Showing posts with label James Arness. Show all posts
Showing posts with label James Arness. Show all posts

Friday, February 17, 2017

Dodge City and Me

Dodge City and Me


Troy D. Smith
I love me some Gunsmoke.









And I’m clearly not the only one. Gunsmoke is the 
longest running dramatic series in television history 
–broadcast from 1955 till 1975, for a total of 20 seasons. 
Law and Order, a show I also love, managed to tie this feat 
–but with a caveat. The cast of L&O turned over several 
times during its run, with none of the original ensemble 
group making it the whole time. In fact, the longest tenure 
of any original first-season L&O character was five seasons 
(Mike Noth’s Det. Logan, although he did appear several 
seasons in the spinoff Criminal Intent.)








On the other hand, the four main characters introduced 
in the first episode of Gunsmoke had staying power. 
Marshal Matt Dillon remained the central protagonist for 
all 20 seasons. Doctor “Doc” Galen Adams also appeared 
for 20 seasons, although he missed most of Season 17 due 
to heart surgery. Miss Kitty made it for 19, leaving before 
the final year. Even the short-timer, Chester Goode, made 
it partway into the ninth season.










Kelsey Grammer’s “Frasier Crane” character tied Matt 
Dillon for longest run of an actor in a television role 
–but there is a similar caveat there. Frasier was not 
introduced on Cheers until the third season, and for two 
years was only a recurring guest rather than a featured 
cast member. James Arness brought Matt Dillon to the 
small screen as the main character of a program for 
twenty consecutive years –plus a series of TV movies, 
from 1987 till 1994. So in a way, James Arness played 
Matt Dillon for closer to 40 years.













But even twenty years is a big chunk of time. When 
Gunsmoke premiered my father was eleven years old. 
When it was cancelled I was almost eight –and when 
the final TV movie featuring retired marshal Matt Dillon 
aired, I was 26 and a father myself. To this day, love of 
Gunsmoke continues to be one of the bonds between my 
father and me, and we discuss it often.








I remember watching “The Deadly Innocent” with my 
grandma –and IMDB.com informs me this was on 
Dec. 17, 1973. I distinctly remember watching “The Tarnished 
Badge” –in which Victor French, whom I recognized as the 
kindly Isaiah Edwards from Little House on the Prairie, played 
a vicious sheriff that Matt had to bring to justice. The next day I 
re-enacted the story with my Marx cowboy action figures on the 
red clay banks behind our home (Johnny West was Matt Dillon, 
and Pat Garrett was the evil sheriff.) Whenever I think of that 
episode, I smell that red clay. That was Nov. 11, 1974.








That year my mom was in the hospital for awhile. My 
step-father, my older cousin, and I were on our own for 
several days. I remember our efforts to make breakfast 
that Sunday morning… the result being biscuits so hard 
you could break a window with them, and gravy so thick 
it was hard to pull the spoon out of it. And we watched 
the two-part episode “Island in the Desert,” in which 
Festus was held captive by a crazed prospector played by 
the great Strother Martin (who had a pet rattlesnake named 
Homer.) In a bizarre sort of family tradition, for years 
afterward we delighted ourselves in imitating Martin’s 
distinctive nasal voice: “Bite’im, Homer!” “I’ll cut ye, Festus, 
and I’ll cut ye good!” That was early December, 1974.








When I was 18 I had a job buffing floors at Wal-mart 
–back in the days when such stores actually closed at 
night, from 9pm till 9am. The floor guys would be locked 
in overnight. The other floor guy became my best friend 
–and he was a huge Gunsmoke fan. Syndicated repeats 
showed on the local Fox outlet at 10 pm every weeknight… 
when we were at work, yet before the rest of the employees 
went home and got out of our way. We had a contraband 
VCR tape that we kept hidden above the ceiling tiles in the 
janitor’s closet… every night, just after we got to work, we’d 
secretly stick it into one of the display TV/VCR’s, turn it to 
the proper channel, and push record. Every morning at 2am 
we’d retrieve it and watch Gunsmoke on our lunch break. 
Those are some great memories. And beyond that, the steady 
western diet contributed to me writing my own western stories 
at night while locked in those stores, never dreaming that I 
would one day be a published author.








I’m willing to bet that many of you have your own Gunsmoke stories, 
and I invite you to share them in your comments.


It’s hard to get out of Dodge.

Saturday, September 28, 2013

Favorite Western TV Series: Gunsmoke


Troy D. Smith

I have no problem picking my favorite Western TV series- it's the grand-daddy of them all, Gunsmoke. I would have trouble picking my #2- I'm also a huge fan of Have Gun: Will Travel and Maverick, as well as more recent shows like Deadwood. But my first love is Dodge City. And why not? It's the most iconic of the "adult" westerns to hit the tube in the 1950s, running for twenty seasons.


I don't need to describe the show for you. You know about Marshal Dillon, Miss Kitty, Doc Adams, and the rest. Instead, at the end of this article, I will post links to several essays I have written about different aspects of the show at my own blog.

For today I will focus on my favorite episode. Now that's a tough one, there are probably dozens of contenders. But the one I always go back to is an episode from the Eighteenth season, "A Quiet Day in Dodge." (note: okay, the two-part "Island in the Desert" would be #2.)

The episode first aired on January 29, 1973, so I probably saw it in its first run. It's one of the humorous episodes, thrown in now and then to break the tension, and while it's quite funny that's not the main reason I like it so much. I like what it tells us about Matt Dillon and Miss Kitty, and their relationship.

The story opens with Matt riding into town just after dawn, a prisoner in tow. He locks the guy up, and then retires to his own cot- he has been up for 36 hours, and all he wants out of life right now is a peaceful sleep.



But he's not going to get it.

As the day progresses, an increasingly rumpled and grumpy Marshal Dillon has to deal with a host of problems, all designed to keep the sandman away.


Festus, who is apparently one of those annoying, chipper morning people, makes an ungodly racket cleaning fish in the office.

Matt's prisoner stabs him in the hand with a fork.

A young whippersnappery rapscallion, with overly permissive parents, terrorizes the town.



A crotchety old lady harangues the marshal over what she deems his lapses in duty (played by Margaret Hamilton, the Wicked Witch of the West herself.)



A brawl breaks out in the Long Branch, started by two grizzled old miners.

But the worst of it all... Miss Kitty is royally ticked off at Matt. It seems they had a picnic scheduled for the day before, which had been put off several times, and -yet again -Matt missed it because of work.

Finally, by the end of the day, Matt has managed to solve all the problems (including that of the kid, whom he gives a good spanking.) He even patches things up with Kitty; she makes him a special dinner, which they share in her room. It is pretty obvious what Miss Kitty has in mind for dessert.

This is one of the very rare glimpses we get into what goes on behind closed doors between the two longtime paramours. Remember that Toby Keith song, when he said Matt never did hang his hat at Kitty's place? Well, he does... and with a very domestic sort of familiarity.


But then, Kitty turns her back for a moment.... and the exhausted marshal is stretched out on her bed, snoring like a banshee. Not quite what she had in mind. The quietly fuming Miss Kitty breaks a porcelain pot to see if it'll waken her beau, but he doesn't stir. She marches downstairs to the bar -pouring beer over the heads of the two miners -then heads out the front door. The ever-protective bartender Sam calls after her, "It's awfully late, you might be molested!"



She laughs sarcastically and says "Really!" The implication, of course, was that she had been trying all day.


For the better part of two decades, the real relationship between Matt and Kitty was sort of between the lines. In this episode, we finally get an idea what they had been up to upstairs all those years. Although... not on that particular day.

Click on this link to see a blooper from the episode, in which the Wicked Witch cracks up the whole cast with a very unexpected ad-lib: http://www.youtube.com/watch?v=2ngveiYIaeQ

And here are my previous blogs about the show:

Gunsmoke, Dodge City, and Me

Marshal of What, Exactly?

Chester vs. Festus

Matt Dillon's Dodge City: A Historian's Nightmare











Tuesday, June 4, 2013

Karen Michelle Nutt: Legend and Myth of the Cowboy


Legend and Myth of the Cowboy
by Karen Michelle Nutt
Whether it is a John Wayne classic, or the Alias Smith and Jones TV series where a pair of cousin outlaws try to reform, or the lighthearted fun of the Apple Dumpling Gang, westerns have fascinated people of all ages. What is the fascination? Is it the time period? The shootouts? The wide-brimmed hat?



I tend to think it stems back to our love for myths, legends, and folk tales. It’s the quest that calls the cowboy to take on the adventure. They have a sense of justice and chivalry the knights of medieval times once had. They’ll go out of their way to defend a woman or a child’s honor. They stand for what is right and work toward stomping out evil.


However, that’s not all that draws the attention. Who can ignore JohnWayne’s confident swagger, the cool demeanor of Bret Maverick played by James Garner? The sweet-talkin’ Luke Macahan played by Bruce Broxleitner in How the West Was Won had me dreaming about cowboys. Hannibal Heyes played by Pete Duel in Alias Smith and Jones was my first cowboy crush. At nine years old, I couldn’t resist his mischievous smile, and today I still get a kick out of watching the show.



Westerns with a sci-fi or paranormal twist fascinate me as well. Nathan Fillion as Malcolm Reynolds in the western space drama Firefly is a rugged outlaw, who still does the right thing at the end of the day. Steampunk cowboys are a favorite of mine, too. The Wild, Wild West falls into the western steampunk category, and aired long before steampunk became a known genre. James T. West (Robert Conrad) was fearless and handsome in his cowboy hat. He sure knew how to fight off bad guys. Artemus Gordon (Ross Martin) was the brilliant gadgeteer and master of disguises. Gotta love them both.
Sheriff, gambler, outlaw, steampunk adventurer- my heart skitters a beat or two faster when the man donning a cowboy hat strolls into town.
Steampunk, Cowboy Hats and Gadgets

My steampunk historical western, Storm Riders, takes place in the mining town of Bodie, located in California. The Storm Riders ride the storms for time travel. Their mission is to keep the time line flowing. There are three destinies, three paths for each decision a person makes, but if one of the roads becomes tangled, a Storm Rider must step in and repair the rift before the dimensions collide. I’ve combined the western, fantasy (time travel), and historical elements for my tale. It’s how I’d imagine the wild west would look if the future stopped by for a visit.
How could I not have a story with Outlaws and Sheriffs?



In my western tale, WANTED, six year-old Emma is convinced her Christmas wish and premonition has come true when outlaw JoBeth Riley is brought into town and locked behind bars. Emma’s father, Sheriff Jace Kelly, must keep JoBeth from being broken out by the leader of the outlaw gang, who is determined to have JoBeth by his side once more.
JoBeth finds the Kellys a strange lot when forced to spend Christmas with them. The little girl believes her dreams are tales of the future and the rugged sheriff kindness proves to be a distraction. She’s an outlaw for heaven’s sake, but Jace is bound and determined to steal her heart. 

Penning tales is my first love, but I also create book covers for Western Trail Blazer and Gillian’s Book Covers, “Judge Your Book By Its Cover”. You might recognize a few of these covers by these talented authors:


Judge Your Book By Its Cover: We offer Pre-Made Covers for all genres, but here are a few of our western pre-made covers. We will not resale the same cover. If you're looking for something in particular, but don't see it on our website, let us know. We will work with you to create the perfect cover for your next best seller!!

About the Author:


Karen Michelle Nutt resides in California with her husband, three fascinating children, and houseful of demanding pets. Jack, her Chorkie, is her writing buddy and sits long hours with her at the computer.
When she’s not fighting outlaws, vampires, shape shifters or fallen angels, she creates book covers. You can find her cover art at: Gillian’s Book Covers, “Judge Your Book By Its Cover”.
Whether your reading fancy is paranormal, historical or time travel, all her stories capture the rich array of emotions that accompany the most fabulous human phenomena—falling in love.

Gillian’s Book Covers, “Judge Your Book By Its Cover”:
Amazon Author Page:

Saturday, June 4, 2011

THE OTHER GUNSMOKE


by Jim Meals (James Clay) 

No doubt, the recent death of James Arness has caused many western fans to reflect on some fine memories. I recall growing up with two very good, but also very different versions of Gunsmoke.

The story goes that Gunsmoke began when CBS President Bill Paley asked for a western radio series with a main character modeled after Raymond Chandler's Philip Marlowe. Gunsmoke premiered on radio on April 26,1952 and the early episodes would seem to confirm this account. In the words of the show's producer, Norman Macdonnell, Matt Dillon was "..a lonely, sad, tragic man."

Dodge City was a dark place in the show's early years. Doc Adams was a ghoulish character who delighted in mutilated bodies. The only man Matt could really trust, Chester, was mentally very limited. As for Kitty, well, in the words of Macdonnell, "...Kitty is a prostitute plain and simple."

As the radio series progressed the characters softened to a degree. Doc lost his morbidity, but he remained an erratic individual given to drink and a bit lecherous. Chester became, in the words of Parley Baer, the actor who played him, “...a dependable nonthinker” and the relationship between Matt and Kitty became more affectionate, if also more vague. But the biggest change came in how all of these folks related to each other. After a year or so, they actually began to enjoy each other’s company.

When the TV version of Gunsmoke was in its early stages, a pilot was made using the radio cast. Of course, ultimately, a totally different cast was employed for the tube. Apparently, the pilot with the radio actors has been lost, a sad development for students of the western.

Comparing the TV and radio casts is a fool's errand but here goes: James Arness’ Matt Dillon was more in the traditional mode, while on radio, William Conrad portrayed Matt as a short-tempered, driven man. The Chandler influence never got completely scrubbed from the radio program. Milburn Stone’s Doc was a physician the AMA would heartily approve of, unlike Howard McNear’s radio version. Chester’s limp was a TV innovation which Dennis Weaver employed well. 

A long overdue tip of the hat is here given to Georgia Ellis. Her Kitty had depth, strength and vulnerability in a characterization that Amanda Blake found hard to match.

Gunsmoke left radio on June 18, 1961. The show’s departure left behind only two half hour radio dramas. Those two programs were both on CBS and both departed on September 30, 1962. The golden age of radio was officially over.

(Thanks to John Dunning’s The Encyclopedia of Old-Time Radio which was a help in preparing this article.)