Wednesday, September 9, 2015


Ranger Jim's Ramblings for September


Okay, after being AWOL for the past couple of months, I'm back. I'm not certain whether that will bring cheers or curses from most of you, but you're stuck with me for a while longer.

I've decided to tackle a different subject this time around. No horses or Texas Rangers in sight, at least, sort of.  I thought I'd talk a bit about designing the cover of a book, specifically, for this group, a Western. As authors, we think long and hard before putting pen to paper, so to speak, but how many of us give much thought to the covers of our books, or instead just defer those to the publisher? It is the cover which first grabs a potential reader's attention, and that  cover is almost as important as the story itself. A good cover can make a book, a mediocre or bad one break it.

I'm no expert on the subject, so will give credit where credit is due for the examples, Livia Reasoner.
The first picture is the cover of my latest Lone Star Ranger book, Volume 6, A Ranger Gone Bad. The Lone Star Ranger series is a young adult series, following the adventures of orphaned, fourteen year old Nate Stewart as he rides with the Texas Rangers who rescued him. The cover captures all the elements of the story. Livia has chosen to use a simulated leather background, in different colors for each of the book. For example, on A Ranger's Christmas, Livia used a red leather background with a green title strip.  For this one, she used black, which matches the main plot line, that Nate has turned renegade. The Ranger badge image, which is courtesy of the Texas Ranger Hall of Fame and Museum in Waco, instantly tells the reader the book is about the Texas Rangers. The silhouetted riders in the star continue the theme, and the background colors behind them not only reflect the red rocks of the Western landscape and the clear blue Western sky, but also the patriotic red, white, and blue of the United States flag. It's an attention-grabbing cover, which is exactly what you want to pull in potential readers.

And that's what a good cover should do, grab a potential reader's attention, show him or her a bit of the story, and make him or her want to pick up the book. Type size, font, and colors are all important considerations when designing a cover. They, along with the all important cover illustration, must stand out from all the other books on the shelves vying for the reader's attention.

My favorite color is blue, followed by green. Given my choice, those would be the colors for the text on my books' covers. However, they are far from ideal for attracting a potential reader, especially for a Western. They don't "pop". Reds, oranges, and yellows are the colors you would usually want to employ.
The above illustration is the cover of my latest Jim Blawcyzk Texas Ranger novel, The Ghost Riders. Notice how the red and yellow letters jump out from the background illustration. The cover illustration itself, Andy Thomas' Gut Shot, used with his permission, shows the drama of a group of cowboys, in this case depicted as Texas Rangers, who have just ridden into an ambush. This is a cover that fairly screams at potential readers: "This is an action-packed, traditional Western novel, one any fan of Westerns just has to read." The addition of the A Jim Blawcyzk Texas Ranger Novel subtitle is an added, and powerful, additional selling tool, appealing to the good-sized sub-audience group who will read just about anything about the Texas Rangers. It's a cover which will sell a lot of books.

For my last example, here's the cover of my latest Texas Ranger novel, To Avenge a Ranger. Again, notice how the red and yellow text seems to fairly leap right off the cover, and at the reader. And again, the A Texas Ranger Sean Kennedy Novel  subtitle informs the reader this is a story about the Texas Rangers specifically, not the Arizona Rangers, or any other Rangers. The cover illustration, another Andy Thomas painting, Death of a Cowboy, again used with his permission, tells the potential reader right from the get-go that a Ranger has been bushwhacked on a muddy street, and whoever did the killing will be tracked down and brought to justice by the Rangers, most probably gunned down like he gunned down the Ranger. The gray sky, puddles, mud, and pouring rain (which is hard to see on this page) all add to the gloom of the scene. The reader can see the shock in the dying Ranger's eyes, the despair of the woman rushing to his side, the doctor hurrying to help him, despite realizing he is probably already too late. It's a cover that makes the reader want to pick up this book.

Livia has done a fantastic job designing these, and other, covers for my books. I owe her a debt of gratitude.

And that's what we want. A cover that tells the potential reader this is a story they just have to read, a story they will enjoy, and recommend to their friends.

A few years back, Western Writers of America and some publishers of already in print classic Westerns decided to try an experiment. They reissued some iconic Western novels, but replaced the original action-oriented covers with more generic, "prettier" covers, which generally depicted Western landscape scenes, along with cowboys and horses, but little, if any, gunfight type action. The theory was, by de-emphasizing the action angle, and replacing it with a more bland, "Western" angle, that more of today's readers would be more willing to pick up the books, and give them a try. The results? The last I'd heard, they weren't good. Sales didn't pick up, and in many cases dropped. The covers might have worked just fine for a non-fiction book about the west, or a tale about life on a ranch or the frontier, but they just didn't work for traditional, action oriented Westerns.

So, when you start to write your next novel, be it a Western, Western Romance, mystery, thriller, or what-have-you, don't just leave the cover as an afterthought. Some writers object to paying an artist for the rights to use his or her works on the cover of their books. I've found out, by experience, paying the (quite often small) sum an artist will ask is well worth the price, and will pay big dividends in increased sales. If you see a painting or photograph you'd like to use on the cover of your book, get in touch with the artist and ask for the rights. As long as the fee isn't exorbitant, you'll find it's well worth the price. Don't skimp on the cover, and you'll see the results in your bottom line.

And one final note: For any of you who write Western Romances, I'm always available to be the cover model of the (usually shirtless) cowboy hunk. With or without Yankee, my horse.

Until next month,

"Ranger" Jim

Monday, September 7, 2015

2015 or 1883?

Monday, August 10, the Dow closed at 17,615. A week later, 70 points lower. Two days later, 358 points lower. One day later, 531 points lower. Another day later, 588 points lower. Finally, one more day, lower by 205 points. 17,615 to 15,666, down 1,949 points, 11.1% in two weeks.

My current novel takes place in 1883. If you can’t write because the walls are caving in, maybe you can find out if it happened in 1883. If it did, Wow! A leg up on knowing how it felt to your characters.

Take a not too scholarly, but not fictional, glimpse.

The Long Depression

Something called the Long Depression began with the Panic of 1873.  It lasted from October 1873 to March 1879, the longest-lasting contraction ever, 65 months, eclipsing the Great Depression's 43 months. Ending with an episode of expansion in 1879, the U.S. economy remained unstable, experiencing recessions for 114 of the 253 months until January 1901.

Western Expansion Half Decline

Anyone who lived during the years most people consider the bulk of the western experience, October 1873 to January 1901, could not personally, or by people near to them, get work or get enough work. More than half the time, 179 of 318 months, through more than half of the great Western Expansion, economic lives were lived in decline or depression.

Nominal wages declined by one-quarter during the 1870s and as much as one-half in some places (notably, Pennsylvania).  Real wages abandoned their robust post Civil War growth for stagnation in 1873 until the late 1880s.  When real wages resumed real growth, even that real growth continued only in fits and starts into the 20th Century. 

Prices Fall, Expand Production

What was going on?  Well, the collapse of cotton prices devastated the already war-ravaged economy of the South.   Farm prices fell dramatically throughout the nation and American agriculture responded by continuing to expand production.

Sound familiar?  Oil prices started to plummet in June, 2014, because of supply side imbalances.  Everyone assumed they would correct.  Oil prices continued to plummet into the high 30s because American (and Saudi) oil responded by continuing to expand production.

Businesses Failed, Debt Defaulted

Through the 1880s, thousands of American businesses failed, defaulting on more than a billion dollars of debt.  Anything sound familiar, today?

Railroads’ tremendous engine of growth, absorbing 20% of US capital
investment, came to a dramatic end in 1873.  It began to recover in 1878, exploding by 1882, and, just as The Chinese Exclusion Act reduced unemployment to 2.5%, collapsed.  Manufacturing reflected the collapse with the price of steel rails plunging from $71/ton in 1880 to $20/ton in 1884. Business profits mimicked the decline by 1884.

New York Banks Collapsed

As winter follows spring, another financial crisis in 1884 brought multiple New York banks to collapse simultaneously.  Unemployment, surged to 7.5% nationally in 1884-1885 and 13% in the Northeast.

Misery in New York and Pennsylvania and the Northeast ruined lives in the West as this second recession led to further declines in farm prices. Farmers burned their own corn in 1885 because it was worth less than coal mined by children or wood collected from the ground.

The Government Steps In:  Rob the Indians and Gild the Robbers

Perhaps this was not the beginning of the today's fervent belief that it is the Government’s role to rescue the private economy, but at that moment, it became government policy to plunder Indian Territory to create a rising market and combat persistent recession.  The recovery began.   The country rebuilt, extended, and refinanced the western railways in conjunction with the government’s wholesale giveaway of water, timber, fish, minerals, in what had previously been Indian Territory.
 
A notable side effect of this expansion of markets and industry was the creation of the robber barons and the genteel 1880s and 1890s. The Gilded Age was the outcome for the few rich. It worked pretty well until the cycle repeated itself with another spectacular crash in 1893.
 
To be fair, not just the robber barons did well. Real per-capita income stayed relatively constant and then rose for twelve of these years, so that the average consumer appears to have been considerably better off at the end of the "depression" than before.

The Harder It Got, The More We Bought

No matter how hard it got, consumption went up.


The Grand Court at Wanamakers
And like today, hand in glove with the overall growth in real prosperity came a marked shift in consumption from necessities to luxuries.  By 1885, more houses were built, twice as much tea was consumed, and even the working classes ate imported meat, oranges, and dairy products. Proof of the change in working class incomes and tastes came during this period with the “invention” of the department store and the chain store.

Prices fell, but consumption of everything went up: from coal and pig iron and import and export figures to consumption per head of wheat, meat, tea, beer, and tobacco.  In short, it was very hard to get a job, but if you did, you could buy anything you wanted.

Even The Start of Globalization

A modern phenomenon started in 1883:  international banking crises began to be synchronized across borders. While this phenomenon was not discovered (or, at least, not proven) until 2008, banking crises were internationalized and correlated from 1883 into the Depression.  Because of the strong regulatory environment that prevailed from the Depression into the 1980s, they were less internationalized and correlated.  Since the 80s, correlated again.
 
By the way, oil, falling wages, and looming recession through Europe were all perfectly on stage for the first (of four) devaluations of the Yuan on Monday, August 17. 

Model Script for Crisis

Finally, the financial crisis of 1884, resulted in an investigation and report by The Comptroller of the Currency, a model script for all future government reports:

This … uncertainty as to value culminated on May 6 with the failure of the Marine National Bank of New York whose president was a member of the firm of Grant & Ward. 
(He neglected to mention that Grant was the president’s nephew and Ward was a scoundrel.)
…institutions and firms supposed to have loaned money upon such railroad and other securities decreased in value …
The … crisis …more or less felt in all parts of the country.  There is little doubt that … causes … among the banks … was their intimate relation … to the New York Stock Exchange and … loans … based upon the security of stocks and bonds, often speculative in their character.

Back to my 1883.  My sheriff, up in his high mountain home, had no idea the walls were caving in while he tried to hunt down his father’s killer, hold down two jobs to support his families, and evade the U.S. Marshals who stood to make $300 ($7,800 today) by catching him. 



E-mail Edward Massey with comments, author of 2014 Gold Quill winner, Every Soul Is Free and Amazon ABNA 2009 Quarter-finalist, Telluride Promise.

Monday, August 31, 2015

Games Kids Played Back When #nostalgia #western @JacquieRogers



Website | Pickle Barrel Gazette | Amazon

Games Kids Played Back When
 
Amazon | BN | Smashwords
We just spent 38 hours without power.  Not so bad, you say?  I have a brand new release and couldn't publicize it.  Yes, the publisher does more than most, but these days, if you don't promote, you don't sell.  

Ahem.  This will be a short post since I had so little time to get going on it, because, well, we had no power.  So here's my new release to the right.  Kudos to Livia Reasoner who designed the cover.  It's a fun western romance with attack goats and a killer chicken named Jethro.

About that power outage... Three adults and four boys live in this house.  The four boys were utterly lost—no Xbox, no Kindle, no computer.  So no video games.  They had no idea how to entertain themselves but quickly devised a game where they played characters of their favorite video games.  Before that happened, though, they wanted to know what we did when we were kids.

No one made up our worlds for us.  Yes, sometimes we played in Marshal Dillon’s world, or Paladin’s world, or Samantha Stevens’ world, but mostly we made up our own.  Someone would be the hero, someone the villain, and then there was the damsel in distress.  We all hated being the damsel so usually the smallest kid (boy or girl) got stuck with that.

And we played all sorts of games:
  • Tag (various versions)
  • Mother May I
  • Duck, Duck, Goose
  • All Bears Are Out Tonight
  • Anti-Anti-I-Over
  • Red Rover
  • Dodge ball
  • Red Light, Green Light
  • Fox and Geese
  • King of Bunker Hill (on a 20-tier haystack)
  • Swing the Statue
  • Double Dutch jump rope
  • Hop Scotch

We rode our horses everywhere, and when not horseback, we played with marbles, jacks, tops, and hula hoops.  Could you ever get going with the paddle that had the string and ball attached?  My dad was pretty good but I never did get the hang of it.  The lucky kids had Lincoln Logs (made of actual wood) and Tinkertoys.

On hot summer days, we made cucumber boats and raced them in the stock tank.  We caught frogs and horny toads, and we looked for gold.  We hunted pheasant and duck.  Not quail, though—Mom wouldn’t have it.  During the winter, we read books, whittled, and gathered fodder for more fun games in the summer.

I have to say, I feel sorry that our four boys have no interest in any of the above—they do love their video games.




Friday, August 28, 2015

DON'T KILL THE DOG! by Meg Mims



What's with western movies where the dog ends up a victim? At an early age, I cried buckets when a Civil War family rescued Old Yeller (in the movie by the same name) but had to put him down after the dog fought a rabid wolf and contracted the disease. AUUUGH! At least Old Yeller is a hero, having saved the family. Yes, it's part of the "rite of passage" for the young kid - learning to face life and death. But... it still stinks like old dog breath.

By the way, Spike - the dog who played Old Yeller in the movie - was purchased as a pup from the Van Nuys Animal Shelter in California by trainers Frank and Ruddy Weatherwax of Lassie fame. And he starred in other movies as well. Good old Spike! Good dog.


I didn't even like when Jack the brindle in the Laura Ingalls Wilder Little House books died - but that was a natural death from old age. When it comes to violence toward animals, though - we've seen the "no horses were harmed in the making of the film" - but what about the dogs? Isn't it bad enough that westerns have so many gunfights? Native Americans and Chinese are mistreated, women are ordered around, expected to rustle up the grub, are slapped, spanked, beaten up, you name it.

Yes, I suppose that reflects what Hollywood believes "the way things were" back then - but why kill the DOG? I mean, LOOK AT THOSE PRECIOUS FACES!!


So in that vein, as a treat (pun intended), here are a few western films where the dogs are victims - some heroic, others tragic. I have never seen a good reason for the plot to include pooch target practice. I rescue dogs and cats in my books and they always have a Happily Ever After. No apologies, either. In the way the Duke might say, "You can call me a PETA lover, you can call me a big baby, you can call me a wimp - but you don't EVER call me a dog killer!"


BIG JAKE - Jacob McCandle's heroic friend (and secret weapon) Dog, who is a hero throughout the movie for keeping the bad guys at bay, is shot and then killed (with a machete!! AUUGH) in the final gunfight. I didn't cry, but I kept yelling, "Don't kill Dog! Don't you kill Dog!" Man, that villain didn't listen. I'm glad he got it in the end. He deserves to rot in hell. By the way, two collies named Silver and Laddie (Lassie, Jr.) played Dog (trained by Bob and Ruddy Weatherwax, in fact) and their coats were darkened by an aerosol product. And Laddie won a 1971 PATSY award for his performance. So there. Good dog!


DANCES WITH WOLVES - While "Two Socks" is actually a wolf, Dunbar played by Kevin Costner has a strong bond with him like man/dog. I loathed the way soldiers kill poor Two Socks. Tragic and senseless! Yes, I suppose it furthered the story, but it was like killing Harry Potter's owl. NO! I was so mad. Good thing it came at the end of the movie, or I would have hated Kevin Costner and his movie - Oscar winner or not.


OPEN RANGE - I have this DVD. I have not watched it, mostly because Boss and Charlie's dog Tig is shot and killed by the villain (okay, yes, so is Mose the cook, and the poor boy is nearly dead) when their campsite is raided. Do I want to subject myself to seeing this senseless act? NO! Look at that ADORABLE dog! Waaaah! One day I'll have to watch it. But I'll be gritting my teeth.


HONDO - Hondo's dog Sam dies after being speared. Another one I've never watched, because WHY? Why does the DOG have to die?? I just don't get it.

Pal, the dog that played Sam, was the son of Lassie. In the movie, he is supposed to be vicious and ill-tempered, but the temperatures during filming were so hot, Pal simply panted instead of snarling when on camera. In order to overcome this, the dog was kept in a special air-conditioned crate while on set and was only brought out for his shots. Good dog! Fight against being a bad dog, and what a shame you had to be sacrificed. Boo hisss!



PALE RIDER - I have seen this one. I was so mad when Megan's dog got shot. That poor thing was used as a device to get her to pray for a miracle - and then Preacher (Clint Eastwood) shows up. Nothing else can be found about this poor dog. Perhaps Clint didn't want to share the limelight? Double boo hiss.


THE ARTIST - Since the story about the transition from silent films to "talkies" takes place in Hollywood, I'm considering it a "western." And the sweet Jack Russell terrier is also a hero, saving the life of George Valentin from a disastrous fire. Also, the dog LIVES!! Hooray! So there, Hollywood. It can be done.

Uggie had been rescued from being sent to a shelter by Omar Von Muller, an animal trainer, and found fame in Water For Elephants before The Artist. Uggie did not qualify for an Oscar, however, since a precedent was set in 1929 when Rin Tin Tin actually received more votes for Best Actor - but the Oscar went to Emil Jannings that year. Hmph. Uggie recently crossed the Rainbow Bridge (this month) at 13 years old. Such a great dog!


Kudos to all the dogs in these films! They all deserve a "Pawscar" for their efforts. Good dogs! Give 'em a box of treats each.



Mystery author Meg Mims earned a Spur Award from WWA and also a Laramie award for her western historical mystery series, Double Crossing (still 99c!) and Double or Nothing. Meg -- also one-half of the writing team of D.E. Ireland for Agatha-Award nominated mystery series featuring Eliza Doolittle & Henry Higgins for Minotaur books -- lives in Southeastern Michigan with her husband and a sweet Malti-poo. She loves reading and writing novels, novellas and short stories, both contemporary and historical.

Thursday, August 27, 2015

CAN YOU DO SOMETHING ABOUT MY EYES, DOC?



THE DOCTOR'S BAG

the blog about 19th century medicine and surgery


Keith Souter aka Clay More





Having good eyesight is something that everyone would like. Some deterioration takes place with age, of course, but nowadays there may be much that can be done to maintain eyesight. There are operations to remove cataracts and replace the lens of the eye, laser surgery to improve vision, retinal surgery to rear detached retinae. We have a greater understanding of conditions that can affect the eye, so we can reduce the complications of diabetes by controlling the blood glucose and we can treat conditions like temporal arteritis, a cause of sudden  loss of vision with steroids. (Arteritis is an inflammation of the arteries, as opposed to arthritis, which is inflammation of joints.)

It was not like that in the days of the Old West. There were few options and the discipline of ophthalmology was only just beginning. This month I'm going to have a look at the history of the subject.

Ancient Babylon - a dangerous time to practice medicine
In 2250 BC, King Hammurabi, the ruler of Babylon-Assyria had a code of laws set out. These were written in cuneiform on huge stelae and clay tablets, many of which have survived to this day.



Cuneiform writing - a slab embedded in the wall of Agatha Christie's house in Devon. Her husband, Sir Max Mallowan was a professor of Assyriology and excavated extensively in Syria and Iraq

The code of Hammurabi contained 282 laws with rewards and punishments.  Several of these related to doctors and their treatments of the eye.

Law 196: If a man destroy the eye of another man, they shall destroy his eye.

Law 215: If a physician open an abscess in a man's eye with a bronze lancet and save that man's eye, he shall receive ten shekels of silver - if the eye is destroyed they shall cut off his fingers - if a slave's eye is destroyed he shall pay one half of the price of the slave.


Ancient Egypt - the eye of Horus
The ancient Egyptians had a whole system of medical specialisation. They had priest-doctors who looked after different parts of the body.  Eye doctors were designated swnw irty, meaning 'the doctor of the eyes'.

The Ebers papyrus, which was reputedly written by a physician called Hesy-Ra in about 1500 BC, contains 110 pages about diseases and treatments known to the Egyptians. Of these, 8 pages are about diseases and treatment of the eye. He talks about tears in the eye, pus in the eye, blood in the eye, turning of the eye and its movements (squints, paralysis or weakness of eye muscles), pain in the eye and visual disturbance and blindness. Treatments given included onions, leeks and beans, pomegranate, castor oil, copper salts, hemlock and opium.

The eye as a symbol was of course very important to the Egyptians, as shown by the eye of Horus talismans that were so ubiquitous in Egyptian society. They represent the  legend that the god Seth tore out the eye of the hawk-headed god Horus, only to have it magically restored. The eye of Horus, known as the wedjat, became a symbol of protection and of cure.



The eye of Horus

Interestingly, the symbol used by doctors around the world for a prescription is Rx. It has always been thought that this was an abbreviation for the Latin word recipe, meaning exactly that, a recipe. An alternate theory was put forward in the British Medical Journal in 1999 by Jeff Aronson, a clinical pharmacologist, that the symbol was actually a corruption of the wedjat, the eye of Horus. If this is the case, then doctors have been using a symbol that links them directly with their ancient Egyptian counterparts.


The eye of Horus and the symbol used by doctors for a prescription

This idea is not as odd as it may seem, since Egyptian doctors did in fact use components of the eye of Horus as symbols representing fractions. Dr John Nunn, an eminent doctor who has extensively studied Egyptian medical practices discusses this in his excellent book Ancient Egyptian Medicine. Apparently, Egyptian doctors used these in  their drug prescriptions to show what proportions of drug ingredients to use when making them medicines.



Parts of the eye of Horus were used to show quantities of medicines in ancient Egypt

The Romans
Pliny  the Elder, who died attempting a rescue operation at Pompeii in 79 AD was intrigued by the eye. He wondered why some animals had shining, brilliantly coloured eyes in the night, yet had black pupils, like humans during the day. The reason that the pupil was black merely because it was like a window of a darkened room was not discovered for many centuries. Yet once again, the Romans gave us the name for the pupil, which comes from the Latin word pupilla, meaning 'small doll'.  The reason for this is that a small person like a doll (a reflection) is seen in the pupil of the person.

Pliny also recorded that henbane could be used to dilate the pupil for the removal of cataracts by couching.

Eye injuries were common in gladiatorial combats and several doctors studied and treated them, among them the great Galen of Pergamun (131-201 AD). He wrote about OVDO - Olympic Victor's Dark Ointment - and gave a prescription for making an ointment for treating bruises and black eyes. You will find it covered in my post Bleed, Blister, Vomit and Purge.

Slavery was an integral part of Roman life and short-sightedness reduced the value of a slave. In those days before spectacles a patrician's only way of dealing with presbyopia, (age-related visual loss) was to have an educated slave read to him.

Spectacles
Roger Bacon (1214-1292) was a Franciscan friar and scientist. In his book Opus Magnus, he discusses optics and the use that lenses could be put to. He was the first person to advocate that older people should use convex lenses to enhance their vision. Alexander de Spina, a Dominican monk is credited with taking Bacon's idea and inventing spectacles for reading in the 13th century.

The city of Florence in Italy became famous for producing lenses and spectacles in the 15th century. They produced convex lenses for hypermetropia or long sight, and for presbyopia the age-related deterioration in  vision. They also produced concave or diverging lenses for people with myopia or short sight. Not only that, but they appreciated that vision deteriorated with age, so they produced lenses graded in progressive five year increment strengths. The Florentine lead was taken up and English spectacle-makers were producing large quantities of spectacles for myopia and presbyopia before the end of the fifteenth century.


The types of lenses needed to correct visual problems, by focusing the image on the retina

Professional guilds started to spring up. In 1535 the Nuremburg Spectacle Maker's Guild was established, effectively setting standards for the manufacture of spectacles. In 1621 King Charles I of England gave a royal charter to the Worshipful Company of Spectacle Makers.


Benjamin Franklin (1706-1790), by David Martin

In the 1760s Benjamin Franklin invented bifocal spectacles. These had split lenses that corrected  both myopia and presbyopia.

In 1775 John McAllister emigrated from Scotland  to Philadelphia and there opened a cane and whip-making business. It was not long before he added spectacles to his range and in 1799 opened the first optical store in the United States. The bifocals that Benjamin Franklin had invented were especially popular. Although McAllister had imported spectacles to begin with, by 1815 he was manufacturing his own. By 1825 he had added lenses to deal with astigmatism.

The next two decades saw a surge in optical stores around the whole of the United States.

Cataracts
This is a condition in which the lens of the eye becomes opacified, so that light does not get through. Ultimately it leads to blindness in the affected eye. The name comes from the Greek kata, meaning 'down' and rrhoia, meaning 'rushes'.

The ancient Indian physician Sushruta described what happens in the fifth century BC. He said that it was a problem caused by disturbance in the flow of fluids inside the eye. By contrast, according to the humoural theory it was thought to be the result of a build up of a diseased humour in the eye. Sushruta was correct.

Sushruta described how to treat a cataract by couching it. This was therefore one of the earliest surgical operations. It involved making an incision in the top of the eye at the edge of the cornea and the sclera and using a blunt spatula  to push the cloudy cataract to the bottom of the eye. The result would be  spectacular, although the person would be left without a lens and would require a hand-held lens in order to focus.  However, it would be markedly better than going blind.

Couching could only be done on a lens that had turned ripe. This meant that it had to have gone through the whole pathological process and was fully hardened, so it could be displaced without fragmenting, which would be disastrous. A cataract that was ripe like that would mean that the sight had almost gone before the couching was possible.

In 1748 Jacques Daviel (1696-1762) published his method for the operation  of removing the lens of the eye entirely. It was the greatest advance since couching, although it took  a century for it to become established practice.

Statue to Jacques Daviel in Bernay, France

The operation involved making an incision that went halfway round the circumference of the cornea. The whole lens had to be removed intact, which like couching meant that the operation could only be performed once a cataract was ripe.  There were no sutures available at that time so the patient had to be kept perfectly still, for at least a week, with their head immobilised by sandbags while healing took place. They were permitted only soft food for 10 days.

In

In 1753 another French surgeon called De la Faye  invented another type of operation called intra-capsular cataract surgery. This involved making a smaller incision and then opening up the capsule or sac that contains the lens. This had the advantage that a barrier was being left to prevent fragments of a ruptured lens from falling into the vitreous humour, the jelly inside the eye. The operation only became accepted and practiced at the end of the 19th century, when three British surgeons working in India used it and published their results.

The lack of adequate pain relief was a problem thoughout history. People depended on alcohol intoxication, or opium. General anaesthesia with first ether and then chloroform meant that more people could be offered life-changing surgery to have their cataracts removed. Then in 1884 Carl Koeller of Vienna used cocaine  with great effect.

The dreaded complication
Ancient Greek doctors described a strange phenomenon in which a penetrating injury to one eye could be followed by signs of inflammation developing in the other eye, possibly leading to blindness in both eyes. In 1818 the Scottish surgeon James Wardop (1782-1860) observed that veterinary surgeons  would destroy the injured eye of a horse with lime or a nail to save the good eye. In his book Essays on the Morbid Anatomy of the Human Eye he described this condition (and many others, including the important retinoblastoma, a rare malignant tumour of the retina which can occur in children) and its preventive treatment to save the good eye. He called it  sympathetic ophthalmia.

Sympathetic ophthalmia is a rare but awful complication of eye surgery or of injury to the eye. Effectively, an inflammatory reaction can occur in the uninjured eye, resulting in loss of vision. At the time the only other treatment was to use leeches and highly toxic mercury drugs to prevent it occurring.

In Tombstone, Arizona  Dr George Goodfellow and two colleagues, Drs Fender and Whitmore operated on June 3, 1892 to remove the eye of a Captain Burgess, in order to save the other eye.
This sounds like a case of sympathetic ophthalmia.


Dr George Goodfellow surgeon extraordinnaire


It is thought that Louis Braille (1809-1852) may have gone blind in both eyes from sympathetic ophthamia after a childhood accident had damaged his left eye.  He invented the system of reading and writing for the blind and visually impaired.

 Nowadays powerful immune-suppressive drugs may be prescribed, because it is thought to be an auto-immune reaction, the body fighting against itself.


Examining the eye
In 1851 Herman von Helmholtz (1821-1894) a German physician and physicist invented one of the most useful instruments in the doctor's bag, the ophthalmoscope. With this doctors could look inside the eye to examine the lens, the vitreous humour and the retina. It opened up the subject of ophthalmology and allowed doctors to see how the eye was affected in different diseases.


Another German doctor, Professor Albert von Graefe (1828-1870) used the new ophthalmoscope to build the knowledge base upon which ophthalmology is based. He devised many surgical instruments to be used and he described and developed treatments for several conditions.




A commemorative West German stamp of 1970 celebrating the life of Albert von Graefe, ophthalmology pioneer. The stamp shows early ophthalmoscopes.

Opthalmoscopes were used by surgeons during the Civil War and enlightened frontier doctors like Dr George Goodfellow of Tombstone and later of Tucson would use them.

Glaucoma
This is one such condition that Albert von Graefe described. It is actually the name for a group of conditions which can lead to blindness. They are due to raised pressure within the eyeball. He described the changes that occur on ophthalmoscopic examination and he was the first person to actually measure the pressure of the eyeball. This is a fundamental test that we do today.

To treat it he devised an operation called iridectomy, in which a wedge of the iris can be removed. This permits the flow of and circulation of fluids within the eye to prevent a rise in pressure.

Albert von Grafe also established the use of drugs, the plant alkaloids atropine, pilocarpine and eserine, which could be used as eye drops in the treatment of glaucoma. This saved the vision of thousands of people.

Foreign bodies
Grit, splinters of metal or wood, anything that flies into the eye and embeds itself is regarded as a foreign body. They can nowadays be removed fairly easily after simply using some local anaesthetic and then removing them with a fine forceps or probe.

In 1842 Nicholas Meyer was the first person to use a magnet to  remove anion foreign body. Later, the invention of the electro-magnet allowed for controlled extraction of magnetic metal foreign bodies.

Eye Sutures
In 1867 the American surgeon  Henry W Williams (1821-1895) introduced eye sutures to ophthalmology. This ended the need for sandbagging to immobilise the head while eye incisions healed. He would go on to become professor of ophthalmology at Harvard University and president of the American Ophthalmological Association.


A couple of eye conditions every town doc would come across


Black eye
The result of blunt trauma to the area around the eye, producing bruising. As with any bruise it will usually subside in 7-10 days. As it does so it goes through the various shades of the rainbow, due to the absorption of the blood and the breakdown of the haemoglobin, the iron-containing pigment in blood. First it will be red from the blood in the tissues. Then by day five it goes blue or purple. The haemoglobin in the tissues then gets broken down into biliverdin and it takes on a greenish hue, then to bilirubin on about day ten when it appears yellow, before fading completely.

Cold flannel applications the sooner the better reduce the swelling. A beef steak directly applied is the traditional remedy, although it is doubtful that it would have any real value. Mayhap it was simply that it was cool and fairly malleable so would feel comfortable. It is not a treatment that would be recommended today.

Tincture of arnica applied with a camel-hair brush was a standard treatment for new bruises and black eyes.

Hamamelis (witch-hazel) lotion or ointment would be used after the bruise was established. One part of hamamelis tincture to six parts of water.

A poultice of bryony-root could also be used. This was a favoured remedy with prize-fighters.

And of course, a leech could be applied - see the post Bleed, Blister, Vomit and Purge.

Cold in the eye - conjunctivitis
Inflammation affecting both eyes at the same time is a common infection. It is highly contagious, so prevention with hand-washing is advised and would have ben advised by enlightened doctors familiar with the germ theory.

It would present with inflamed, red, gritty eyes and possibly with purulent discharge.

Unilateral red eye is unlikely to be this simple and nowadays is regarded as an eye emergency, since it could be a type of glaucoma or uveitis. It needs emergency treatment.

Now, this may surprise you, but in the 19th century the treatment was usually to give a mild aperient or purgative. The eyes were then bathed  with an alum lotion. Six grains of alum were dissolved in an ounce of distilled water.

A little spermaceti ointment (a type of wax found in the head cavity of the sperm whale) would be applied to the eyelid margins at night, to prevent them sticking g together.

The condition would resolve in three or four days.

***

Some of Clay More's latest releases:

Redemption Trail published by Western Trail Blazer
- a novelette- novella



Sam Gibson used to be a lawman, until the day he made a terrible mistake that could never be taken back. Since then, he has alternated between wishing there were a way he could redeem himself and believing he deserved punishment. 

He’s about to get both… 

REDEMPTION TRAIL

And his collection of short stories about Doc Marcus Quigley is published by High Noon Press



Available at Amazon.com:


And his latest western  novel Dry Gulch Revenge was published by Hale on 29th August.


Sunday, August 23, 2015

GOING WEST? START HERE!




The city of St. Louis, by American standards, has been around quite a long time. In 1764, a wandering fur trapper named Pierre Laclede stood at the foot of today’s Walnut Street and made this proclamation: “I have found a situation where I intend establishing a settlement which in the future shall become one of the finest cities in America.” He was accompanied by his stepson Auguste Chouteau, who would oversee much of the construction of the new village.

Auguste Chouteau's Rendering of St. Louis
St. Louis, named for King Louis IV, technically lay within Spanish territory. It thrived as a trading post due to its location at the confluence of the Missouri and Mississippi Rivers and proximity to fur-rich lands to the west. 

Beginning in 1800, there were a whole lot of land switcheroos going on. France whipped out the secret Treaty of St. Ildefonse, which gave them immediate claim to the entire Louisiana Territory. They named St. Louis its capital. Four years later, a battle-weary and cash-strapped Napolean cut a package land deal–the Louisiana Purchase–with President Thomas Jefferson, thereby doubling the size of the United States. (As a native of the state of Louisiana, I take great pride in pointing out that our boundaries once encompassed all or part of fifteen modern states!)

Missouri River Water Trail
St. Louis grew into an important outfitting post for travelers heading west. After months of preparation, the Lewis and Clark Expedition officially launched their keelboat and pirogues onto the river at nearby St. Charles in 1804. Their Corps of Discovery would return to the same riverfront two and a half years later. 

Two mailbags marked “The Butterfield Overland Mail Company” left St. Louis on September 16, 1858, marking the inaugural trip of BOMC’s three-year run as a postal carrier. Countless settlers streamed through the city, stuffing their wagons with supplies for a long trek to the newly opened frontier.

Riverboats sidled up to the docks at old Laclede’s Landing, a number of them piloted by an upriver boy named Samuel Clemens. The famous 1870 race between the Robert E. Lee and the Natchez ended here on the Fourth of July, with the Lee more than six hours ahead.

The Robert E. Lee and the Natchez, roaring upriver

Two brewers named Anheuser and Busch became “buds” in 1879. Industry and railroads moved in. At the time of the World’s Fair in 1904, the host city of St. Louis was the fourth largest metropolis in America. 

If you thought that Charles Lindbergh named his plane “The Spirit of St. Louis” out of fondness for the city, you would be mistaken. That was the home base of…his investors.

On St. Louis’s riverbank–framing the setting sun–stands its most famous modern icon, the Gateway Arch. It is the centerpiece of the Jefferson National Expansion Memorial, and was dedicated in 1968. If you’ve never visited, be sure to check out the Museum of Westward Expansion at the base of the Arch. Take the enclosed tram (unless you’re claustrophobic) to the observation deck for stunning views of the city to the west and the sprawling farmlands of Illinois to the east. Finnish architect Eero Saarinen designed the curve of the aluminum structure to resemble a length of hanging chain. I’m told that the technical term is a weighted catenary. 


And just where does this St. Louis timeline lead us? To the first annual Western Fictioneers Convention, of course! It seemed only right that we should meet in the city known as  “The Gateway to the West” to celebrate the literature and history of the American Frontier.


Old Pierre Laclede would be pleased to know that "one of the finest cities in America" will be hosting a talented group of writers who continue to keep the spirit of the frontier alive.

The Western Fictioneers convention runs from 1:00 PM on Friday, October 30, through 11:00 AM on Sunday, November 1, 2015. Registration info can be found HERE.


All the best,
Vonn
                                  


Keep up with Vonn:
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Available on Amazon and Smashwords:


THE SONGBIRD OF SEVILLE
(2015 SPUR Award Finalist,
Best Short Fiction
THE GUNFIGHTER'S GIFT
(2015 PEACEMAKER Award Finalist,
Best Short Fiction)