Friday, July 17, 2020

What's the Score? Tombstone by Bruce Broughton


Tombstone (1993) has become a cult classic of the Western movie genre, and more than some films, it’s truly an ensemble piece. Director George Cosmatos, writer Kevin Jarre and strs Kurt Russell, Val Kilmer, and Sam Elliot come together in a meaningful take on the events surrounding the gunfight at the O.K. Corral and the Ear Vendetta Ride. Of equal importance to the film’s success, add the name of Bruce Broughton.

Born in 1945, Broughton composes music for film, television, video games, and orchestra. He’s won nine Emmy Awards and was nominated for an Academy Award in 1985 for what’s been called “breakthrough” work on the soundtrack to another Western, Silverado.




 His work on Tombstone is more complex, and Jason Ankeny at AllMusic.com says: “Achieving a pitch-perfect balance between traditional Western film music -- e.g. the boozy saloon theme "Thespian Overture" and the landscape meditation "Looking at Heaven" -- and darker, more violent melodies fortified with slashing bursts of brass and thunderclap percussion, Broughton's score embraces both the reality and the mythology that now define the O.K. Corral in the collective consciousness."



Brass trumpets and sousaphones blast out at precise points in the screenplay, providing punctuation to the violence on the screen, and the underlying melodies not tie the characters together in a surprising way.

 Unfortunately, while Silverado is available on vinyl (my preferred listening format) Tombstone is not. However, I’d be wrong to dismiss the CD. Broughton conducts the Sinfonia of London through an amazing two disk set that includes alternate cues and Jerry Goldsmith’s music for the Cinergi logo.

Highly recommended.

After growing up on a Nebraska farm, Richard Prosch worked as a professional writer, artist, and teacher in Wyoming, South Carolina, and Missouri. His western crime fiction captures the fleeting history and lonely frontier stories of his youth where characters aren’t always what they seem, and the windburned landscapes are filled with swift, deadly danger. In 2016, Richard roped the Spur Award for short fiction given by Western Writers of AmericaRead more at www.RichardProsch.com

6 comments:

  1. Music can add so much but a movie. And all those favorite TV shows of the 80s had wonderful theme songs that helped propel the shows to higher ratings, Bonanza, Rawhide, Magnum PI, Hawaii Five-O, Rockford Files.

    ReplyDelete
  2. Rich, I loved the scores for both Silverado and Tombstone. It wouldn't be the same to sit and watch a movie with no music. I'm so glad SOMEONE thought to add a piano player 'back in the day' when the films first hit the Silver Screen!

    ReplyDelete
  3. I've watch Tombstone several times, and the sound track never moved me like it did in The Magnificent Seven. It not that it was bad, I just didn't notice it.

    ReplyDelete
  4. I truly do enjoy this series of posts. Looking behind what in reality helps make a movie is so enjoyable. Thank you. Doris

    ReplyDelete
  5. This comment has been removed by the author.

    ReplyDelete