague idea, maybe a scene or even just a sentence, sit down, and start typing to see what happens. Usually a book comes along and fills the pages. I’ve discovered that by the halfway point, I know pretty much what’s going to happen the rest of the way, but sometimes surprises happen even then.
Are you a conservative in your writing and stick with traditional ideas for your characters and plots or do you like to go beyond the norm and toss in the unexpected and why? I do whatever I want to, so sometimes odd things occur. I’ve never had singing pirates on the prairies like some people I could name, but I probably shouldn’t even mention that lesbian vampire cannibal western. I blame James Reasoner for that one.
Do you need quiet when you write, listen to music, or have the TV on and family around? There was a time when I wrote with music playing on the computer and a baseball game on the radio. Now that I’m an old codger, I often don’t have those distractions. My wife still feels free to interrupt at any time, however.
Do you make a living writing? If not, what is your day job? Until I took early retirement, I was a college English teacher and administrator. I was writing three or four books a year, writing only in the evenings. Now that I’m no longer teaching, two books a year is about what I do. I’ve gotten old and lazy.
What are you writing now, or plan to write in the future? I turned in a book in my Sheriff Dan Rhodes series (a contemporary crime series) on June 1. Since then, I’ve been on vacation.