Showing posts with label Mathew Brady. Show all posts
Showing posts with label Mathew Brady. Show all posts

Wednesday, October 22, 2014

Civil War Reenacting: Daguerreotypes

By Matthew Pizzolato

The daguerreotype was the first photographic process and saw widespread use in the 1840's.  It was invented in 1839 by Louis Daguerre. He published a booklet describing the process and by 1850 there were more than 70 studios in New York City. By the 1860's, it was replaced by less expensive techniques such as the ambrotype and the tintype.

The tintype was patented in 1856 by Harold Smith. Photography became instantly popular and many people wanted portraits of their loved ones before they marched off to war.

It was Mathew Brady, considered to be the father of modern photo-journalism, who captured many pictures of the era. Brady photographed many famous Americans of the time period as well took graphic pictures of the casualties of the War. In 1862, he opened a gallery in New York called The Dead of Antietam. It was the first time Americans witnessed the horrors of war in a medium other than artists impressions such as drawings and sketches.

The daguerreotype is taken on a highly polished plate of copper coated with silver and the resulting photo is a mirror image. It was this phenomenon that lead to the myth that Billy the Kid was left handed and even spawned a movie starring Paul Newman called THE LEFT HANDED GUN.

I recently had a daguerreotype taken of myself at a reenactment and the exact same process is used today with the same chemicals that was used during the 1840's. The photographer added the color in my vest by hand after the image had developed, a technique that was commonly used during the time period. I could have reversed the image using software but I tend to prefer it in the original condition. For the record, I'm not left-handed.

During the War, photographers generally charged one dollar per photo. Today, the process will set you back about $50 depending on what size you want the image to be, but I consider it a worthwhile investment.




Matthew Pizzolato's short stories have been published online and in print. He is a 
member of Western Fictioneers and his work can be found in the Wolf Creek series as well as his own publications, THE WANTED MAN, OUTLAW and TWO OF A KIND. 




He is the Editor-in-Chief of The Western Online, a magazine dedicated to everything Western. He can be contacted through Twitter @mattpizzolato or via his website: 

Wednesday, February 26, 2014

Civil War Reenacting: Gettysburg

By Matthew Pizzolato

Last year, I was fortunate enough to go to Gettysburg for the reenactment that coincided with the 150th Anniversary of the battle. I would have written about it sooner, but I wanted to take some time to process everything because I took part in a lot of amazing things. They say that the battlefield is one of the most haunted places in the world and while I didn't experience anything of that nature first hand, I can certainly understand why the place has such a reputation.

While we were there, we formed up as a company and marched across the battlefield in the footsteps of Pickett's Charge. I've never been in war, but it was not difficult to image the hell that it must have been for those gallant men to march across that open field with artillery and bullets raining down upon them. That was one of the most overwhelming, surreal and moving things I've ever experienced.

Looking back down the hill at Pickett's Charge. The monument in the
distance against the tree line is where the Charge began.

I also went to Devil's Den, one of the deadliest places on the battlefield. There are tourists everywhere, so it was sometimes difficult to get photos without someone else in them. The size and scope of the battlefield is difficult to image unless you are actually there. 

Mathew Brady's Devil's Den Photograph

A photo I took last June. It still looks pretty much the same, minus the
person waving in the background. 

The copse of trees and monument that
is the High Water Mark of the Confederacy. 

While we were travelling, we also stopped at VMI, Washington and Lee University, the burial sites of both Robert E. Lee and Stonewall Jackson, Lookout Mountain, and Chickamauga. One of my ancestors fought and was captured at Gettysburg and another fought at Chickamauga. Overall, it was a great trip and a once in a lifetime experience. If you've never been to a Civil War battlefield, you owe it to yourself to visit one as soon as possible.





Matthew Pizzolato's short stories have been published online and in print. He is a member of Western Fictioneers and his work can be found in the Wolf Creek series as well as his own publications, THE WANTED MAN, OUTLAW and TWO OF A KIND. 



He is the Editor-in-Chief of The Western Online, a magazine dedicated to everything Western. He can be contacted through Twitter @mattpizzolato or via his website: 
www.matthew-pizzolato.com



Wednesday, January 22, 2014

Civil War Reenacting: Photography

By Matthew Pizzolato

Mathew Brady, 1875.
Modern photography was invented just prior to the Civil War and became the primary means we have of recording that era in history. The daguerreotype was invented in 1839 by Louis Daguerre. He published a booklet describing the process and by 1850 there were more than 70 studios in New York city. The tintype was patented in 1856 by Harold Smith. Both means became popular and many people wanted portraits of their loved ones before they marched off to war.

The most famous of the photographers of the War was Mathew Brady, considered by many to be the father of a photojournalism. Brady took pictures of many famous Americans, including 18 presidents, Civil War officers on both sides of the conflict from Robert E. Lee and Stonewall Jackson, to Ulysses S. Grant and George Custer and many more. He also photographed battle scenes and the dead and wounded casualties of the war.
Mathew Brady photograph at Devils Den at Gettysburg.

For some, photography was a money making endeavor as this quote from Scientific American illustrates.

Decidedly one of the institutions of our army is the traveling portrait gallery. A camp is hardly pitched before one of the omnipresent artists in collodion and amber bead varnish drives up his two-horse wagon, pitches his canvas gallery, and unpacks his chemicals. Our army here (Fredericksburg.) is now so large that quite a company of these gentlemen have gathered about us. The amount of business they find is remarkable. Their tents are thronged from morning to night, and "while the day lasteth" their golden harvest runs on. Here, for instance near Gen. Burnside's headquarters, are the combined establishments of two brothers from Pennsylvania, who rejoice in the wonderful name Bergstresser. They have followed the army for more than a year, and have taken, the lord only knows, how many thousand portraits. In one day since they came here they took in one of the galleries, so I am told, 160 odd pictures at $1 each. The style of portrait affected by these traveling army portrait makers is that know to the profession as the melainotype, which is made by the collodion process on a sheet-iron plate and afterward set with amber-bead varnish.

Scientific American, October 18, 1862

One hundred and sixty dollars a day was a veritable fortune at a time when a private made thirteen dollars a month. Mathew Brady, on the other hand, went bankrupt as a result of photography business. During the war, he spent over $100,000 developing his photographic plates and expected the United States government to buy the photographs after the War was over. The government refused.  Brady was forced to sell his business and died penniless on January 15, 1896 following a streetcar accident.

At the reenactments, there are a lot of pictures taken. However, we use modern techniques. Just about everyone at a reenactment will have a camera, especially the spectators. I have been known to sneak a camera onto the battlefield and have gotten a lot of real cool pictures. I've been to Devils Den at Gettysburg and have visited the exact spot where Brady's photo was taken.

At some events, especially the larger ones, there will be people who can take a tintype of you. They use the exact same process that was used during the War. I haven't had a tintype made yet, but that is something that I fully intend to do.




Matthew Pizzolato's short stories have been published online and in print. He is a member of Western Fictioneers and his work can be found in the Wolf Creek series as well as his own publications, THE WANTED MAN, OUTLAW and TWO OF A KIND. 


He is the Editor-in-Chief of The Western Online, a magazine dedicated to everything Western. He can be contacted through Twitter @mattpizzolato or via his website: 
www.matthew-pizzolato.com