Pikes Peak - More than just a mountain

 Post by Doris McCraw writing as Angela Raines

Pikes Peak
photo property of the author

You've heard "Pikes Peak or Bust", the rallying cry for the Fifty-Niners, but it is so much more than just a spot on the map.

Estimates are it formed/rose about fifty million years ago. The volcanic activity in the area about thirty-five million years ago, which was west of the Peak and formed the Florissant Fossil Beds, may have made people believe the Peak is also volcanic. Sorry to disappoint, but the Peak is granite. On a side note, it is this same volcanic activity that created the gold in the Cripple Creek/Victor area.

Of course, the man the Peak is named for attempted to climb it in 1806. He didn't succeed, famously asserting that it would never be summited. This did not take into account the Indians who had been living in the area and called the Peak the 'Shining Mountain'. Did any of them ever summit? We may never know, but I wouldn't discount it. The first documented summit was by twenty-two-year-old botanists Edwin James in 1820. It took James and two others two days to accomplish the feat. He was part of the Stephen Long expedition that was exploring the area that was part of the Louisana Purchase.

Big Horn Sheep on the Peak above timberline
Photo property of the author

Julia Archibald Holmes and her husband James summited the Peak in 1858. Julia is credited with being the first woman to climb the Peak.

So why would they use the slogan "Pikes Peak or Bust" for the rush for gold? The gold was located near and west of present-day Denver, which is seventy miles north. Geography, pure and simple. When coming West from the East, especially via Kansas, the first thing you will see is Pikes Peak. It is the easternmost fourteener and sits by itself. The nearest peak of its elevation of 14, 115' or higher is seventy miles away. (Like all fourteeners it can create its own weather system. I do pity the weather forecasters for this area.) 

As most know it inspired Katharine Lee Bates to compose the poem, "America". Of note, the poem itself is an homage to her trip from Massacheuttes to Colorado. After summiting the Peak in 1893 she composed the first line 'Oh beautiful for halcyon skies, for amber waves of grain'. The poem itself was published July 4, 1895, in 'The Congressionalist'.

Looking toward Colorado Springs from the Peak
Photo property of the author

The first run of the Pikes Peak Hill Climb was in August of 1916. This makes this race the second oldest after the Daytona. Today anyone who wishes can drive to the top of the Peak. They can also hike via Barr Trail or in 2021 can again take the Cog Railway. As a side note, the first cog ride started in 1891.

There is much more I could write about this Peak that sits in my 'backyard', but I would still be writing and you would probably get tired of reading. I personally have been to the top eight times. I've driven four and taken the cog four. I've also soloed "America the Beautiful" twice at 14, 115'. You might say 'The Peak' and I have history.

 Doris Gardner-McCraw -

Author, Speaker, Historian-specializing in
Colorado and Women's History

Angela Raines - author: Telling Stories Where Love & History Meet

Books: Angela Raines Books

DID COWBOYS EAT CHICKEN FRIED STEAK? by CHERYL PIERSON

Many years ago when my mother-in-law came to visit us in Oklahoma all the way from her native West Virginia, the thing she loved best about my home state was CHICKEN FRIED STEAK! Mom had never had it before, and it never dawned on me that someone might not have ever eaten that wonderful delicacy. When we took her out to eat, she asked "What's the best thing on the menu?" I told her "Chicken Fried Steak." We both ordered it. I don't think she ordered anything else the entire time she stayed with us--around 10 days, after I had my first baby--whenever we went out to eat after she tasted Chicken Fried Steak.  I wonder if cowboys ever ate this? I know they ate a lot of beans and so on, but gosh, I really think this had to come from the trail drives or ranches "back in the day"--it is WONDERFUL. It's one of the foods that's common, and that we are known for in this part of the USA.  In fact, it's part of the officel STATE MEAL OF OKLAHOMA, as of 1988! (WHO KNEW?) My mom never made it often, but maybe it was because she knew if she did, it would be all I'd ever want to eat. I found this great recipe online for Chicken Fried Steak BITES that looks wonderful--whether you're entertaining or just want something different and good for yourself and family members. 

Chicken Fried Steak Bites Prep Time: 10 minutes Cook Time: 25 minutes Cooking Level: Intermediate The secret to true “chicken fried steak” is frying beef in cooking oil that was previously used to fry chicken. If you use fresh oil, it is considered “country fried” with less authentic flavor. The same batter recipe and method we’ve given below can be used to fry up some chicken breasts for lunch before cooking for the party for improved pre-party satisfaction. 

Fried Steak: Ingredients 

• 2 lb cube steak, cut into 1-1/2 inch pieces 

• 4 cups canola oil Batter

• 1/2 cup milk 

• 1 egg 

• 2 cups all-purpose flour

• 1-1/2 tablespoon seasoned salt

• 2 teaspoons coarse ground black pepper 

Directions 

1. Prepare a paper towel-lined plate for finished steak pieces and set aside. 

2. Heat oil in a deep cast iron skillet over high heat until the temperature reaches 350F, then reduce to medium. Note: if not using a thermometer, test the temperature of the oil by sticking the end of a bamboo skewer into it. When the indicated temperature range is reached, the end of the bamboo will sizzle, then reduce heat to medium.

3. In a medium mixing bowl, beat egg and milk for batter until well mixed. 

4. In a shallow dish such as a pie plate, combine the dry batter ingredients well.

5. Dredge each piece of steak in flour mixture, dip into the egg mixture, the roll in flour mixture again to coat well.

6. Shake off excess flour, then place into the hot oil for 2 to 3 minutes on each side until lightly browned. 

7. Remove cooked pieces to plate and allow to rest for 2 minutes before serving. 

Gravy: Ingredients

 

• 2 tablespoons bacon drippings

• 1/4 cup all-purpose flour

• 3/4 teaspoon salt

• 3/4 teaspoon coarse ground black pepper

• 3-1/2 cups whole milk

Directions

1. Melt bacon grease in an 8-inch iron skillet over medium heat.

2. Brown the flour in the bacon grease along with the salt, and pepper, whisking constantly until golden in color, about 5-7 minutes. 

3. Gradually add 3 cups of milk a little at a time, stirring constantly to prevent curdling. Add more milk as necessary to keep from becoming too thick. 

4. Keep warm over low heat until ready to serve. 

Tip: Gravy can be made ahead of time and refrigerated overnight or frozen. Allow to defrost overnight in fridge before use, and heat slowly in the microwave stirring at 30-second intervals or over low heat on the stovetop. Add more milk as necessary to achieve desired consistency. Source: tastykitchen.com 

I will definitely be making this, and it looked so great I just had to share. I’m thinking my cowboy ancestors must have had this delectable dish many times!

Are your walls closing in? Music in the time of Covid by Kaye Spencer #westernfictioneers #classiccountry #humor

On January 7, 1961, country music singer Faron Young recorded the Willie Nelson-written song Hello Walls. The song reached No. 1 on Billboard Hot Country & Western chart in 1961 and stayed there for 23 weeks. This song also boosted Willie Nelson's up and coming music career.

In January 1966, country music group The Statler Brothers had a Billboard magazine Hot Country Singles hit (No. 2) and a Hot 100 Chart (No. 4) hit with Flowers on the Wall, which was written by Lew DeWitt (tenor in the group). Flowers on the Wall is ranked in the 100 greatest country songs of all time by CMT, and it won 1966 Grammy for Best Contemporary (R&R) Performance - Group (Vocal or Instrumental)

It occurred to me that, although both songs are about the loneliness and heartbreak that accompanies a relationship breakup, with a little stretch of lyrics interpretation, along with application to our ongoing lockdowns / shelter in place / safer at home experiences, these two classic country songs sum up a person's mental and emotional status on any given day.

Trivia: (Songfacts.com)

Willie Nelson performed an updated version for the COVID-19 era as part of his "Come And Toke It" live stream on April 20, 2020 (4-20), which was broadcast on The Late Show With Stephen Colbert. Accompanied by his two sons, Lukas and Micah, Nelson changed the final verse to incorporate people worldwide self-isolating against the coronavirus pandemic.

We got to all stick together or else we'll lose our minds

I've got a feeling we're going to be here a long, long time

For your stay-at-home listening and viewing entertainment...

Four Walls

and

Flowers on the Wall

(YouTube links to the videos for phone-readers.)

Four Walls: https://youtu.be/HMSWAUAKJn0

Flowers on the Wall: https://youtu.be/W6DmeR9a6ig

Until next time,
Kaye Spencer

Stay in contact with Kaye—

Amazon | Blog | Twitter | Facebook

Dodge City by Tom Clavin

This review originally appeared at Macmillan's Criminal Element.

The Wyatt Earp myth is spent, taking its place alongside Bingham’s Washington crossing the Delaware and Paul Revere shouting “The British are coming!” Sure, there’s an element of truth to the timeworn renditions, but we’ve finally passed over a transom where the reality is now far more entertaining and gripping than the malarkey, in short, we’ve grown up. In the author’s note, Tom Clavin writes, “… most research sources revealed that legend and fact often overlapped and that the facts about the lives of Wyatt Earp and Bat Masterson before, during, and after Dodge City were usually at least as satisfying as the fictions.”

Earp’s myth, via Hollywood mainly, has seen a lot of mileage out of the honorable-above-reproach-lawman song, who even at his worse (see, for example, Wyatt’s vendetta ride) appears merited in all that he did—that the ends justified the means. Even as I write this, you can bet your Buntline Special that a screenwriter is putting the finishing touches on yet another stagnant showdown at the O.K. Let’s hope the producers rip up that script and read Tom Clavin’s clear-headed novel. And the beauty is that in a gifted historian writer’s hands (ala David McCullough and Joseph Ellis), the fact sheet can still have a cinematic thrust. Observe this meeting between Old West titans: 

When Bat stepped off the train, he had an ivory-handled six-gun on each hip and a double-barreled shotgun in his hands. Wyatt waited for him, along with Bassett, Frank McLain, Neil Brown, and several other men wearing pistols. Bat was curious as to the whereabouts of Doc Holliday, who he knew had joined Wyatt in Kansas City, but with the men already here—and this was just the reception committee; likely there were more in town—there was plenty of firepower.

Wyatt and Bat greeted each other. Though different men physically—Wyatt tall and slender, Bat of average height and stocky—their grins were the same, indicating pleasure to see each other, even though the reunion was to settle a matter that might risk their lives. Then they set off, natural leaders, the rest of the men flanking them, starting down the dusty streets of Dodge City, ready for one last showdown to preserve the peace.

Damn, but didn’t that put me right there in the lawless, tumbleweed-strewn town. Another perk to perusing these pages was gaining a fuller picture of Bat Masterson, as Mr. Clavin writes “[he] was no one’s Walter Brennan, Andy Devine, or Slim Pickens.” He was opinionated, willing to back up beliefs with force if pushed, and widely known as a man who could put away drink after drink, remaining happy-go-lucky.

Bat and Wyatt shared a bond in that they both came from clans of tight-knit brothers, and both lawmen lost a sibling in the line of duty. Bat witnessed his brother Ed, who was trying to disarm a drunken cowboy, get shot down. The assassination happened at such close range that Ed’s vest lit on fire as he stumbled across the street before collapsing.

Ed lived in a room above the saloon, and Bat and a couple of men brought him there, blood leaving a trail up the boot-worn steps. Soon after a doctor arrived, he informed Bat that there was nothing to be done for Ed. In an anguished whisper, Bat said, “This will just about kill Mother,” recalling all the times he had been told to watch out for his mild-mannered brother. “She’ll never forgive me for letting him get killed in this town.” Bat was already certain he would never forgive himself.

… 

Bat sat beside his brother, holding Ed’s hand. During the next thirty minutes, what was left of the young marshal’s life ebbed away. Then, without regaining consciousness and thus unaware of his brother’s tears, Ed Masterson died.

Author Loren D. Estleman says, “Tom Clavin’s Dodge City is a lesson in historical reporting, exhaustively researched and enthusiastically written with all the page-turning drive of a modern thriller. He’s swept aside a century of cheesy myth to excavate the far more fascinating reality that lay beneath.”

Agreed. This reader enjoyed walking the streets of Dodge once again, and yet it felt like the first time.

---

David Cranmer is the editor of the BEAT to a PULP webzine and whose own body of work has appeared in such diverse publications as The Five-Two: Crime Poetry Weekly, Needle: A Magazine of Noir, LitReactor, Macmillan’s Criminal Element, and Chicken Soup for the Soul. Under the pen name Edward A. Grainger he created the Cash Laramie western series. He's a dedicated Whovian who enjoys jazz and backgammon. He can be found in scenic upstate New York where he lives with his wife and daughter.

500 Hundred Manuscripts - Interview with Charlie Steel

This time around Western Fictioneers is interviewing Charlie Steel. What an interesting perspective Charlie has given on writing, research, and how he became a writer. Read on. I'm sure you'll find something you can relate to as you take your writer's journey.

Charlie, when did you realize you wanted to be a writer?

At age 8, when I started reading, I thought, "I can write too." I had broken into my father's library and quickly devoured Zane Grey, Max Brand, William MacLeod Raine, Jack London, Gene Stratton Porter, and James Oliver Curwood. Thank goodness for Webster's Dictionary ( I still mispronounce the words I learned on my own at that early age). Secondary to that, and ever since I can remember, I have always had stories in my head.

Did you choose the genre of Westerns or did it choose you?

I knew so much about the WEST, and it felt comfortable to write in that genre. (I hate the word genre, as a good story is a good story no matter time or place.)

What was the nudge that gave you faith that you could and wanted to be published?

In the early '60s, my first vignette was published in a college paper at age 17. It was well-received. Then I did two plays that earned both Pitt & Balcony Theatre and Michigan State University tens of thousands of dollars.

I didn't write a good query letter, didn't edit very well, and after a hundred or so rejections, I gave up submitting for some 40 years. But I kept on stockpiling hundreds of short stories, some plays, and enough material for over 80 books. In 2002, I met an editor who read some of my work and began to help me. I was published in 2003 and haven't stopped. I don't self publish, and I like smaller publishers; they are much kinder to a writer.

All of my 500 plus manuscripts from over 50 years of writing have to be edited and some rewritten. That takes 3 months to 2 years. Editing is horrible and my worst enemy. I will never submit a story to a publisher until it is as good as I and other professional editors can make it.

Do you think your life experiences influence or hinder your writing?

Yes, my experiences have definitely influenced my writing in many, many ways. To begin with, I was precocious as a kid, living in a very small town. I burned down a barn (accidentally) at age four and was the first four-year-old to be arrested for arson. The police eventually took me out of lockup and turned me over to Dad. My father levitated me and performed extreme discipline, yelling, "Four years old and already arrested and in jail." (Lucky I lived through that.) At age 19, I joined the Army, was lifted out by the government because of my test scores and personality traits. Then I trained and served behind the Iron Curtain monitoring Russian activity. After discharge, I went back to Berlin as a civilian with higher pay and performed the same functions for several more years. I then worked my way through eight universities, earning five degrees, including a Ph.D. Later I was hired as a Child Protection Worker in a high-risk city. In that capacity, facing drug-dealers and guns while trying to remove children, with or without police assistance, was in many ways more dangerous than being behind the Iron Curtain. It forced me to see the "belly of the beast" and nearly destroyed my health. I don't understand my proclivity for dangerous jobs, but I did them to the best of my ability.

Writers write based on what they know and have experienced. Going back to my childhood, I worked beginning at age six doing chores around the house. My parents were stern taskmasters, and I was responsible for helping keep the much-needed garden weeded and watered. Later, I worked for others. I was hired as a grocery store worker at age 10 to help purchase my own clothes. Among many other jobs were oil field worker, construction, foundry work, and salvage diver. (Nothing really out of the ordinary as all of us born in the '40s worked from childhood on. We had to; most of us were poor.)

I understand you have an upcoming release. Where did the idea spring from?

STRONG WOMEN OF THE WEST Anthology is my latest and will be released by Condor Publishing, Inc., in January 2021. I wrote this book as a tribute to my mother and all strong women wherever they may live. My mother was tough and did everything she could to keep me on the "straight and narrow," and sometimes not so gently. She would have won World War II if they had put her in charge. She declared war on dirt and on bad behavior in our house—she won. I admire strong, intelligent women. To me, intelligence is a beautiful thing and lasts a lot longer than good looks, which, of course, is superficial and overrated. The idea of writing about strong women came naturally, and some of the stories in this work were written decades ago. Women make up half the population or more and should have been running this world ages ago. (Look what a mess men have made of it.)

I have to ask are you a plotter or a pantser?

All my life stories came into my head—beginning, middle, and end. The majority I never wrote down, and they are lost forever. But some 500 or more, long or short, were written as they came to me, nearly fully composed. (Of course, they all needed rewrites and further research.) My best books or short-stories are those I wrote non-stop within a few days as fast as I could type. But as stated before, the editing takes forever…

Do you follow a routine or write when the muse strikes?

I used to write every day. I am old, and now I take my time. Besides, I have those many manuscripts that are finished and need editing.

I also have many other stories that are not complete. It is a terrible thing not to finish a manuscript. I am currently attempting to work on some of them. In my conversations with other writers, I am not alone in this.

Which is your favorite to write, short stories, novellas, or full-length novels?

SHORT STORIES capture a world and define it, mesmerize, and end with a concise conclusion. The short story is my favorite because it makes the reader think, wonder, and fill in the unwritten details.

Is there a process where you find your next story, or does the idea just hit you?

It smacks me in the face…and pleads to be written down.

We all have something that makes us unique. Is there anything else you feel people would like to know or would be surprised to learn about you?

Reading saved my life when I was a child. I started school too early (four-years-old) and was in a fist-fight nearly every day throughout grade school. Books were my world, along with avid fishing and hunting. What fish and game I brought home, the family ate. There is no better meat than venison.

Do you write in other genres?

(Science Fiction, don't tell anyone. A book of short stories will come out someday.)

What are your favorite areas of research, and why are they important to you?

Any credible book, article, or interview helps a writer. Most research material available to a writer is endless. Details sometimes on a rarified subject are hard to find.

The Indian experience (my Indian friends do not like the term Native American) and their decimation, for example, has never really been told as to how gruesome it was. The deliberate elimination of Indians, tribe by tribe, from the East Coast to the West Coast is our shame and our holocaust. Historians didn't tell the truth (and often still don't) and did not document exact details, and they participated and exulted in the Indian's demise. We are fortunate that any tribe exists today. In this very present time, treaties and promises have not been kept. Indians still live isolated and in abject poverty; treaties are still broken, and land is still stolen. Wish I could write about it in more detail, but it is such a horrible history, beyond human understanding.

Research is essential; we try to get it right. All writers make mistakes, but hopefully, we do the best we can.

Thank you Charlie for the interview. Wishing you the best on the upcoming release.  For those who would like to know more about Charlie and his books, check out the following links.

Amazon Author Page - Charlie Steel

Charlie Steel - Website

New Year's in the Old West

 People have been celebrating the beginning of the New Year for at least four thousand years (probably since we discovered what a “year” actually was). Most civilizations have similar customs: eating special foods, celebrating with a party, making resolutions, and setting off fireworks.

 

Your Old West characters wouldn’t have celebrated much differently than you do yourself. They’d have started celebrating on December 31 and probably kept going for some time after midnight. They may or may not have had fireworks – depending on where they lived and whether or not they had the cash for such frivolities. They’d probably have sung “Auld Lang Syne” though and may have followed the traditions of their ancestors.

 

If your parents were Spanish or Mexican, they’d have eaten one grape for every peal of the church bell at midnight. This was said to bring 12 sweet months ahead. If you came from Austria or Hungary, pork would be on the menu because pigs represented progress and prosperity. Beans, which resemble coins, were also representative of prosperity. Italians ate lentils and Americans living in the South enjoyed black-eyed peas. In the Netherlands and Greece, ring-shaped cakes and pastries symbolized that the year had come full circle, and in Sweden and Norway rice cakes were baked with an almond inside one cake. Whoever found the almond was said to be certain of good fortune all year.

 

If your family was English, you might leave your “dirty” money outside on the night of December 31 and take in the “clean” cash after midnight. In Scotland, they believed the first guest of the New Year was very important. They called this practice “first-footing” and felt that the perfect first visitor was a tall, dark male bearing a lump of coal, some shortbread, salt, a black bun, and a “wee dram” of whiskey. Swiss ancestors might teach that dropping a dollop of rich whipped cream on the doorstep will usher in riches for the New Year.

 

The practice of making a New Year’s resolution is believed to have started in ancient Babylon, where citizens paid off debts and returned borrowed tools as well. They believed that their resolutions impressed the gods and caused them to look favorably upon that person. After a wild New Year’s Eve party, most people would resolve to drink less and go to bed at a decent hour!

 

January 1 wasn’t even thought of as New Year’s Day until Julius Caesar introduced the Julian calendar in 46 BC. Before then, every culture celebrated on different days depending on which calendar they used. The Chinese set the date at the second new moon after the winter solstice. Egyptians, on the other hand, celebrated at the annual flooding of the Nile river, which coincided with the rising of the star Sirius. Julius Caesar decreed that the first day of the year would be January 1, honoring Janus, the Roman god of new beginnings. In medieval Europe, Christians changed the date to celebrate New Year’s on various other holy days, from December 25 to March 25 (the Feast of the Annunciation). In 1582, Pope Gregory XIII reestablished January 1 as New Year’s Day.  

 

Your character could celebrate New Year’s any way you choose, picking from one or several cultural traditions. The important thing is to celebrate the beginning of a new cycle in their life. May your modern New Year be a healthy and prosperous one, with good fortune for you and your family.

 

J.E.S. Hays

www.jeshays.com

www.Facebook.com/JESHaysBooks

NEW YEAR'S RESOLUTIONS--THE ULTIMATE LIST by Cheryl Pierson

I found this list on Pinterest. Though I don't make New Year's resolutions anymore, I thought this list was pretty inspiring and had some good things that we all might be able to use. I'm going to pick at least ONE to make life better in 2021. Not sure what, though. It has to be something that I can actually do (not like going to the gym three times a week or anything like that). I see one that calls to me--CLEAN OUT ATTIC. Now, it might take me all year to do it, but by golly, that's gonna be my "tough one" for this coming year. And maybe I'll pick something else, too, like LEARN SOMETHING NEW. It's been so long since I played the piano or the guitar, that might count as learning something new...all over again. LOL! What about you? See anything on this list that might be an inspiration?

Bob McKee- Did you know?

 Western Fictioneers is excited to share another author interview with one of our members. Today we are spending some time with Robert D. (Bob) McKee. 

Those of us who write sometimes know from the start that it's our calling, while others need a lightning bolt to hit them. When did you realize you wanted to be a writer?

I would say the seed was first planted when I was fourteen or so. I had always been a reader, but it was about that time that I became an “avid reader.” I gulped down everything I could get my hands on. Then, at about sixteen, I came to realize that some of the people I was reading were better writers than some of the others. There really was a difference. From then on I honed my reading list. At some point, I told myself that “I think maybe I could do this,” but it was another twenty-six years before I seriously gave it a try.

Did you choose the genre you write in or did it choose you?

I guess I’m not sure what the answer to this question is. No matter what genre I’m writing, I’m writing mysteries. My published novels are Westerns, or, since mine are not traditional Westerns, the publisher refers to them as Frontier Fiction. They all take place in the West between 1880 and 1900. Even so, they are all, to one degree or another, mystery/suspense/thriller. I’m not sure I can write anything else, so I suppose it has chosen me.

Some say we tell the stories of our lives when we write. Do you think your life experiences influence or hinder your writing. 

In the sense of technique and style, my life experiences very much influence my writing. I spent thirty-seven years as a court reporter. During that time, I listened to and wrote the words of literally thousands of deponents and witnesses. The question-and-answer format of a courtroom is, most of the time, conversational. Because of that, I have listened very closely to millions of words of conversation, which has given my dialogue, I think, a more realistic and natural sound. At least it has given me the “ear” to recognize when my dialogue sounds stilted or forced and lets me know that the scene needs another trip or two through the word processor.

Where did you get the idea for your latest release?

My latest release is a very nice paperback edition—put out by Sundown Press—of my novel, Killing Blood, which first appeared a few years ago in hardback, published by Five Star Press. To the question of where did I get the idea, I don’t get an idea—not a big, novel-sized idea, anyway. I get the idea of a very basic protagonist, and I get the idea of a very basic place and the situation in which to put him. I then watch what he does and write it down. Eventually, after following him around for 70 to 80,000 words, I have a novel.

The eternal question, are you a plotter or a pantser?

I am not a plotter. For years I wanted to be. I thought you couldn’t write a novel unless you first outlined a plot or at least laid out a five-to-ten-page plotline or plotted in whatever way the particular book I was reading at the time on “how to write a novel” told me to do it. The only thing I learned from all that was that I couldn’t do it. And because I couldn’t do it, I was years later than I should have been in getting a book finished. At age forty, I decided it was time to start trying to write or give up on the idea. So, since I knew I couldn’t write a novel, I began with short stories. I didn’t need to outline the plot of a story; I could merely start writing and see what happened. After five years of that, my stories began to get published and even win a few prizes. I eventually had the thought of trying the same process with something longer, and it worked.

A writer does not need to know where his story is going when the story begins. If you do, great, but it’s not required. In fact, I believe allowing your characters to decide what happens next makes the writing more organic.

Do you have a writing routine you follow or do you write when the muse strikes?

For me, there is no muse who, with a lightning bolt, sends me an idea. That doesn’t mean there’s no such thing as a “muse,” but my muse chooses to sit in the chair next to me, and she makes suggestions along the way.

If you had a choice, which is your favorite to write, short stories, novellas, or full-length novels?

This is not something I came up with. I heard it, and I don’t remember where or from whom, or if this is even the exact quote. But here goes:

“A man asked the novelist why he writes novels, and he answered, ‘Because I’m not talented enough to write a short story.’

“The man then asked the short story writer why he wrote short stories, and he answered, ‘Because I’m not talented enough to write poetry.’

“The man then asked the poet, why he wrote poetry, and he answered, ‘Because I’m not talented enough to write haiku.’ ”

That doesn’t precisely answer the question, but I like the quote, so I threw it in.

Thank you for a fun interview. For those who would like to know more, you can visit Bob's website: https://robertdmckee.com/  You can also find his books on Amazon: Killing Blood , Gypsy Rock - Large Print , Dakota Trails

Watch for more Western Fictioneer author interviews in January and the rest of 2021.

MERRY CHRISTMAS TO ALL!

Christmas Rush by Jack Sorenson

HERE'S HOPING YOU AND YOURS HAVE A WONDERFUL CHRISTMAS AND A FANTASTIC 2021 AROUND THE BEND!
BEST WISHES FROM THE WESTERN FICTIONEERS!

Colorado Holiday Traditions Through the Years

 Post by Doris McCraw writing as Angela Raines

So what do you do to celebrate the holidays? Of course, this year is a bit different, but all traditions morph over the years. 

On December 26, 1866, the Colorado Transcript -from Golden City ( Golden CO) had this memory they shared:

By 1876, the year Colorado became a state, the following was found in 'The Colorado Banner', Boulder, CO in the December 28th issue.

I could not pass up this short piece from the 'Crystal River Current' Crystal, CO. of December 4, 1886

And in 1896 'The West Side Citizen', Colfax, Villa Park, CO on December 25, reported a new tradition from an old in New York.

So as you can see by the examples, Holiday traditions are ever-changing. I admit I miss getting up on Christmas morning to see what 'Santa' had left under the tree, but the joy of spending time with family, friends, or at work, is what the season is about for me. Sharing my life and joys with those I care about, even if we are not in the same physical place. They are always in my heart.

Wishing everyone a blessed, joyous season for you and all those you love and care about. See you in 2021 for more stories, history, and just plain fun.

Doris Gardner-McCraw -

Author, Speaker, Historian-specializing in

Colorado and Women's History

Angela Raines - author: Telling Stories Where Love & History Meet

Books: Angela Raines Books

El Paso, Marty Robbins, and Dec. 21, 1959 by Kaye Spencer #westernfictioneers #martyrobbins #countrymusic

 

Marty Robbins’ album, Gunfighter Ballads and Trail Songs, was released in September 1959. El Paso, one of the songs on the album, was released as a single in October.

From there, the song’s popularity grew, and Marty was on his way to making country music history.

Back in the music industry days of c. 1959, recording labels rarely took chances on songs that were over three minutes long. There was a belief that disc jockeys wouldn’t play, and radio listeners wouldn’t tolerate, songs that ran longer.

El Paso was 4:40 long. Oops.

Marty’s recording label, Columbia, released El Paso as a 45 rpm single with more than a minute cut from of the song. This was Side A. Side B had the full, unedited version, but record labels generally regarded Side B as filler or extra value for your dollar and not as a potential hit song. Also, the side a 45 rpm the recording company wanted to get the most air time was marked as the ‘plug side’, and disc jockeys were expected to honor that.

But music-listening tastes are often misjudged by record companies, and there have been numerous Side B songs that became as, or more, popular than the Side A song.

***Diversion for the curious among us—random examples of famous Side B songs. Read more HERE

• Ricky Nelson – Hello Mary Lou
• Roy Orbison – Love Hurts
• Queen – We Will Rock You
• Beatles – I Saw Her Standing There
• Rolling Stones – You Can’t Always Get What You Want
• Monkees – I’m Not Your Steppin’ Stone
• CCR – Have You Ever Seen the Rain
• Elvis – Hound Dog
• KISS – Beth
• Rod Stewart – Maggie May
• Righteous Brothers – Unchained Melody
• Hank Williams, Sr. – I’m So Lonesome I Could Cry
• Johnny Cash – Get Rhythm
• Don Gibson – I Can’t Stop Loving You
• Chuck Berry – Memphis, Tennessee
• Beach Boys – 409
• Four Seasons – Silence is Golden
• Buck Owens – Cryin’ Time

 Back to El Paso…

It didn’t take long before listeners demanded to hear the full-length version, which helped propel El Paso to the No. 1 position on the U.S. Chart and Country Songs Chart on December 21, 1959. (Go HERE to look up songs and dates)  

I recommend this short essay by Diane Diekman at the Library of Congress LOC about Marty Robbins and how he came to write El Paso.

El Paso entered Billboard’s Country Chart in early November and reached number one on December 21, 1959. The song achieved ‘crossover status’ when it reached No. 1 on the pop chart on Christmas Day. El Paso stayed at No. 1 for seven weeks, giving it the distinction of being the first No. 1 hit of 1960.

El Paso and Marty would receive the honor of being awarded the Grammy for Best Country & Western Recording in 1961.

So, today, on the 61^st anniversary of El Paso reaching No. 1 on the music charts, we must raise a glass to Marty and his iconic song.

 

For those of you reading this on your phones, here is the YouTube link for the song El Paso.

https://youtu.be/7UVVS5-9HvA

Until next time,
Kaye Spencer

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What's the Score? The Alamo (1960) by Dimitri Tiomkin

As far as John Wayne movies go, The Alamo (1960) ranks pretty far down the list—somewhere near The Cowboys, the other Wayne film where we see our hero meet his maker.

Still, I can’t deny The Alamo is a classic Western film, and it’s not because Wayne directed it. While the cast of Richard Widmark, Laurence Harvey, Richard Boone, Joan O’Brien, and Chill Wills put in some stellar performances —for me it’s Dimitri Tiomkin who steals the show with the score.

I mentioned Tiomkin briefly before for his 1953 Academy Award won with Ned Washington for the original song from High Noon, “Do Not Forsake Me, Oh My Darling” sung by Tex Ritter.

For the Alamo, he again received an Oscar nomination (with Paul Francis Webster) for a song, “The Green Leaves of Summer,” sung by the Brothers Four. While it didn’t win the award, the score as a whole won a Golden Glob Award.

The “Ballad of the Alamo” performed by Marty Robbins is another well known song from the soundtrack, and it’s been voted one fo the Top 100 songs of all time by members of the Western Writers of American.



There’s more to like than just these popular tracks however. Tiomkin does a remarkable job capturing the brooding flavor of the Alamo’s story, introducing Mexican / old west flourishes at various intervals, and rising to rousing heights when the narrative demands it.

I like The Alamo soundtrack as much as any of the scores I’ve written about, and would easily put it in my top five. Give the embedded video and listen and see if you don’t think so too.