Wednesday, June 19, 2019

CONAGHER AND CINDERELLA--THE DEVIL'S IN THE DETAILS PART 4 by CHERYL PIERSON

Have you ever read a story that made you wonder why the author spent such a long, boring time describing an item or place that seemed of little importance to the story?

Usually when that happens, it’s because its importance will be revealed later on, or some scene will call up that particular memory or description for some reason—and its usually a pretty darn good reason!

Let’s look at Cinderella’s slipper as our first example for this. Of course, a glass slipper would be highly unusual, wouldn’t it? In fact, most likely, there would be no other slippers like that one pair!

This particular pair of shoes serves as a symbol for the entire story—improbable things happening to a young woman who has been treated so terribly for so long that lead to her ultimate happiness—it’s a story we can all relate to!


The magic that brings her happiness is not just going to the ball and all the wonderful things that happened on the way—the beautiful gown, the carriage, and so on—the true magic for Cinderella is falling in love. And how can the two lovers hope to be reunited? Well, if it weren’t for those exquisitely, perfectly-fitting glass slippers, everything else that came before—all the magic, hopes, and dreams—could have amounted to nothing at all. Everything hinges on the glass slipper fitting!

Hence the description of the slippers themselves, carrying the slipper on a pillow (which I always believed was taking a terrible chance!) and the endless search and trying on of the slipper throughout the kingdom.


The slipper is all-important because it is the proof that she is “the one” –and it has come to symbolize the very story itself. When we see a picture of the glass slipper, we know it “means” Cinderella, right?

Think about Lous L’Amour’s iconic western, Conagher. Two lonely people meet and fall in love through heartfelt notes that Evie, the heroine, writes and ties to tumbleweeds. They could be found and read by anyone—or no one at all.



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But the fact that Conagher feels they speak directly to him, shows us how important what she did is to the story. This is further borne out when, in conversation with him, she uses a phrase she’s written on one of the notes—and he knows immediately it is she who has been writing them.




Loneliness and the vast emptiness of the land is a common theme throughout the book. It was unimaginable to her that Conagher would be the one who found “that note” – the one she repeated the phrase from in conversation with him—but it wasn’t impossible. And his line to her is one of the most romantic of all time, in my opinion.




He takes one of the notes out of his pocket and asks if she wrote it, and she says yes, she did. She tells him she was just so lonely she had to talk to someone, even if no one was there to hear. He says, "There was, Evie, there was me." 


The details of:

1. The land around them and their feelings about the emptiness and aloneness of where they are...
2. Evie’s acting on those feelings by just writing them down on paper and tying them to tumbleweeds...
3. The act of Evie repeating the phrase in conversation she’d used on the note Conagher found...

all add up to make this story so special and memorable—and one you will not want to put down once you start reading!

Conagher isn’t a fairy tale, but it does have its own brand of magical connections that lead to love. The details and descriptions in both of these stories, as different as they are, give the reader insights that the author, in both cases, was masterful in providing throughout the story!

Finally, another couple of tales that come to mind are two short stories many of us read in our high school English classes—The Necklace, by Guy De Maupassant, and The Gift of the Magi, by O. Henry. Do you remember these—both based on objects that were described in great detail—and the twists at the end that left you gasping in surprise?


If you haven’t read them, or even if it’s been a while, they are always good to revisit and are classic examples of why detailed descriptions of “things” can be so important to a story’s premise.

Can you think of an example in your reading where the detailed description of something had deep importance to the story?

14 comments:

  1. I'd almost forgotten that "note" subplot from Conagher. It was pretty cool.

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    1. It really was genius, wasn't it? Man, I wish I'd thought of that. But...I'm *ain't* Louis... LOL Thanks for stopping by!

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  2. Great article as usual, Cheryl. I thought I'd already commented on this but perhaps it was at another site.

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    1. Glad you enjoyed it Elizabeth. I think I ran this over at Petticoats and Pistols, so you might have seen it there. Thanks for stopping by!

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  3. Louis L’Amour is one of my favorite authors and Conagher is one of my favorite of his novels. The movie with Sam Elliott is also great. Great blog!

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    1. Oh, Caroline, I love that book so much (as you can probably tell!) and the movie was so good, too, I agree. I just plain ol' love Louis L'Amour. Have you ever read The Last of the Breed? It's a contemporary story, but it is just wonderful.
      So glad you came by today!

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  4. Interesting comparison, one I never would have thought of, but one I like. I had a Reader one time tell me I write like Louis L’Amour. I smiled for days. I think i’ll reread Conager tonight.

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  5. Oh, Alice what a wonderful compliment your reader gave you! I would be so thrilled if someone told me that! I can see why you smiled for days--I'd still be smiling. LOL I love to re-read Conagher because I always see something new in it that I missed before. It's a wonderful story. Thanks so much for stopping by and reading and commenting!

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  6. The interesting part to me, is when you're reading, you are not always aware of the importance, then it hits you. A wonderful author can take those instances, and weave them in so skillfully, you take note subconsciously, then it all makes sense when you have the payoff. Great post. Doris

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    1. And I love that moment when it all comes together and you just sit there going, "WHAT DID I JUST READ?" and then you have to go back over it and read it again...LOL I pity people who don't like to read--they do not know what they're missing! Thanks so much for stopping by!

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  7. I totally agree about the significance of objects to build tension and mystery in fiction writing. The author has a weighty job bringing that object, or objects, seamlessly into the stream of the plot. Sometimes, it's a group of objects (such as, items that go missing at different times during the story . . . and why? The reader has to hang on until all is revealed.) Other times, the mystery centers around an object that is found, a seemingly innocent find, and yet, it gets stolen! Why? Read on!) Perhaps it's not an object, but a sound, such as the mysterious croons coming from the woods in BLACKBERRY ROAD, but it all works together to create the thrilling aspect the author is dangling just out of sight. These symbolic items are the author's chance to rope her/his readers into the story and never let them go until the end. An insightful blog, Cheryl!

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    1. Thanks for stopping by, Jodi! I'm so glad you enjoyed the blog--I'm having fun with this blog series. Blackberry Road was a wonderful, wonderful story. I can't say enough how much I loved it!

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  8. The Gift of the Magi and The Necklace are great examples. Another short story that has an object of importance is The Minister's Black Veil by Nathaniel Hawthorne. The minister starts wearing a veil, and the townspeople assume it has something to do with his faith, when it actually has to do with them...

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    1. Oooh, I love that! I need to read it. I have never read that one before! Thanks for recommending it, Kaye. Thanks for stopping by, too--I know you are super busy! XO

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