An Outlaw's Day Off

by Phil Truman

Historical novels are a different kind of beast; you do your research, you write your book. Some facts you include, others you leave out, and the rest you make up to suit whatever story-telling goal you've got in mind. Then there are the bits you miss.

You call it a novel because there's a story you want to tell, an angle you want to reach thinking - hoping - the way you've put it down will reflect the illumination you're trying to achieve without corrupting the shine of the history you've set it in. But sometimes you miss things, sometimes things get by you.

1919 Movie Poster

So, after all the edits are made, the presses roll, the bookseller shelves are stocked (virtually or otherwise), you come across a little something you wish you'd been able to include. Such is the case with my book, Red Lands Outlaw, the Ballad of Henry Starr.

A friend of mine, Bill Woodard, a retired engineer at Phillips Petroleum and fellow Oklahoma history buff (check out an earlier post here: Frank Phillips--Cow Thieves and Outlaws Reunion), came across an obscure little piece about Henry Starr. It literally fell into his lap while he was doing some research on Western artist Joe De Yong, who grew up in Oklahoma and was a protege of Charles M. Russell.

Woodard was born in Dewey, Oklahoma, the small town neighbor of Bartlesville, where Phillips Petroleum was founded. Dewey holds a lot of western heritage (see Tom Mix Museum), and is the burial place of Henry Starr. So during his research on De Yong, Bill opened a book about Russell from his grandfather's library, and an old yellowed newspaper clipping fell out. It appears to be a column relating a pre-statehood vignette from one of Bartlesville's founders, a merchant named George Keeler, and his encounter with the outlaw Starr. I don't have the date of the column, nor the source. Bill figured it was most likely from the Bartlesville Examiner-Enterprise printed sometime in the late 1940's or

Bucking Horse-Joe De Yong

early '50's. With apologies to the author/publisher, here's the content:

In the early days, well before statehood, when there were only four or five businesses here [Bartlesville], no streets or sidewalks, no rural  highways and no banks, the business men would take their money to Caney, Kansas to bank [a distance of about 20 miles].

The story goes that one time Keeler had assembled some cash and was beginning to feel quite nervous. In those days this locality was the headquarters for a lot of bandits, among them the famous Henry Starr.

Keeler decided that he would saddle up and take off for Caney with the bank roll, for it began to look like that was the less desperate chance to take. As Keeler would tell it, he started up the trail toward Caney, hoping he would be lucky and not meet up with some of the bad boys and get relieved of the cash.

He had traveled about a fourth of the distance when he saw a man on horseback coming down the trail toward him, only a short distance away.

“When I got a little closer,” Keeler would relate, “I saw that it was the one whom I most feared to meet – Henry Starr himself.

The Oatlaw Henry Starr

“It was too late to run, for Starr always had one of the fastest mounts in the country, and he would be sure to overhaul me and take my money.

“So I put the spurs to my horse and came up to him plenty fast and said, ‘Henry, I sure am glad to see you. I thought for a moment it was someone who might rob me. Now I would like to get you to ride along and guard me up to Caney so that I can put this sack of money in the bank.’

“And, do you know, Starr took me up on the proposition and rode guard over me all the way to Caney. And I got every cent of the money in the bank."

I wish I could've used this story in my novel because it perfectly illustrates the picture I wanted to paint of Henry Starr - he was sure enough a thief and an outlaw, but he was no scoundrel.

You can read more about the life and times of Henry Starr in Phil Truman's award-winning novel,  Red Lands Outlaw, the Ballad of Henry Starr. Other novels by Truman include GAME, an American Novel, a sports inspirational about small town schoolboy football, and Legends of Tsalagee, a mystery/adventure in a small town. His western short story “Last Will for an Outlaw” appears in LaFrontera Publishing’s anthology, Dead or Alive, released June 2013. 
 
Phil’s website is: http://philtrumanink.com/  



 

WESTERN FOUR-LEGGED HEROES - MEG MIMS

WESTERN FOUR-LEGGED HEROES

After several posts featuring western film and TV show funny sidekicks, dastardly villains and sweetheart heroines, we’re going straight to the horse’s mouth. Heh.

Sure, there are plenty of heroic cowboys – John Wayne, Jimmy Stewart, Clint Eastwood, Robert Duvall, Sam Elliott, Alan Ladd, Tom Mix, Tex Ritter, Clayton More, Lash LaRue, Gene Autry, Roy Rogers, Hopalong Cassidy, Buck Jones… the list goes on and on. But who would dare say that the horses these western heroes rode were mere transportation? They deserve their own post. Those I haven’t named – well, they also deserve a lump or two of sugar for their hard work.

Let’s start with Tom Mix’s famous horse Tony. Born in 1899, Tony had white stocking rear feet and became a celebrity after making his debut with Mix in 1917. They made well over a hundred and fifty films together – Tony even had equal billing! The horse learned a few marvelous tricks without any extensive training; he only needed Mix to show him how to untie the cowboy’s hands, or loosen his own reins, run after trains, open gates, jump a cliff and rescue Mix from a fire. He was the original “Wonder Horse.” Tony planted his hoof prints in front of Grauman’s Chinese Theater next to Mix’s hand prints in 1927. Three films featured his name in the title – Just Tony (1922), Oh! You Tony (1924), and Tony Runs Wild (1926). When the horse was 22, he retired. Tom Mix used Tony Jr. in other films he made, and Tony II when appearing in public. But the original Tony died on the second anniversary of Tom Mix’s tragic death in a car accident. Who knows – maybe they’re together riding the heavenly prairie in the sky right now.

Roy Rogers’ Trigger was the second most famous horse in films. Born in 1932, he was first named Golden Cloud due to his palomino breed. Rogers chose him in 1938 out of several “rented for the movies” horses. He bought the horse later that year and gave him the name Trigger due to his quickness and intelligence. The palomino was able to walk on his hind legs and perform over a hundred trick cues. Trigger also was featured in a Dell comic book series about his adventures. Rogers took the horse up three or four flights of stairs several times to visit the children’s wing at hospitals. Trigger did have a trainer, Glen Randall, and was housebroken – which made it easier for Rogers during public appearances. He once danced, reared up and pawed the air, and played dead at the Hotel Astor’s ballroom for an audience. Trigger planted his hooves in front of Grauman’s beside Roy Rogers’ hands in 1949. To take the strain off performing, Rogers used two other horses, Little Trigger and Trigger, Jr. After Trigger’s death, Roy Rogers had the horse stuffed and mounted. Once the Roy Rogers and Dale Evans’ museum closed, a family-friendly cable network in Omaha, Nebraska bought Trigger for display.

Silver, the Lone Ranger’s white stallion, was one of many Silvers on the big screen. The Lone Ranger radio show was inspired by the Zane Grey book before the character galloped onto film and television. According to a 1938 episode the Lone Ranger first rode Dusty, a chestnut mare. After the Lone Ranger saved Silver from a wild buffalo, the horse chose to pair up with the masked man. Silver starred in two films with Clayton More as well as the television series. And every time the Lone Ranger mounted up at the end of an episode, he would shout, “Hi-Yo, Silver! Away!” Both the Lone Ranger’s horse and Tonto’s horse, Scout, were intelligent and trained – but Silver won the “Patsy” in 1957 – the Award for Excellence given to outstanding animals in television and motion pictures.

Gene Autry’s Champion also had a radio, film and television career. The sorrel with a blaze and three white stockings first appeared on screen in Melody Trail in 1935. He could jump through paper-covered hoops and gallop and stop on command. Champion died in 1947 during Autry’s military service, so the singing cowboy had to find a second Champion. In 1949, Autry and Champion II left their marks in the famous sidewalk in front of Grauman’s Chinese Theater. He used other unofficial horses, named Little Champ, Lindy Champion, Touring Champion and Champion Three, to serve as movie stunt doubles or public appearances. Autry’s famous horse also starred in his own series, The Adventures of Champion, in 1955 and 1956. Champion also had a comic book series (he couldn’t let Trigger have all the glory!) The third official Champion died in 1991 at 42 years old. But all three Champions starred in almost one hundred films and TV shows.

Buck Jones’ horse, also called Silver, starred with the actor in 50 out of the 73 films for over twenty years, from 1922 until 1942. One silent film, The War Horse, features Silver being drafted into the cavalry – and Buck joins up as well out of loyalty. In France, Buck rides Silver across enemy lines and heroically stops an ambush by German soldiers to save the outfit and win the love of a Red Cross nurse. Perhaps Silver also earned the love of a sweet mare! Unfortunately, Jones’ star as a western cowboy waned by the end of the 1930s. On November 28, 1942, Buck Jones was the guest of honor at a party in Boston’s Cocoanut Grove, the city’s best nightclub. The actor died in a tragic fire, trapped along with 491 other guests celebrating over the Thanksgiving holiday including soldiers and a pair of newlyweds. Silver must have wept out of loyalty.

Hopalong Cassidy’s horse, Topper, replaced the actor's original horse after King Nappy was injured during filming in 1939. Topper, named by William Boyd’s fifth wife Grace – who loved the popular films and books – was a white Arabian stallion with black ears. Topper starred in over 60 films with the actor. Boyd wisely bought the rights and ended up making syndication deals along with tie-in products for the new Saturday TV matinee audiences until 1953, when he retired. Since he owned Topper, Boyd interred the horse after death in the Los Angeles Pet Memorial Park, also called Save Our Pets’ History in Eternity (S.O.P.H.I.E.) in Calabasas, California.

Leave a comment about the favorite horse you remember in westerns. This website - http://www.fiftiesweb.com/horses.htm - lists many movie and television stars along with the animals associated with them. And here are a few more great websites to explore:  http://www.wildwestweb.net/horses.html; http://discovery2020.hubpages.com/hub/Horses-of-Famous-Western-Film-Stars-and-their-Sidekicks; http://thewildwest.org/cowboys/wildwestshowbizcowboys/293-moviecowboyhorses

Meg Mims is an award-winning author with two western mysteries under her Eastern belt. She lives in Michigan, where the hills are like driveway slopes and trees block any type of prairie winds. LIKE her on Facebook, follow her on Twitter or check out her books on her website. Double Crossing won the 2012 Spur Award for Best First Novel and Double or Nothing is the exciting sequel. Her story, "A Savior Is Born," is included in A Wolf Creek Christmas published by Western Fictioneers.

Tom and the Duke by Phil Truman

Tom Mix

Roaming one of my favorite haunts a few months back, The Tom Mix Museum in Dewey, Oklahoma, I came across a gallery of signed photographs from past Hollywood western movie luminaries – Jimmy Stewart, Walter Brennan, Will Geer, Roy and Dale, and a host of others. Like old Tom, most of them have gone on to the Big Roundup. I leaned in closer to look at one. “Best of luck to the Tom Mix Museum – John Wayne” it was inscribed.

“Dang, The Duke,” I said, clearly impressed.

Next to me, my associate Russ Maddock – historian and photographer extraordinaire – said to me, “You should ask Fawn [Lassiter, museum Manager and Curator] about John Wayne and Tom Mix.” Russ and I had both come there that day to sign our respective books for prospective readers.

Here’s what I found out.

Tom Mix and John Wayne didn’t much like each other. Tom, it’s said, was a bit jealous and feared Wayne would unseat him from his position in the Hollywood Cowboy limelight at a time when Mix’s role as a film star had begun to fade, and Wayne’s star was rising. Once when a reporter asked Tom what he thought of Wayne, he said, “The only Christian words I could use are ‘no-talent upstart.’”

As for The Duke – a nickname he picked up as a kid – it’s said his dislike for Tom went back to his (Wayne’s) football playing days at USC. Supposedly, Mix had told Wayne and several of his teammates that they should stop by Fox Studios and he’d get them jobs in the movies. When Wayne and some of the boys did show up a few weeks later, Mix told the guards he never made such an offer, and the bunch were summarily thrown off the lot. However, Tom did later get John a summer job in the studios’ prop department in exchange for USC football tickets.

The two men had diametrically opposed styles in their approach to the western genre of film acting. Mix was sort of a dandy, a showman avoiding realism for more melodramatic scenes and attractive visuals like fancy well-tailored outfits and trick-riding on his famous horse(s) Tony. Tom once said, “From the beginning I decided to make clean pictures. I decided to give boys and grown-ups good wholesome entertainment, free from suggestion or anything harmful to growing and fertile-minded youth. I try to convey to the boys and girls a message of helpfulness. In no picture have I ever smoked, taken a drink, played cards or gambled.”

John Wayne

Don't suppose Tom would've taken a part in Django Unchained, were he around today and such had been offered him. But, the film genre did evolve, thanks in large part to Wayne. We all knew The Duke as a tough, gritty, no-nonsense guy with maybe some smoldering anger issues. I believe it would be fair to say, in most of his movies he was a hard-smoking, hard-drinking kind of guy, and I can also recall a few card games. I always suspected that ever-present faded red shirt and leather vest he wore got kind of gamey, as he never seemed to change out of it. 

The world view John Wayne projected from the screen seemed to be pretty much black and white, and he was somewhat intolerant. He was short and direct with the spoken word, often confused with women; something that appealed to his audiences, especially us men. We weren’t always sure how the Duke’s relationships would play out, but we knew for certain we’d want to be on his side in the end.

My favorite John Wayne quote is, “Life is hard; it’s harder if you’re stupid.”

The irony of the whole comparison between these two men is that Tom Mix lived more of the western-style life in his younger years than did Wayne. Mix worked as a real cowboy on one of the biggest ranches in Indian Territory, the Miller Brothers’ 101 Ranch near present day Ponca City, Oklahoma. There he worked cattle and horses and performed with (an elderly) Bufflao Bill and Pawnee Bill in the Millers’ Wild West Shows. He was also a bartender and town marshal in the town of Dewey. John Wayne, on the other hand, grew up in Southern California where he worked in an ice cream store as a teen and played football at USC, losing his scholarship there due to an off-field injury while body-surfing.

But it’s like the fella said, “A man’s gotta do what a man’s gotta do.”

Phil Truman has authored three of what he calls, “Oklahoma-centric” novels. His first, GAME, an American Novel is a sports inspirational about small town schoolboy football. Legends of Tsalagee weaves a tale of mystery and adventure in a small town. A 2013 Peacemaker Award nominee and finalist for the 2013 Will Rogers Medallion for Western Fiction, Red Lands Outlaw, the Ballad of Henry Starr is Phil’s first foray into the western genre in this historical novel about the life and times of an Oklahoma outlaw. He has won numerous awards for his short fiction, and his western short story “Last Will for an Outlaw” appears in LaFrontera’s anthology, Dead or Alive, released June 2013.

Phil’s website is: http://philtrumanink.com/