Played and enjoyed by the immigrants who settled the vast frontier, they brought traditional tunes, religious hymns, bawdy ballads, and children’s rhymes. With its power to directly touch our emotions, music has a narrative ability to conjure up a time and place. Even more than words and pictures, the story a piece of music tells becomes intensely personal.
Western enthusiasts have their favorite movies, and also their favorite show tunes. Here are mine.
When I hear Ennio Morricone’s score for The Good, the Bad and the Ugly, I don’t only think of the Man With No Name (aka: Blondie), Angel Eyes, and Tuco. I think of sprawling out on the living room floor in our trailer watching the film, cut to ribbons with commercials, on our old black & white TV. I remember that evocative flute that so resembles a coyote or—I always thought—a mourning dove at dusk. I think about growing up on the high plains.
Maybe best of all, I remember my friend Mark True, who turned me on to so much music, happily playing the Hugo Montenegro cover version of the theme for me one afternoon at his house—when I expected Deep Purple or Alice Cooper.
We all have memories like that where we shared a tune with friends and loved ones—our favorite radio songs from high school or our favorite records from college.
I remember the chanting chorus from Hang ‘Em High as an earworm that plagued me for days in December, 1984 after I first saw the Clint Eastwood movie during a late night party. That theme came from jazz composer Dominic Frontier who penned the score in only eight days, influenced by Morricone. It’s been a favorite for nearly 40 years.
More on earworms. Most often, it’s the lyrics that gets stuck in my head with a background tune as sticky foundation.
Say High Noon, and those seven words and nine notes, “Do Not Forsake Me, Oh My Darling,” are lodged in mind for the rest of the day. Russian composer Dimitri Tiomkin won two Oscars for that music, including Best Music Scoring and Best Original Song. With lyrics by Ned Washington, the 1952 song was performed by Tex Ritter, both in the movie and at the Academy Awards presentation. I remember my dad playing it on a reel-to-reel tape recorder years before I saw the movie so, for me, this one stands apart from the film.
That separation of film from score happened again in the 90s. Another Academy Award-winner, John Barry gave us music for Dances With Wolves. That year I was living in South Carolina, having moved across the country from Wyoming less than a year before. For me, the movie was hit and miss, but the score kept me awake at night, yearning for the wide open vistas I had gotten to know while living in Laramie. Even today, I can’t listen to this one without clouding up with nostalgia—for a mythical lost west, and for my own real lost frontier. Dances With Wolves is the first western movie soundtrack I owned on CD.
If Dances With Wolves brings melancholy, there’s one theme that is the polar opposite. Nothing brings the exuberance and sheer joie de vivre as well as Elmer Bernstein’s theme for The Magnificent Seven. Those of us of a certain age can remember it playing behind the Marlboro man’s TV commercials and hearing it continuously covered and sampled in movies (Moonraker) and television (Cheers, The Simpsons). Heroism and grandeur, action and youth, it’s all there in those majestic horns and thundering percussion. With the theme to the Magnificent Seven playing in my head, my bike became a galloping stallion, and the future an endless tapestry of adventure.
Please share in the comments some of your favorite western TV and movie themes. What do you remember most about them? What images do they conjur up? (And a tip of the Stetson to anybody who can dig deeper than a random Google search and let me know whose chorus performed the vocals for Hang ‘Em High.)
I liked each of the westerns you mentioned.I had an old 33-1/3-version of the sound track to Good, Bad and Ugly that disappeared in a move. I enjoyed the walk down memory lane.Thanks Cheryl.ReplyDelete
Rich, those are all wonderful, wonderful soundtracks. The one I loved was The Man Who Shot Liberty Valance--although it was never used in the film itself, oddly enough, though Wikipedia states that singer Gene Pitney said Paramount paid for the recording session for it!ReplyDelete
Oh My GOSH--The Magnificent Seven--wonderful instrumental piece. (Yes, I am of that age that remembers the Marlboro Man riding up with that music playing, wearing his sherpa-lined coat and lighting up a MARLBORO...) But as far as setting the tone for a movie, I believe that theme really hits the nail on the head.
The Good, The Bad, and The Ugly was so haunting--so different. Once you heard that you couldn't get it out of your mind, and as kids we all were left wondering 1) WHAT ARE THEY SAYING? and 2) HOW ARE THEY MAKING THOSE NOISES? LOL
My mom sang Do Not Forsake Me, Oh My Darling as she went about her daily work, on many occasions. Did you know that Dmitri Tiomkin also wrote the theme for John Wayne's Batjac production of THE ALAMO (The Green Leaves of Summer) and that was one my dad requested I play on the piano OFTEN.
These songs are all wonderful and really bring back memories. A great post, Rich, I really enjoyed it.
Richard. so many great soundtracks. Morricone composed one of his greatest scores for a film that was MIA here in the States for many decades, FACE TO FACE. Thankfully, it's available now on Blu-ray. Other greats, Victor Young's scores for SHANE and RIO GRANDE, Elmer Bernstein's for THE COMANCHEROS and TRUE GRIT. Dmitri Tiomkin's for RED RIVER, RIO BRAVO, and THE WAR WAGON. Luis Bacalov's for THE GRAND DUEL. Marcello Giombini's for SABATA. Wonderful memories all.ReplyDelete
50s- 70s movie scores were the best, no matter the genre. There were also some great TV scores. Have Gun Will Travel, Maverick, Gunsmoke, and of course the classic Lone Ranger. So many your post brought back. Thanks for the earworms. DorisReplyDelete
I love the post and the memories it brings of some great movies and music scores.Also included in this list should be Lee Marvin warbling the theme song in Paint Your Wagon...I was born...under a wandering star. I so empathize with you that the memories of Dances With Wolves brings you. I still remember seeing it on the big screen and that vista of the plains when Lt. Dunbar first arrived on the frontier. Unforgettable scenery and movie, one of my top five fave westerns ever. I love Rio Bravo with its unforgettable scene of Dean Martin singing My Rifle, My Pony and me and Ricky Nelson strumming along and even good ole Walter Brennan. Just watched it last week for the nth time. So many great movies and theme songs. Although not a western, it was a historical, Dr. Zhivago with fabulous scenery and that score, Lara's Theme. Now I will be humming that all day.ReplyDelete
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