Western Fictioneers Presents — THE UNTAMED WEST (A Classic Western Anthology With 29 Stories)

A collection of twenty-nine tales of the Old West featuring previously unpublished stories by such classic Western writers as James Reasoner, Douglas Hirt, McKendree Long, and Michael R. Ritt. Edited by award winning author, L. J. Washburn. Western Fictioneers is the only writers’ organization devoted solely to traditional Western fiction, and this huge collection will take readers from the dusty plains of Texas to the sweeping vistas of Montana and beyond.

Western Fictioneers was founded in 2010 to promote the oldest genuine American art form, the Western story. Its worldwide membership includes best-selling, award-winning authors of Western fiction, as well as the brightest up-and-coming new stars in the Western field. The organization*s third anthology features original stories by Big Jim Williams, Easy Jackson, Jeffrey J. Mariotte, McKendree Long, Michael R. Ritt, S. D. Parker, James Reasoner, J. L. Guin, J.E.S. Hays, James J. Griffin, Jesse J Elliot, Ben Goheen, Barbara Shepherd, Nik Morton, S. L. Matthews, James Clay, Keith Souter, Tom Rizzo, Matthew P. Mayo, Dorothy A. Bell, L.J. Washburn, Angela Raines, Gordon L. Rottman, Charlie Steel, Douglas Hirt, Dennis Doty, and Cheryl Pierson.

THE UNTAMED WEST is more than 150,000 words of action packed classic Western fiction.

     

21st CENTURY WESTERN MOVIE REVIEW -- Meg Mims

I'm wondering if the good old western film genre, the type we loved, with a die-hard American wild west hero like the Duke, or Shane, Jimmy Stewart, or even Clint Eastwood goes up against the villains and toughing it out, who triumphs and survives... you know that type. IS IT DEAD? Have western movies made a comeback?

Let's review the 21st century of western movies, starting with... um. Okay, I had to dig for the ones I'd missed. It seemed dead for a while there. Like, dust. I have to admit there were a lot of TV movies made and miniseries including the remake of Around the World in 80 Days with Pierce Brosnan and Jackie Chan, but I'm talking the big screen. Film - those big reels (now replaced by digital copies) spinning a stream overhead, and a dark theater with those cushy seats, sticky floors, with a bucket of buttered popcorn at your elbow.

1999's WILD, WILD WEST was actually "steampunk" western, when steampunk was first getting hot. Should we classify it as a traditional western? Eh. I thought it was rather fun and Kenneth Branagh sure made a great villain. I suppose it's up for debate. 2000's THE CLAIM had mixed reviews, and SOUTH OF HEAVEN, WEST OF HELL was considered hellish. But let's not forget Jackie Chan, who did a hilarious romp through the old west in 2000's SHANGHAI NOON with Owen Wilson -- who reprised their roles for 2005's SHANGHAI KNIGHTS. It's not the Duke, it's not Paul Newman and Robert Redford, or even Clint Eastwood, but when you peel away the martial arts and acrobatics, the Chinese backstory of Chan's character, the goofiness of Wilson and his fake twang, it's still good guy vs. bad guys and a genuine fun time in the old west -- or in London.

And then the tumbleweed started rolling... although western movie fans had to wait a few years before a slew of western movies started hitting the big screen again. AMERICAN OUTLAWS debuted in 2001, with Colin Farrell and Scott Caan, a remake of the Jesse and Frank James story. TEXAS RANGERS stomped all over Texas history, from what the reviews state. The animated film SPIRIT: STALLION OF THE CIMARRON came out quietly in 2002. Next wwas 2003's OPEN RANGE -- a Kevin Costner film where he wisely included Robert Duvall and Annette Bening. Who wouldn't love a film about the old days of grazing cattle across the open prairie versus the fencers, plus a villain who owns the sheriff and town... it's also on my TBW (to be watched) list. THE MISSING also came out, with Tommy Lee Jones and Cate Blanchett, but I missed it. Glad I missed GANG OF ROSES, though, pretty trashed. And any sequels of that.

In 2004, RENEGADE came out, along with THE ALAMO, another miss (dang!) with Dennis Quaid, Billy Bob Thornton and Jason Patric -- a remake of the John Wayne-Richard Widmark classic made back in 1960 -- along with  HOME ON THE RANGE, a cute and fun animated film from what I heard. All three are also on my list. But not the western horror DEAD BIRDS, though.

Who doesn't remember the success of HIDALGO? It also won a Spur Award for Best Drama Script in 2005. I loved it. The movie may have played off hero Viggo Mortenson's Lord of the Rings' popularity, but he sure can ride a horse and seemed convincing (for a Dane) as Frank Hopkins. The movie is based on a "legend" of a horse race in 1891, in Arabia, pitting an American mustang against pure-blood Arabian horses. Whatever the legend, or half-truths about Frank and the Ghost Dance, it sure made for great storytelling. And Omar Sharif also helped. Such a great actor. Also out that year, the sequel with Antonio Banderas and Catherine Zeta-Jones for THE LEGEND OF ZORRO -- which was nearly as good as The Mask of Zorro back in 1998 with these two. I liked them both. PURGATORY (which won a 2000 Spur Award for Drama Script) had an interesting premise, with a town in the old west where dead legends got a chance at redemption (or failure) before going to their reward (or punishment). I am putting it on the TBW list. Not so BROTHERS IN ARMS, panned worse than 2003's Gang of Roses.

BROKEN TRAIL came next, in 2006, which was marvelous with Robert Duvall and Thomas Haden Church. Another Spur Award winner -- for Best Western Drama Script (Fiction), in 2007 -- and while it aired as a miniseries on television, I couldn't help including it here. It wove two historical events together, the slave trade of Chinese women taken upon arrival in San Francisco to serve as prostitutes in the American west, plus the herding of horses to sell to the British Army at the end of the 19th century. I enjoyed the complex story, the characters, the villains and the bittersweet ending. So great. So much better than the inaccurate, dark and getting progressively darker Hell on Wheels' TV series.

I'm not even going there with The Quick and the Undead. Nope.

THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD -- a mouthful, indeed, for a film title, won the 2007 Spur Award for Best Western Drama Script (Fiction) and starred Brad Pitt. That should have made it a mega-hit, except I'd never heard of it. Reviewers certainly loved it. Probably worth a look, since the classic 1939 film with Henry Ford as Frank James and Tyrone Power as Jesse is stuck in my head. I'll have to add it to the list.

Another 2007 film, SERAPHIM FALLS, pitted Pierce Brosnan against Liam Neeson in a revenge-fueled post-Civil War story. I suppose you could say it was sort of a remake of Clint's The Outlaw Josey Wales, but not as good. I still enjoyed the movie. Two solid actors, even if it seemed an endless pursuit with a 'how can they survive so much with all that violence' type of reaction. And hey, Wes Studi was in the film too! Can't go wrong there.

BURY MY HEART AT WOUNDED KNEE also came out the same year, with Aidan Quinn and Anna Paquin, which according to some reviews, is rather an inaccurate account of historical events. Missed this one, along with SEPTEMBER DAWN which dealt with a Mormon massacre.

3:10 TO YUMA brought Russell Crowe and Christian Bale together (or should I say pitted them against each other), in a suspenseful western that may or may not have lived up to the classic with Glenn Ford. I personally prefer Crowe in this movie, who seems more believable as an outlaw. Glenn Ford was too nice! The story is solid, the details authentic, and the gunplay perhaps a bit much but hey, western film lovers have been literally dying to see more films such as this.

And then in 2008, THERE WILL BE BLOOD was set in turn-of-the-century California, with Daniel Day Lewis who won the Academy Award for Best Actor in his role of Daniel Plainview, silver miner turned oil tycoon. It's a pretty dark movie, from what I hear, so I may bypass it. But hey, California *is* in the west after all, and has tons of great history. And another missed film was GONE TO TEXAS with Sam Elliott. Dang. Chalk another one on the list.

Next, actor Ed Harris (also the director, producer, co-author of the script) and Viggo Mortenson starred in the 2009 film APPALOOSA. Friends and mercenary peacekeepers, they were pitted against a villainous Jeremy Irons -- based on Robert B. Parker's bestselling novel. Pardon me if I'm totally out of the loop about Parker's books -- he has a string of best-selling western books. I admit I only saw it because I love Viggo -- although I didn't care for his goatee in the film -- but my feelings were mixed. It seemed a bit convoluted in terms of story, and didn't have much of a point in my opinion. Except -- if your friend kills so you can have a future with the one you love, will she resent you forever? I don't know. The details were spot-on for a western, however. A horror-western also came out that year, THE BURROWERS, a miss in my book, but hey, it was set on the Dakota prairie. THE LAST RITES OF RANSOM PRIDE was seriously panned.

Have you noticed the number of movies coming out each year? YEEHAW!

In 2010, the Coen brothers remade TRUE GRIT in a far more faithful adaptation of the Charles Portis' book. It won the Spur Award for Best Western Drama in 2012. But people complained that Jeff Bridges wasn't good enough to fill Duke's boots. I thought he did a fine job, and I much prefer Hailee Steinfield's portrayal of Mattie than Kim Darby. (Sorry, Kim, you were too old and you should have worn a long-haired wig in a loose topknot, at the very least). Even Matt Damon improved on Glen Campbell's LaBoef. I enjoyed seeing the Duke and Kate Hepburn in the (fictional) sequel, Rooster Cogburn, which came out after the original True Grit film. I have my doubts the Coens will bother. Too bad.

THE WARRIOR'S WAY also came out, along with MEEK'S CUTOFF and JONAH HEX. No idea if they're good/bad.

2011's RANGO was so fun -- and I don't care if animated films aren't seen as traditional westerns. I truly LOVED this movie. What a cool premise -- a green (and greenhorn) chameleon is stranded out west, meets some interesting characters and is seen as an unlikely hero. Loved Roadkill, Iguana Beans and other "townspeople" animals in Dirt -- plus the Spirit of the West... fabulous story, wonderful characters, a good solid and heart-of-gold ending. It may not be easy being green in Rango, but in my opinion Johnny Depp ought to have kept this as his "western tour-de-force" instead of tackling Tonto of the Black-Crow-head.

Another movie that came out that year, BLACKTHORN, begins with an intriguing premise. What if Butch Cassidy didn't die in Bolivia, and is tired of living as an ex-Pat and wants to see his old friends back home? From what I hear, Sam Shepard gives a solid performance. I'm putting it on my TBW list -- although some reviewers say it's nowhere near the Paul Newman-Robert Redford Butch Cassidy and the Sundance Kid romp of the 70s. Still, might be interesting to see. Yup, the list. Not so for THE LEGEND OF HELL'S GATE, despite being based on Texas history, or YELLOW ROCK.

And another -- COWBOYS AND ALIENS -- was a fun romp (at first) in the old west with a visit from an alien race, but took itself a bit too serious in the middle and end. I loved the beginning. Who can fault Daniel Craig for getting amnesia and wakes up with some weird-looking gadget on his arm, that will end up saving the old west town and its residents? And Harrison Ford as a bad guy who is redeemed -- another great plot point, but the mystical part ruined the fun in my opinion. Still, it was good to see the attempt. They tried to make it like Independence Day. Sort of...

I missed all of these 2012 films: DJANGO UNCHAINED which won director/writer Quentin Tarantino an Academy Award for Best Original Screenplay, plus a Golden Globe and a Spur Award for Best Western Drama Script (Fiction). Sam Elliott's I WILL FIGHT NO MORE FOREVER, which is supposedly a far more accurate depiction of the Nez Perce tribe's flight to Canada. Both AMBUSH AT DARK CANYON and DAWN RIDER were not well received. Surprisingly, the "are-you-serious?" hit ABRAHAM LINCOLN: VAMPIRE HUNTER might not have been set in the west, but come on! Honest Abe, hunting fang-studded vamps! That is definitely on my TBW list.

2013 brought in THE GALLOW-WALKERS (another zombie fest, oh no!), A NIGHT IN OLD MEXICO, also with Robert Duvall, SWEETWATER with Ed Harris and January Jones, and the butchery (or scream-fest, depending on your point-of-view) of THE LONE RANGER. Need we say more? Did it put the kibosh (or a slash from El Kabong, for Quick Draw McGraw fans) on future western films? Did it signal the coming wave of comical westerns reflecting the tongue-in-cheek Blazing Saddles?

I rather doubt it, not with this year's coming films THE REDEMPTION OF HENRY MYERS, THE HOMESMAN, THE SALVATION, DOC HOLLIDAY'S REVENGE, FORSAKEN, HOT BATH AND A STIFF DRINK, plus 2015's JANE GOT A GUN and BONE TOMAHAWK plus others. Wow! Keep 'em coming, that's what we say. Don't forget this month's A MILLION WAYS TO DIE IN THE WEST -- it might not be as funny as The Lone Ranger. Then again, it might be better! Hey, Liam Neeson's in it. You might be able to see the whole movie by clicking here.

One thing is for sure. Western films for the big screen ain't exactly dead and buried. Yet.

Award-winning mystery author Meg Mims -- also one-half of the writing team of D.E. Ireland -- lives in Southeastern Michigan with her husband, a 'Make My Day' Malti-poo dog and a sweet Lhasa Apso-mix rescue dog -- the "hero" of Santa Paws. She loves writing novels, short novellas and short stories, both contemporary and historical. She earned a Spur Award, a Laramie Award and an M.A. from Seton Hill University's Writing Popular Fiction program.

Traditional Westerns--and Classic Romance

Romance in Traditional Westerns

by Jacquie Rogers

Most Western Romance Historical (WHR) fans also love anything that has to do with the Old West. Lately, I've been reading lots of Traditional Westerns and so far, there's been at least some romance in every single one.  Dwight V. Swain emphasized that readers read for emotion.  Love fills the bill.  Whether male or female, nearly all of us have or had romance in our lives.

Guess what? Nearly all the traditional westerns I've read contain a significant amount of romance even though there's no way these novels could be confused with a WHR.

Or is that true? If you've read Hondo by Louis L'Amour, you know that the spine of the story is the relationship of Hondo Lane and Angie Lowe. Hondo happens onto a homestead looking for a place to light. Mrs. Lane and her son soon worm their way into his heart, and everything he does from there on out has to do with her in some way. All this leads up to the classic romance happily ever after ending.

Robbers Roost by James Reasoner features a protagonist who’s so full of himself that you wouldn't think any author could make him likable. Preston Fox is out for glory and to prove himself the best army officer ever, even though he's been busted. His thought processes are warped at best. He’s egotistical, misguided, impulsive, and vain. Nevertheless, once his heart is captured by a young Chinese woman who just happens to be a prostitute, we actually start rooting for the guy. I read this book a year ago and still, after reading many books in the meantime, this character is still vivid in my mind. Now that’s good writing.

I just finished a book written by Monty McCord, Mundy's Law. This is a very traditional western where the entire book leads up to the final shootout, yet Marshal Joe Mundy is smitten with the previous marshal’s widow, who’s now a prostitute. This relationship is the spark for several events and the book and is not just window dressing.

This sort of relationship is nothing new in the western genre—look at Gunsmoke’s Marshal Dillon and Miss Kitty. While their relationship was never spelled out (except in one episode late in the series), we always knew that that the marshal was Miss Kitty's special man. Marshal Dillon never seriously messed around with any other woman and in our hearts, we knew that the two of them were made for each other.

Maverick and Paladin were both womanizers and most of the female viewing audience wouldn't have minded either of them putting their boots under their beds. And these shows, the romantic relationships—even though temporary—was either the inciting incident or a major turning point to get to the big showdown.

The major difference between traditional western and western historical romance is that in the latter, women are equals and half or more of the scenes are told using the heroine’s point of view, whereas the heroine’s viewpoint is often (not always) ignored in traditional westerns. In a WHR, the hero and heroine are both strong and the little woman doesn't sit around twiddling her thumbs as she waits for the big rescue.

None of that precludes the Big Shootout. Some WHR’s have one and some don’t. Mine nearly always do just because that’s the way the stories come to me, and often that scene flashes in my mind right after the initial story concept. My books generally have other showdowns and minor scrapes as well. The excerpt below is a minor tiff, borne of the hero’s frustration with the heroine. Kade and Iris had kissed in the previous scene, and worse, one of her friends saw them.

Excerpt
Much Ado About Miners
♥ Hearts of Owyhee ♥ #4
By Jacquie Rogers

Kade ordered drinks for Phineas and himself. The hotel bar was noisy, and no one paid them any mind, which was good considering how his business partner was carrying on.

“I told the ladies not to go up there until you was done firing. Guess I’d better tell ’em what kind of firing.” Phineas laughed at his own joke.

Much Ado About Miners
by Jacquie Rogers

Kade didn’t.

“I’m telling you,” his old friend continued, “were it me up on that hill with a beautiful woman, I would’ve been kissing her, too. And whatever else she let me do.”

“This ain’t Lollie.”

“It’d be a lot easier on you if it was.”

Kade couldn’t argue with that.

“Might we ought to find you a woman, get some of that vinegar out of your veins.”

“Might.”

Harold poured their whiskeys. “Leave the bottle?”

Kade threw out some coins and waved the barkeep off. His head was scrambled enough without the sauce.

Phineas grabbed his glass and saluted Kade with it. “Then again, it’s hard on a man—thinking of one woman and pokin’ another.” He downed the whiskey in two gulps and slammed the glass on the counter. “ ‘We should be woo’d and were not made to woo.’ A Midsummer Night’s Dream, Act 2, Scene 1.”

Kade pulled his hat low over his forehead and pushed himself away from the bar. “Phineas, you are a trial of a man’s patience. Think I’ll head over to the sheriff’s office.”

“You are too blasted grumpy these days. I might just go back to the hotel and see if Lollie needs some entertaining.”

“Do that.” Kade tromped past the banker and his cronies, shoved past the bat wing doors, and took off to see if Sheriff Adler had anything interesting going on. He needed to forget all about the kiss, that woman, and her breasts pressed against his chest. And he was tired of being Phineas’s source of amusement.

Two roostered-up young men, doubtful they were over eighteen years old, walked down the boardwalk toward him. They evidently thought they required the entire boardwalk. In no mood to coddle big-headed whippersnappers who hadn’t learned to hold their liquor, Kade determined to stay his course. Not surprisingly, they tried to shoulder him off.

He leaned into the taller one and knocked him on his can. The other one pulled his pistol, cocked, and jammed the barrel in Kade’s side. Kade slammed his elbow into the kid’s solar plexus, grabbed the weapon, then kicked the upstart’s feet out from under him.

“You need to learn to respect your elders.” He waved the pistol at them. “Now get your sorry carcass up and come with me. It’s time for you to explain to the sheriff why you think you own that piece of boardwalk.”

With a little luck, they’d put up a fuss and he’d get a chance to work off some of his frustration. Unfortunately, luck wasn’t on his side, and they meekly walked to the sheriff’s office just as he had told them to.

When they got to the jail, Adler wasn’t there so Kade locked them in separate jail cells. The taller one, with a hang-dog expression, stood at the front of his cell with his hands wrapped around the bars. The other one headed straight to his cot and flopped down on his back, groaning. Kade gave them each a bucket of water.

“What are we supposed to do with that?” asked the taller one.

“You can drink it, wash in it, or piss in it—your choice.” He woke up Wilfred, the other deputy, who slept in the sheriff’s chair. “You have prisoners.”

Wilfred snorted and slid his feet off the desk, sat up, then took a swig of cold coffee. “Foul-tasting crap. Who made this?”

Kade tossed the jail cell keys on the desk. “You did.”

♥ ♥ ♥

♥ Hearts of Owyhee ♥ 

Much Ado About Marshals

Much Ado About Madams

Much Ado About Mavericks

Much Ado About Miners

Jacquie's Website | Newsletter | Pickle Barrel Bar & Books

Facebook | Twitter | Pinterest | Goodreads | Amazon

The Western Fictioneers Library is Growing

West of the Big River: The Lawman

By New York Times bestselling author James Reasoner, the first novel in a new series from the Western Fictioneers, West of the Big River. The Lawman features William M. "Bill" Tilghman facing perhaps his greatest and most dangerous challenge.

West of the Big River: The Avenging Angel

Award-winning author Michael Newton spins an action-packed, historically accurate yarn about Orrin Porter Rockwell who is more than just a deputy United States marshal and a deadly gunfighter. He's a member of the Mormon Danites, the group of enforcers known as the Avenging Angels

West of the Big River: The Artist

Acclaimed author Jackson Lowry spins as entertaining a tale as any of those from Charlie Russell himself in this superb new historical novel.

Coming: West of the Big River:

West of the Big River: The Ranger

James J. Griffin, noted for his fine stories of the Texas Rangers, joins the West of

the Big River stable with THE RANGER, a short novel featuring real-life Ranger Sergeant J.S. Turnbo.

West of the Big River: The Forty-Niners

Charlie Steel's story of courage, romance, and danger is based on historical incidents of the California Gold Rush, and vividly illustrates a compelling chapter in American history, recreating a lawless era that exemplifies both the best and the worst in a vital young nation!

MORE  TO COME

Other Western Fictioneers Books

The Traditional West

The classic American Western returns in this huge collection of brand-new award winning stories by some of the top Western writers in the world today.

Six-guns and Slay Bells: A Creepy Cowboy Christmas

Put on your Santa hat and saddle up for this collection of creepy Christmas stories from the Western Fictioneers, the world's only organization of professional authors devoted solely to Western fiction.

The Peacemakers

Collections of 4 award winning western stories in each volume

Volume I

Volume II

Volume III

Volume IV

Peacemaker Tales

This volume includes works by everyone who has been nominated for the Best Short Story Peacemaker in the first three years of its existence, including the winners. You will be hard-pressed to find such a collection of new classics in one book. These stories represent the finest in Old West fiction being written today.

Wolf Creek:

Here you will find many of your favorite authors, working together as Ford Fargo to weave a complex and textured series of Old West adventures like no one has ever seen.

Book 1: Bloody Trail

Book 2: Kiowa Vengeance

Book 3: Murder in Dogleg City

Book 4: The Taylor County War

Book 5: Showdown at Demon's Drop

Book 6: Hell on the Prairie

Book 7:  The Quick and the Dying

Coming: Book 8: Night of the Assassins

Book 9: A Wolf Creek Christmas

The Western Fictioneers Library

RAW DEAL AT PASCO SPRINGS by Clay More

LEAVING KANSAS by Frank Roderus

JUDGE ON THE RUN by Clay More

RANGER'S REVENGE by James J. Griffin

REACHING COLORADO by Frank Roderus

DEATH STALKS THE RANGERS by James J. Griffin

A ROPE FOR SCUDDER by Clay More

DEAD MAN'S GUN AND OTHER STORIES by Ed Gorman

GUN FOR HIRE by Jory Sherman

FINDING NEVADA by Frank Roderus

THE TRAIL BROTHERS by Troy D. Smith

THE CAST-IRON STAR AND OTHER WESTERN STORIES by Robert J.

Randisi

STAMPEDE AT RATTLESNAKE PASS by Clay More

A DISGRACE TO THE BADGE AND OTHER WESTERN STORIES by Ed Gorman

BUZZARD BAIT by Jory Sherman

RED TOMAHAWK by Jory Sherman

ENEMIES AND OTHER WESTERN STORIES by Ed Gorman

FAST HAND by Karl Lassiter

HOME TO TEXAS by Frank Roderus

THE LONG RIDE BACK AND OTHER WESTERN STORIES by Ed Gorman

Coming in The Western Fictioneers Library

POTTER'S FIELDS by Frank Roderus

DOUBLE-DEALING AT DIRTVILLE by Clay More

CHARLIE AND THE SIR by Frank Roderus

IRON HEART by Jory Sherman

JASON EVERS: HIS OWN STORY by Frank Roderus

HIS ROYAL HIGHNESS, J. AUBREY WHITFORD by Frank Roderus

http://www.westernfictioneers.com